Bon Jovi Tour 2026
Is Bon Jovi Coming to Your City?
0 / 12 citiesLive tour status for Bon Jovi across 12 of the biggest North American markets — refreshed daily from Ticketmaster. Tap any "not yet" city to see the closest confirmed date.
Bon Jovi is currently between tours. No confirmed 2026 dates on Ticketmaster right now — this page auto-updates the moment new dates drop.
- How do I get Bon Jovi tickets?
- Tap any date below to checkout on Ticketmaster — listings here are official primary tickets, refreshed daily.
- What time does the show start?
- Most Bon Jovi shows start between 7 and 9 PM local, with doors 60–90 minutes earlier. Exact time is on each ticket.
- How long is the concert?
- Roughly 90–150 minutes including the opener and a short encore.
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About Bon Jovi
BBon Jovi is on the 2026 tour with the full live rig — guitars front and center, full production, and the deep-catalog setlist long-time fans buy tickets to hear played end-to-end. Live dates auto-populate on this page the moment new 2026 shows are confirmed. Tour routing typically spans major North American cities, with Canadian stops usually including arena-sized venues in Toronto, Vancouver, Calgary, Edmonton, and Montreal, and US stops covering New York, Los Angeles, Chicago, Miami, Seattle, and other top metros.
Inside Bon Jovi
Bon Jovi are the New Jersey rock institution that, more than four decades after Jon Bon Jovi assembled the original lineup in a Sayreville garage in 1983, still sit among the most successful arena-rock bands in American history. The numbers do most of the talking. More than 130 million albums sold worldwide. Fifteen studio records across forty-plus years. Twenty-three studio singles into the Billboard Hot 100. A Rock and Roll Hall of Fame induction in 2018. A Songwriters Hall of Fame ceremony in 2009 for Jon Bon Jovi and David Bryan. And a touring catalogue that, at its peak in the late 1980s and again across the Crush, Have a Nice Day, Lost Highway, and Because We Can eras, regularly ranked among the top-five highest-grossing tours in the world for the year it ran. The catalogue itself is the rare American rock songbook that crosses every demographic line a stadium needs it to cross. Livin' on a Prayer and You Give Love a Bad Name from Slippery When Wet (1986) remain among the most recognised rock anthems of the past forty years. Wanted Dead or Alive, Bad Medicine, Born to Be My Baby, I'll Be There for You from the New Jersey era. Bed of Roses, Keep the Faith, Always, This Ain't a Love Song from the early-1990s reset. It's My Life from Crush (2000) — a single that, more than any other in the catalogue, re-introduced the band to a generation that was too young for the hairspray era and pulled them into a second wave of stadium dominance. Have a Nice Day, Who Says You Can't Go Home, Lost Highway, We Weren't Born to Follow, Because We Can, This House Is Not for Sale, and the more recent Forever (2024) cuts. Jon's vocal-cord surgery in 2022 introduced a genuinely new chapter — one in which the band's return to full-scale touring has remained, at the time this is written, deliberately cautious and not formally announced as a comprehensive world tour. What is certain is that the catalogue, the audience, and the production are all still there, and that any Bon Jovi date in your city will land as the kind of forty-year arena-rock event the band have built their entire identity around.
