
Ali Wong Tour 2026
Next Ali Wong Shows
The 8 closest dates from the live Ticketmaster feed.


Ali Wong Live

Ali Wong Live

Ali Wong Live

Ali Wong Live

Ali Wong

Ali Wong Live

Ali Wong
Ali Wong Tickets Near You — Shows by City
11 citiesAli Wong is playing 11 cities this tour. Tap any city for exact dates, venue info, seat prices, and parking.
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5 showsIs Ali Wong Coming to Your City?
2 / 12 citiesLive tour status for Ali Wong across the 12 biggest North American markets — refreshed daily from Ticketmaster. Tap any "not yet" city to see the closest confirmed date.
27 upcoming Ali Wong concerts across 11 cities in North America. Live Ticketmaster availability refreshed daily.
- When is Ali Wong's next show?
- Sat, July 25, 2026 at Neal S Blaisdell Concert Hall.
- Is Ali Wong touring near me?
- Playing 11 cities in 2026. See the "Tickets Near You" section below for your city.
- How do I get Ali Wong tickets?
- Tap any date below to checkout on Ticketmaster — listings here are official primary tickets, refreshed daily.
- What time does the show start?
- Most Ali Wong shows start between 7 and 9 PM local, with doors 60–90 minutes earlier. Exact time is on each ticket.
- How long is the concert?
- Roughly 90–150 minutes including the opener and a short encore.
About Ali Wong
AAli Wong is the American Stand-up artist touring in 2026. 27 confirmed dates across 11 cities this run. Tour routing typically spans major North American cities, with Canadian stops usually including arena-sized venues in Toronto, Vancouver, Calgary, Edmonton, and Montreal, and US stops covering New York, Los Angeles, Chicago, Miami, Seattle, and other top metros.
Cheapest Ali Wong Tickets — 5 Ways to Save on the 2026 Tour
Ali Wong tickets can move fast, especially for big-city dates, but there are a few reliable ways to land the best price.
- Buy during the official on-sale window. Face-value primary tickets on Ticketmaster are almost always cheaper than resale — the listings above show primary availability first.
- Consider mid-week shows. Tuesday and Wednesday Ali Wong dates often list 15 to 30 percent lower than weekend stops in the same city.
- Go upper-level. Upper 300-level or balcony sections typically start near $45 to $75 and still offer a strong view of the stage.
- Watch last-minute drops.Resellers often slash prices 24 to 48 hours before doors open, especially for mid-week dates that haven't sold out.
- Compare nearby cities. It can be cheaper to drive 2 to 3 hours to a smaller market — check the full cheap Ali Wong tickets guide for current low-priced dates.
Ali WongVIP Packages & Meet & Greet Options
When available, Ali Wong VIP packages are offered directly on Ticketmaster alongside the standard tickets for each tour date. VIP experiences for Ali Wongconcerts often include early venue entry, a premium seat or pit access, an exclusive tour merchandise item, and occasionally a pre-show soundcheck or photo opportunity. Meet and greet packages, when offered, sell out fastest — if you see one listed on the show page above, it's worth grabbing immediately. For the full breakdown of current VIP and meet and greet options on this tour, see the Ali WongVIP & meet and greet guide.
Ali WongPresale Tickets & Codes
Presale windows for the Ali Wong 2026 tour typically open 1 to 3 days before the general on-sale and are the best way to lock in seats before inventory drops. The most common presales for Ali Wongtour stops are Ticketmaster Verified Fan, Live Nation presale, the artist's official newsletter or fan club, and credit-card presales from Citi, American Express, or Capital One in North America. Sign-up links usually go live from the artist's official site 1 to 2 weeks before the on-sale. See the Ali Wong presale guide for the current active codes and sign-up deadlines.