About Bon Jovi
Bon Jovi formed in Sayreville, New Jersey in 1983 around John Francis Bongiovi Jr. — a Perth Amboy-born singer-songwriter who had been recording demos at his cousin Tony Bongiovi's Power Station Studio in Manhattan since his late teens. After one of those demos, Runaway, was picked up by a New York radio station compilation and hit the lower reaches of the Billboard Hot 100 in 1983, Jon was offered a record deal at Mercury and assembled a permanent band: keyboardist David Bryan (a childhood friend from Sayreville), drummer Tico Torres (a veteran of the New York session circuit), bassist Alec John Such (replaced by Hugh McDonald in 1994), and guitarist Richie Sambora (a Woodbridge guitarist Jon recruited specifically to round out the band's writing voice). The self-titled debut arrived in January 1984; the follow-up, 7800° Fahrenheit, in 1985. Neither broke the band into the front rank of American rock. Slippery When Wet, released in August 1986 under the production of Bruce Fairbairn with songwriting input from Desmond Child, did the rest of the work in a single record. The album sold more than 28 million copies worldwide, spent eight non-consecutive weeks at number one on the Billboard 200, and gave the catalogue its two permanent encore staples in Livin' on a Prayer and You Give Love a Bad Name plus the acoustic Wanted Dead or Alive. New Jersey (1988) extended the run with Bad Medicine, Born to Be My Baby, and I'll Be There for You and made Bon Jovi, briefly, the biggest active rock band in the United States. The 1990s reset — a Jon solo album, Blaze of Glory, in 1990 followed by Keep the Faith (1992), These Days (1995), and a less-relentless touring calendar — gave the band the space to come back stronger on Crush (2000), the album whose lead single It's My Life pulled them onto MTV, into stadium routings across Europe, and into a second decade of headline-level commercial dominance. Bounce (2002), Have a Nice Day (2005), Lost Highway (2007 — a deliberately Nashville-leaning country-rock pivot anchored by Who Says You Can't Go Home with Jennifer Nettles), The Circle (2009), What About Now (2013), Burning Bridges (2015), This House Is Not for Sale (2016), and 2020 (2020) each followed. Richie Sambora departed the band on tour in 2013 and was permanently replaced by Phil Xenidis (Phil X), a Canadian session guitarist who has now been in the band longer than several of Bon Jovi's full-album cycles. The 2018 Rock and Roll Hall of Fame induction reunited Jon, David, Tico, Hugh, Alec John Such (in his final public appearance before his death in 2022), and Richie Sambora on the stage in Cleveland. Jon's vocal-cord surgery in 2022 — a medialisation thyroplasty to correct a weakened vocal cord that had been quietly affecting his range for several years — opened a recovery period that has been documented across the Hulu series Thank You, Goodnight (2024) and the Forever (2024) studio album that followed. The band's live status from that point forward has been a hedged, leg-by-leg conversation rather than a full world-tour announcement, and remains so at the time this is written.
Bon Jovi live — the touring catalogue
Bon Jovi's touring identity, across forty years, has been the deep arena-rock setlist plus the band's standing as one of the rare American rock acts who can still credibly fill stadiums in multiple territories. Past world tours — Slippery When Wet (1986–87), New Jersey Syndicate (1988–90), Crush (2000–01), Bounce (2002–03), Have a Nice Day (2005–06), Lost Highway (2007–08), The Circle (2010), Because We Can (2013, the highest-grossing tour in the world that year), This House Is Not for Sale (2017–19) — each ran 12 to 24 months on the road and routinely sold north of 1.5 million tickets per cycle. Production scale has tracked the arena/stadium tier consistently: a centre-stage with thrust runway and side-stage wings into the lower bowl, an enormous LED video wall behind the band, the Tico Torres riser elevated upstage left, David Bryan's keyboard rig stage right, and a lighting design built around the band's habit of pulling the audience into long song-tail singalongs on Livin' on a Prayer and Wanted Dead or Alive. The post-2022 chapter has been deliberately less prescriptive. Jon Bon Jovi has publicly framed the vocal-cord surgery recovery as an open-ended process and the band have not announced a full multi-year world tour at the time this is written. Any individual date that does land in your city will follow the band's longstanding habit of pacing the set carefully around vocal-rest songs (the band's own catalogue is deep enough that David Bryan and Phil X can carry sections of the show), an extended acoustic interlude, and the closing four-song run that has remained essentially unchanged on every Bon Jovi tour since 1989. Doors typically open 90 minutes to two hours before the headline set on an arena night, longer on stadium dates.
Bon Jovi tickets
Bon Jovi tickets are sold through Ticketmaster in North America and the UK, AXS where the venue uses that primary partner, and regional primaries (Eventim, Live Nation, Frontier Touring) across Europe and the Pacific. Pricing has historically tracked the upper end of the American arena-rock tier without crossing into the dynamic-pricing territory that has dragged peer acts into public-relations trouble. As a directional guide rather than a date-specific quote, arena upper-bowl seats have typically opened in the $60–$110 USD range on recent Bon Jovi cycles, mid-bowl seats $130–$220, lower-bowl and floor $250–$450, and a small allocation of Bon Jovi VIP and Backstage Jovi premium packages — pre-show hospitality, early entry, soundcheck access, signed merch — at $600 and up. Verified Fan registration has appeared on selected high-demand North American on-sales in recent cycles; the band's official fan club, Backstage With Jon Bon Jovi, runs presales roughly a week before public on-sale. Secondary-market reality for the most in-demand cities — New York, Chicago, Toronto, London, the New Jersey home-state dates — is that face-value tickets to the best seats do not last long, and the cleanest verified resale routes are Ticketmaster Verified Resale, AXS Official Resale, and Twickets in the UK. Avoid generic search-ad ticket sites and any seller insisting on payment outside an escrowed marketplace; ticket fraud routinely spikes on Bon Jovi cycles because the audience skews older and historically less familiar with current ticketing platforms.
Bon Jovi setlist — what they play
The Bon Jovi setlist on any tour in the past two decades has been built around a near-unmovable core of catalogue anthems plus a rotating middle section that lets the band pull in album cuts and acoustic interludes from across the back catalogue. The reliable openers across recent cycles have been a high-tempo run from the recent album (Knockout, We Weren't Born to Follow, Because We Can, This House Is Not for Sale, Limitless, Legendary depending on the era) into one of the catalogue staples — typically Raise Your Hands, You Give Love a Bad Name, or Born to Be My Baby. The middle of the show rotates Lost Highway, Whole Lot of Leavin', We Got It Goin' On, Captain Crash & The Beauty Queen From Mars, In These Arms, Something for the Pain, and the acoustic interlude — Wanted Dead or Alive on the b-stage, Always, Bed of Roses, I'll Be There for You — that has been the band's mid-set centrepiece on every cycle since the late 1990s. Have a Nice Day, Who Says You Can't Go Home (often as a duet with the support act or a guest vocalist), and It's My Life land in the back half of the show. The closing run is the four-song canon every audience came for: Bad Medicine into the long extended outro (with the band feinting at Shout, Knockin' on Heaven's Door, or Pretty Woman as a teaser), a brief encore break, and the back-to-back close of Always, These Days, or Keep the Faith into Livin' on a Prayer. Night-by-night setlist rotation across the middle section is moderate — three to five songs swap out on most cycles — and setlist.fm remains the cleanest real-time source for confirming what your specific date played. The post-vocal-surgery cycle is expected to feature shorter encore extensions and additional vocal-rest moments in the middle of the show; the exact balance is at the band's discretion on any given night.
Tour cities
New York
Bon Jovi New York metro dates have historically split between Madison Square Garden in midtown Manhattan (20,000 capacity, the band's spiritual American home arena alongside the Continental Airlines / Prudential / Izod arenas across the river in New Jersey) and stadium routings at MetLife Stadium in East Rutherford for the largest summer plays. MSG is reached via the 1/2/3, A/C/E, B/D/F/M, and N/Q/R/W trains at 34th Street-Penn Station — the venue sits directly on top of the station. MetLife is reached via NJ Transit's Meadowlands Rail Line from Secaucus Junction with a transfer from Penn Station, or by Coach USA bus from Port Authority. The band's home-state status means New York metro dates routinely sell out in the first hour of public on-sale and the resale market runs hotter than the national average — verified resale only, and budget at least 90 minutes of post-show transit clearance on MetLife nights. The audience skews older and more local than most current arena tours; expect long pre-show queues for merchandise.
Newark
Newark's Prudential Center — the 17,500-capacity arena in downtown Newark that opened in 2007 and serves as the New Jersey Devils' home rink — is the closest the modern Bon Jovi live operation gets to a true home-state show. Jon Bon Jovi's Sayreville hometown sits roughly 45 minutes south on the Garden State Parkway, the band have played the venue on every American tour cycle since it opened, and the audience composition on a Newark Bon Jovi night runs heavier on Jersey natives, friends-of-the-band, and multi-decade season-ticket-holder loyalty than any other US date on a typical routing. The arena is reached directly via the PATH train from Manhattan (World Trade Center or 33rd Street to Newark Penn Station, a 25- to 35-minute trip), then a five-minute walk through Mulberry Street to the venue. NJ Transit and Amtrak both serve Newark Penn Station from the broader region. Driving and parking are practical mid-week but congested on weekend dates; the post-show clearance to the Holland Tunnel and the Garden State Parkway routinely runs 45 to 60 minutes. Doors typically open 90 minutes before the headline set.
Chicago
Chicago Bon Jovi dates land at the United Center on the Near West Side — the 23,500-capacity NBA and NHL arena that handles the city's biggest indoor touring stops — or, on stadium-leg cycles, at Soldier Field on the Museum Campus lakefront. The United Center is reached via the CTA 19 Blue Line bus on game and concert nights from the UIC-Halsted Blue Line station, or by Metra's Ogilvie Transportation Center with a short taxi ride. Driving is practical with paid parking in the surrounding lots; the post-show clearance is faster than at most US arenas because the venue is built on a grid of one-way streets that move traffic efficiently. Chicago is one of the band's strongest non-coastal American markets — the Crush, Have a Nice Day, and Because We Can cycles each booked multi-night United Center residencies. The audience skews local and multi-generational; expect long pre-show merchandise queues and the city's signature loud crowd presence on the back-half singalong run.