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Inside Ali Wong
Ali Wong is the stand-up comedian who reset the template for what a Netflix special could be and the actress who turned a year of Beef into the rare comedy-to-prestige-drama jump that the industry actually rewarded. By the time Baby Cobra dropped on Netflix in May 2016 — filmed seven-and-a-half-months pregnant at the Neptune Theatre in Seattle and shot for what was, by Netflix-original standards then, a relatively modest production budget — she had already changed the assumption that a pregnant comedian in a tight dress could not anchor a flagship comedy hour. Hard Knock Wife followed in 2018, filmed seven months pregnant with her second daughter, doubling down on the bit that the first special had built. Don Wong in 2022 ran the divorce-era reset directly into the act — frank sexual material, the open marriage years, the touring-comedian-as-mother math — and Single Lady in 2024 finished what Don Wong started, with a freshly divorced 41-year-old in a cocktail dress at the Wilshire Ebell Theatre in Los Angeles working through the dating-app years and the practical mathematics of being the breadwinner in a Hollywood marriage that had ended. Beef on Netflix in early 2023 delivered the prestige-drama lap: Best Limited Series at the Emmys, Best Actress for Wong, eight wins across the awards run, and a Lee Sung Jin-created road-rage spiral opposite Steven Yeun that became one of the most decorated streaming launches of the year. This page is the catchmovement hub for Ali Wong tour dates, ticket links, and city-by-city venue notes for the markets where she runs theater-format and arena-tier headline dates — Los Angeles hometown nights at the Wilshire Ebell and the Greek, New York runs at the Beacon and Radio City, Toronto stops at Massey Hall and the Meridian, the Bay Area network of Berkeley Greek and Davies Symphony Hall, plus the Australian, UK, and Asia-Pacific legs that have anchored every cycle since Baby Cobra. The live schedule above pulls real on-sale dates; the blocks below explain what the room actually feels like, how the ticketing pattern works, and what divides the cocktail-dress front-row from the upper bowl on a Wong night.
About Ali Wong
Alexandra Dawn Wong was born April 19, 1982 in San Francisco, the youngest of four siblings, raised in the Pacific Heights neighborhood of the city by her American-born Chinese father — an anesthesiologist who emigrated from Hokkien-speaking parents in the Philippines — and her Vietnamese-American mother, who emigrated from Huế in the wave following the fall of Saigon. The cultural specifics matter to the act: the bilingual Vietnamese-and-English household, the San Francisco Chinatown grandmother, the boarding-school years at the all-girls San Francisco University High School, the Asian-American academic-achievement framing that runs through every special, and the eventual UCLA undergraduate degree in Asian American Studies are not flourishes — they are the literal source code of the on-stage persona. She graduated from UCLA in 2005, moved to New York to chase open-mics at the Comic Strip Live and the Comedy Cellar's Olive Tree Café, and worked the East Coast club circuit through her mid-twenties, performing nine sets a night across multiple Manhattan rooms during the grind years. She moved back to Los Angeles in the late 2000s and broke through writing for Are You There, Chelsea? on NBC in 2011 and then American Housewife and Black Box across the early 2010s. Fresh Off the Boat — the ABC sitcom about a Taiwanese-American family in Orlando — hired her into the writers' room from 2014 to 2015, the credit that anchored the comedy-television resume before the stand-up specials became the center of gravity. Baby Cobra on Netflix in May 2016 was the inflection point: filmed at the Neptune Theatre in Seattle, seven-and-a-half months pregnant with her first daughter Mari, the special's framing of pregnancy, ambition, marriage, and the practical math of being a working mother became a defining text of the streaming-era stand-up boom. Hard Knock Wife followed in May 2018, filmed at the Winnipeg Comedy Festival's Centennial Concert Hall, seven months pregnant with her second daughter Nikki. The marriage to Justin Hakuta — the Harvard Business School graduate son of inventor and television personality Ken Hakuta — anchored both specials and the running 'married up' joke about a husband with a Harvard MBA and a Filipino-Japanese background; the couple separated in April 2022 and finalized their divorce in early 2023. Don Wong on Netflix in February 2022 — filmed at New York's Lincoln Center's Alice Tully Hall — ran the post-separation reset directly into the act, with frank sexual material, the open-marriage years, and the touring-comedian-as-single-mother arithmetic. Beef on Netflix in April 2023 — the Lee Sung Jin-created limited series opposite Steven Yeun — delivered the prestige drama turn: Best Limited Series at the Emmys, Best Actress for Wong, Golden Globe wins, SAG wins, eight Primetime Emmys across the run. Single Lady on Netflix in 2024 — filmed at the Wilshire Ebell Theatre in Los Angeles in a fitted black cocktail dress, freshly divorced, working the dating-app years — closed the Don Wong arc and reset the persona for the post-marriage tour cycle. Film and animated voice credits stack around the stand-up: Always Be My Maybe with Randall Park on Netflix in 2019, Tuca & Bertie opposite Tiffany Haddish on Adult Swim, Big Mouth as Ali, Birds of Prey, Inside Out 2 as Joy's emotion, Paper Girls, and the live-action American Born Chinese on Disney+ as the Guanyin. The relationship with Bill Hader, the SNL alum and Barry creator, became public in late 2022 and has been steady through every special and tour cycle since.