Toronto
Toronto Bon Jovi dates are at Scotiabank Arena (formerly the Air Canada Centre) in the downtown core — the 19,800-capacity NBA and NHL arena attached to Union Station — or at Rogers Centre / Rogers Stadium on stadium-leg cycles. Scotiabank Arena is the cleanest transit-accessible major arena in North America: GO Transit, the TTC subway Union station, and the UP Express from Pearson all deliver directly to the venue's front door. The band's Toronto draw has been consistently strong since the New Jersey cycle and the city has routinely booked multi-night Bon Jovi residencies on each subsequent tour. Doors typically open 90 minutes before the headline set; pre-show merchandise queues form on the Bremner Boulevard side of the arena and routinely run an hour at peak. Plan for the standard Toronto winter or summer transit return out of Union Station — the post-show GO Train and TTC service is reliable but crowded for the first 45 minutes.
Los Angeles
Los Angeles Bon Jovi dates are at Crypto.com Arena (formerly Staples Center) in downtown LA — the 19,000-capacity NBA and NHL arena attached to L.A. Live — or at SoFi Stadium in Inglewood on stadium-leg cycles. Crypto.com Arena is reached via the Metro A and E Line at the Pico station, a five-minute walk to the venue's L.A. Live entrance. Driving is practical with multiple paid lots around L.A. Live; the post-show clearance onto the 110 freeway routinely runs 30 to 45 minutes. The LA Bon Jovi audience skews entertainment-industry adjacent and has historically been one of the band's strongest celebrity-attended cities — Jon Bon Jovi's parallel acting career and the band's longstanding ties to the LA music industry have kept the city as a recurring residency stop on every tour cycle since the 1990s. SoFi Stadium dates, when they appear on a stadium routing, run on the standard SoFi-day playbook: arrive early, plan transit, and budget at least an hour to clear the venue.
London
Bon Jovi's London dates land at the O2 Arena in North Greenwich (20,000 capacity, the band's UK arena home since the venue opened in 2007) or at Wembley Stadium on stadium-leg cycles. The O2 is reached via the Jubilee line to North Greenwich, a five-minute walk through the O2 entertainment complex to the arena gates; Wembley sits above Wembley Park station on the Jubilee and Metropolitan lines and is a 12-minute walk from Wembley Stadium National Rail. London Bon Jovi shows have been a fixture of the band's calendar since the New Jersey Syndicate cycle in 1989, when they sold out three consecutive Wembley Stadium dates — a milestone the band have referenced in interviews and tour documentaries for decades. The UK audience skews older and more long-tenured than the average American date; expect strong audience-led singalongs on the catalogue tracks and a deliberate, polite crowd dynamic on the new-album material. Doors at the O2 typically open 90 minutes before the headline set.
Berlin
Bon Jovi's Berlin dates have historically split between Mercedes-Benz Arena (17,000 capacity, in the East Side Gallery district on the Spree) and the larger Olympiastadion (74,000 capacity, the city's 1936 Olympic stadium and the largest open-air venue in Germany) on stadium-leg cycles. Mercedes-Benz Arena is reached via the Warschauer Straße U-Bahn and S-Bahn station, a three-minute walk across the Spree footbridge. Olympiastadion has its own dedicated U2 line stop (Olympia-Stadion) and an S-Bahn station of the same name 800 metres east. Germany is one of the band's strongest European markets and has consistently booked the largest non-UK European stadium dates on each tour cycle since the early 1990s; Jon Bon Jovi has spoken publicly in past tour documentaries about the German audience's emotional connection to the catalogue and the band have repeatedly extended European legs to add additional German cities. Expect a loud, sustained singalong crowd through Livin' on a Prayer and Wanted Dead or Alive, and bring layers for the open-air Olympiastadion routing.