Ali Wong tour dates
Ali Wong tours on a prestige-theater-as-floor pattern that has held since Baby Cobra, with selective arena-tier stops in hometown markets and demand-spike dates that the theater route cannot absorb. Theater-format dates land at the Beacon Theatre on the Upper West Side, Radio City Music Hall and the Theater at Madison Square Garden in New York, the Greek Theatre at UC Berkeley and Davies Symphony Hall in San Francisco, the Wilshire Ebell Theatre and the Hollywood Bowl and the Greek Theatre on the Los Angeles route, Massey Hall and Meridian Hall in Toronto, the Chicago Theatre and the Auditorium Theatre in Chicago, the Fox Theatre on Peachtree Street in Atlanta, the Sydney Opera House and Hamer Hall in Melbourne on the Australian leg, the Eventim Apollo and the Royal Festival Hall in London. Arena-tier bookings on selected demand-spike legs have landed at the Hollywood Bowl on the outdoor cycle, Radio City Music Hall on residency-format runs, and the Madison Square Garden Theater on the bigger dates. A typical headline show runs ninety to a hundred minutes of stand-up — often without a traditional opener — and the visual signature is the fitted form-hugging dress (red on Baby Cobra, black on Hard Knock Wife, the Don Wong red, the Single Lady black at the Wilshire Ebell) that has become a deliberate uniform across the catalog. Material rotates aggressively across the cycle; Wong workshops new bits at almost every date through the Comedy Store and Largo and the Brea Improv before the special tapes, and the lockdown on filming inside the venue means clips do not leak before the next Netflix drop. Phones are not formally pouched at most theater stops in the Yondr style of the Chappelle route, but no-recording policy is enforced strictly through staff sweeps during the show, and arena dates flagged for taping the next special run a full Yondr lockup on the door. The live schedule above pulls directly from the on-sale feed, so once a leg is announced the city, venue, date, and ticketing link appear here automatically.
Ali Wong tickets
Tickets for Ali Wong tour dates go on sale through Ticketmaster, AXS, and the relevant venue box offices depending on the building, with the Australian leg adding Ticketek and Ticketmaster Australia and the UK route adding See Tickets, AXS UK, and the Royal Albert Hall direct box office on the prestige-theater nights. Theater pricing typically lands in the $90–$160 band for upper-balcony seats and the back of the orchestra, $160–$320 for the front orchestra and the mezzanine, and $320–$700 for the front three to five rows on the bigger demand-spike dates. Radio City Music Hall, the Hollywood Bowl box seats, the Beacon Theatre orchestra, Massey Hall main floor centre, and the London prestige theater stalls price closest to the top of the band on the rare-supply nights. Australian theater pricing in AUD typically runs A$120–$320 across the room. Email-list and fan-presale codes drop one to two days before the public on-sale on most dates, with the venue's own membership tier (the Wilshire Ebell members list, the Royal Albert Hall friends, the Beacon Theatre patron program) running alongside. Secondary inventory on StubHub, SeatGeek, Vivid Seats, and TickPick is heaviest in the first week after on-sale and holds price moderately on hometown LA and New York dates; Sydney Opera House and the Toronto runs hold price tighter on Friday and Saturday nights given the limited supply of dates relative to demand. VIP and meet-and-greet packages are not a standard part of the Wong touring model — the show itself is the package, with occasional venue-side pre-show lounge upgrades on Hollywood Bowl and Radio City nights, but no formal face-to-face tier.
Ali Wong setlist
There is no fixed Ali Wong setlist in the song-by-song sense — a stand-up 'setlist' is a sequence of bits and long-form storytelling arcs that rotates show to show and tour to tour. A typical show is built around six to eight long-form story bits anchored to the current special cycle, with shorter connective material between the anchors and occasional crowd-work asides on the front row that the room she is in that night invites. Recurring themes anyone tracking the four Netflix specials will recognize: the Asian-American household and the Vietnamese-and-Chinese cultural specifics, the boarding-school and UCLA years, the open-marriage and divorce arithmetic of the Don Wong era, the dating-app and breadwinner years of Single Lady, the post-divorce mother-of-two practical math, the Bill Hader relationship in flickers rather than full bits, the running 'I am rich now' joke about residual income and the streaming-era windfall, and the still-anchored running material about being a working mother on the road. The 90-minute floor of the show usually closes on a long-form story rather than a hard punch line — a structural signature that goes back to Baby Cobra's pregnancy bit and Hard Knock Wife's postpartum-body closer. Because Wong workshops new material aggressively across the run, no two nights inside the same tour are identical, and the bits that land on the next special are road-tested for months before the taping date is set. Post-show fan threads on Reddit and the setlist-tracking corners of Twitter track the running order on a night-to-night basis.
Tour cities
Los Angeles
Los Angeles is the hometown room — the city where Wong filmed Single Lady at the Wilshire Ebell Theatre on Wilshire Boulevard in 2024, where she developed the working material at the Comedy Store on Sunset, Largo at the Coronet, the Brea Improv, and the Hollywood Improv across the entire post-Baby Cobra catalog, and where Beef shot in early 2023. Theater-format dates land at the Wilshire Ebell, the Greek Theatre in Griffith Park, the Hollywood Bowl on the outdoor cycle, the Dolby Theatre on Hollywood Boulevard, the Wiltern at Wilshire and Western, and the Orpheum Theatre downtown on smaller-leg passes. Arena-tier dates are rare on the LA route — the Hollywood Bowl is the operative ceiling — but Crypto.com Arena and Kia Forum have come into the routing on the bigger demand-spike legs. The LA crowd is industry-heavy and tracks the catalog closely; writers, producers, comics from the Comedy Store and Largo orbits, and the Netflix and Beef-era prestige drama audience all show up on the same nights. Wilshire Ebell orchestra pricing on Wong dates lands in the $150–$420 band; Hollywood Bowl bench seating opens around $80 and the box seats run $250–$700.
New York
New York is the second hometown room — the city where Wong worked the Comic Strip Live and Comedy Cellar grind through her mid-twenties before the Los Angeles return, where Don Wong filmed at Lincoln Center's Alice Tully Hall in early 2022, and where the Beacon Theatre and Radio City Music Hall anchor every recent cycle. Theater-format dates land at the Beacon on the Upper West Side, Radio City Music Hall at Rockefeller Center, the Apollo Theater in Harlem on selected residency-format passes, the Town Hall on West 43rd Street, and the Brooklyn Academy of Music for prestige theater bookings. Arena-tier dates land at Madison Square Garden's Theater on the bigger demand-spike nights. The New York crowd is the densest media-and-comedy crossover on the route — Cellar regulars, writers, the publishing-and-magazine audience, and the broader downtown comedy ecosystem all in the same room. Beacon orchestra pricing on Wong dates runs $150–$380; Radio City orchestra runs $180–$450 on the rare residency-format nights. Lincoln Center stops price slightly tighter given the limited supply of dates per cycle.