Tokyo
Tokyo Bon Jovi dates have historically landed at Tokyo Dome (55,000 capacity, the city's indoor stadium in Bunkyo) on the largest tour cycles and at Saitama Super Arena (37,000 capacity, the indoor arena 30 minutes north on the Shōnan-Shinjuku Line) on more contained Japanese routings. Tokyo Dome is reached via the JR Suidobashi station or the Korakuen station on the Marunouchi and Namboku subway lines, both 20 minutes from Shinjuku or Tokyo Station. The Japanese Bon Jovi audience is one of the most consistently loyal in the world — the band have routinely played multi-night Tokyo Dome residencies as part of broader Japan routings since the Crush era, and the band's catalogue (especially Bed of Roses, Always, Livin' on a Prayer) sits deep in the country's mainstream rock-radio rotation in a way no other generation of American rock band has matched. Doors open earlier in Japan than on most legs — typically three to four hours before showtime — and the merchandise queues form well before that.
Sydney
Bon Jovi's Sydney dates have historically landed at Qudos Bank Arena (formerly the Sydney Super Dome — 21,000 capacity, in Sydney Olympic Park) on arena cycles and at Accor Stadium (formerly ANZ Stadium — 80,000 capacity, the 2000 Olympic main stadium) on stadium-leg cycles. Both venues are in Sydney Olympic Park and reached on the T7 Olympic Park rail line from Lidcombe, a 30- to 40-minute trip from Central. The band have been a near-annual Australian touring presence since the Slippery When Wet cycle and have built one of their strongest non-American markets in the country; Jon Bon Jovi has publicly referenced Australian audiences as among the loudest and most catalogue-fluent in the world. Sydney summer evenings stay warm well after sunset on Accor Stadium dates; pack a light layer for the post-show transit return. Plan extra time in either direction — Olympic Park clears slowly and the trains run heavy queues for the first 45 minutes after the show.
Mexico City
Bon Jovi's Mexico City dates have historically landed at the Foro Sol (65,000 capacity, the open-air stadium beside the Autódromo Hermanos Rodríguez in the Iztacalco borough) on stadium cycles and at the Palacio de los Deportes (20,000 capacity, the Olympic indoor arena from the 1968 Games) on arena routings. Foro Sol is reached via the CDMX Metro Line 9 Ciudad Deportiva station or Line 8 Iztacalco, with a 15-minute walk to the gates. The Mexican Bon Jovi audience is statistically among the loudest on any tour cycle — the band's catalogue translates particularly cleanly into the Latin American rock-radio canon and Mexico City has consistently been a single-night sellout on every tour since the Crush era. Plan for high altitude (2,250 m) — hydrate during the day and pace the GA pit. Doors typically open three hours before the headline set on Foro Sol dates to absorb the security flow.
Cheapest Bon Jovi Tickets — 5 Ways to Save on the 2026 Tour
Bon Jovi tickets can move fast, especially for big-city dates, but there are a few reliable ways to land the best price.
- Buy during the official on-sale window. Face-value primary tickets on Ticketmaster are almost always cheaper than resale — the listings above show primary availability first.
- Consider mid-week shows. Tuesday and Wednesday Bon Jovi dates often list 15 to 30 percent lower than weekend stops in the same city.
- Go upper-level. Upper 300-level or balcony sections typically start near $45 to $75 and still offer a strong view of the stage.
- Watch last-minute drops.Resellers often slash prices 24 to 48 hours before doors open, especially for mid-week dates that haven't sold out.
- Compare nearby cities. It can be cheaper to drive 2 to 3 hours to a smaller market — check the full cheap Bon Jovi tickets guide for current low-priced dates.
Bon JoviVIP Packages & Meet & Greet Options
When available, Bon Jovi VIP packages are offered directly on Ticketmaster alongside the standard tickets for each tour date. VIP experiences for Bon Joviconcerts often include early venue entry, a premium seat or pit access, an exclusive tour merchandise item, and occasionally a pre-show soundcheck or photo opportunity. Meet and greet packages, when offered, sell out fastest — if you see one listed on the show page above, it's worth grabbing immediately. For the full breakdown of current VIP and meet and greet options on this tour, see the Bon JoviVIP & meet and greet guide.
Bon JoviPresale Tickets & Codes
Presale windows for the Bon Jovi 2026 tour typically open 1 to 3 days before the general on-sale and are the best way to lock in seats before inventory drops. The most common presales for Bon Jovitour stops are Ticketmaster Verified Fan, Live Nation presale, the artist's official newsletter or fan club, and credit-card presales from Citi, American Express, or Capital One in North America. Sign-up links usually go live from the artist's official site 1 to 2 weeks before the on-sale. See the Bon Jovi presale guide for the current active codes and sign-up deadlines.
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