San Francisco
San Francisco is the birthplace and the original hometown — the city where Wong was born, raised in Pacific Heights, and where her San Francisco University High School and UCLA-pipeline framing locks the act to the Bay Area. Theater-format Bay Area dates land at the Greek Theatre at UC Berkeley in the East Bay, Davies Symphony Hall on Van Ness in San Francisco proper, the Orpheum Theatre on Market Street, the Castro Theatre on Castro Street, and the Masonic on Nob Hill. The Berkeley Greek is the operative outdoor ceiling — 8,500-seat amphitheater on the UC campus, transit-accessible from BART at Downtown Berkeley with a fifteen-minute uphill walk to the venue. The Bay Area crowd is tech-and-academia-heavy and tracks the Vietnamese-Chinese cultural specifics in a way that meaningfully shapes how the family bits land. Berkeley Greek orchestra pricing on Wong dates lands in the $90–$280 band; Davies Symphony Hall orchestra runs $120–$320. Most fans transit in on BART or Muni rather than driving into the city.
Toronto
Toronto is one of Wong's most reliable Canadian stops and the operative Eastern Canada anchor on every cycle. Theater-format dates land at Massey Hall on Shuter Street, Meridian Hall (formerly the Sony Centre) at Front and Yonge, Roy Thomson Hall on King Street, and the Queen Elizabeth Theatre on the Exhibition grounds for smaller-leg passes. Arena-tier dates on the bigger demand-spike legs land at the Theatre at Great Canadian Casino Toronto and Scotiabank Arena downtown. The Toronto crowd is one of the most diasporic comedy audiences on the route and tracks heavily with the Asian-Canadian Vietnamese-and-Chinese demographic specifics that anchor the Wong catalog — Markham, Richmond Hill, North York, and Scarborough fans transit in on the TTC and GO Transit for almost every date. Massey Hall orchestra pricing on Wong dates lands in the CAD $130–$380 band; Meridian Hall orchestra runs CAD $150–$420. Co-headline nights and Beef-era prestige-drama crossover audiences price slightly higher than the standard headline rate.
Seattle
Seattle is the Baby Cobra room — the city where the Netflix special filmed at the Neptune Theatre in the University District in 2016 changed the touring trajectory and reset the assumption that a pregnant comedian could anchor a flagship Netflix hour. Theater-format dates on every cycle since have landed at the Paramount Theatre on Pine Street, the Moore Theatre next door on Virginia, the Neptune Theatre at 45th and University Way for residency-format nostalgia returns, McCaw Hall at Seattle Center, and Benaroya Hall for prestige-format bookings. The Seattle crowd is one of the strongest Pacific Northwest theater audiences on the route, with Amazon-and-Microsoft tech industry attendance stacked into the orchestra and the broader Cascadia comedy audience pulling from Portland and Vancouver on the bigger weekend nights. Paramount Theatre orchestra pricing on Wong dates lands in the $130–$360 band; the Neptune holds tighter given the 800-seat capacity and the Baby Cobra historical weight.
Chicago
Chicago dates scale to the Chicago Theatre on State Street, the Auditorium Theatre on Congress Parkway, the Cadillac Palace on West Randolph, the Civic Opera House on Wacker Drive, and the Vic Theatre on Sheffield for smaller-leg passes. Arena-tier bookings on the bigger demand-spike legs land at the United Center on the West Side. The Chicago crowd is regionally diverse — pulling from the city, the suburbs, Milwaukee, and the broader Midwest — and is one of the strongest long-form storytelling rooms on the route, dense with people willing to sit with a fifteen-minute bit through to the closing beat. Chicago Theatre orchestra pricing on Wong dates runs $130–$360; the Auditorium Theatre orchestra runs $130–$340. Smaller drop-in sets and showcase nights have landed at Zanies and the Laugh Factory at Lakeshore Theater on shorter notice during writing trips before specials tape.
Washington DC
Washington DC dates land at the Warner Theatre on E Street, the Lincoln Theatre on U Street, the Anthem on the Wharf, and the Kennedy Center's Concert Hall on prestige cycles. The DC crowd is the densest political and media crossover audience on the route — Hill staffers, journalists, federal employees, the Vietnamese-American diaspora pulled from Northern Virginia's Eden Center corridor, and the broader Maryland and Virginia academic ecosystem stacked into the orchestra. The Warner Theatre orchestra pricing on Wong dates runs $140–$380; the Anthem floor and box pricing runs $130–$340; Kennedy Center Concert Hall pricing on the rare prestige-format passes runs $160–$420. Most fans transit in on the Metro Red Line to Metro Center or the Yellow and Green lines to Archives or L'Enfant Plaza rather than driving downtown.
Sydney
Sydney is the headline Australian stop on every recent Wong cycle and the operative Australasian anchor. Theater-format dates land at the Sydney Opera House Concert Hall and Joan Sutherland Theatre on Bennelong Point, the Enmore Theatre in Newtown, the State Theatre on Market Street, and Hordern Pavilion in Moore Park on the bigger demand-spike legs. The Sydney crowd is one of the largest non-North American Wong audiences and tracks meaningfully with the Asian-Australian Vietnamese-and-Chinese demographic specifics that anchor the catalog. The Opera House is the operative prestige ceiling — the Joan Sutherland Theatre seats roughly 1,500, the Concert Hall seats 2,679, and both rooms are transit-first from Circular Quay station on the City Circle and Eastern Suburbs lines. Sydney Opera House Concert Hall pricing on Wong dates lands in the AUD $140–$380 band; Enmore Theatre and Hordern Pavilion pricing runs AUD $120–$280. Australian on-sales run through Ticketek and Ticketmaster Australia rather than the US system.
London
London is the headline UK stop on every recent Wong cycle. Theater-format dates land at the Eventim Apollo in Hammersmith, the Royal Festival Hall on the South Bank, the London Palladium on Argyll Street, and the Royal Albert Hall in South Kensington on the rare prestige-residency passes. Arena-tier dates on the bigger demand-spike legs have configured for the O2 Arena in North Greenwich, though the theater route is the standard. The London crowd is one of the largest non-North-American Wong audiences and tracks meaningfully with the UK-Asian diaspora and the broader comedy-club ecosystem. The Eventim Apollo stalls run roughly £70–£180 on Wong dates; Royal Festival Hall stalls run £90–£220; Royal Albert Hall stalls on the rare residency-format passes run £150–£400. UK on-sales typically run through See Tickets and AXS UK rather than Ticketmaster's US system. The Apollo sits on the Hammersmith tube on the District and Piccadilly lines.
Vancouver
Vancouver dates on a Wong Canadian leg land at the Queen Elizabeth Theatre downtown, the Orpheum on Smithe Street, and the Vogue Theatre on Granville for smaller theater-tier bookings. Rogers Arena and the Pacific Coliseum handle arena-tier passes on the bigger demand-spike legs, though the theater route is the standard. The Vancouver crowd pulls from the city, the North Shore, Richmond, Burnaby, the Fraser Valley, and a meaningful share of Seattle and Bellingham fans crossing the border for the bigger dates, with one of the strongest Asian-Canadian audiences on the route given the city's Chinese and Vietnamese demographic specifics. Queen Elizabeth Theatre orchestra pricing on Wong dates lands in the CAD $120–$340 band; the Orpheum orchestra runs CAD $130–$360. Most fans transit in on the SkyTrain Expo and Canada lines to Granville and Stadium-Chinatown stations rather than driving into the downtown core.








