The 5 closest dates from the live Ticketmaster feed.
Carrie Underwood is playing 5 cities this tour. Tap any city for exact dates, venue info, seat prices, and parking.
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1 show1 showLive tour status for Carrie Underwood across the 12 biggest North American markets — refreshed daily from Ticketmaster. Tap any "not yet" city to see the closest confirmed date.
5 upcoming Carrie Underwood concerts across 5 cities in North America. Live Ticketmaster availability refreshed daily.
CCarrie Underwood is the American Country artist taking the 2026 tour through arenas, amphitheaters, and outdoor festival stages — the kind of country show built around a full live band, a deep singalong catalog, and a setlist that mixes hits with stripped-down storytelling moments. 5 confirmed dates across 5 cities this run. Tour routing typically spans major North American cities, with Canadian stops usually including arena-sized venues in Toronto, Vancouver, Calgary, Edmonton, and Montreal, and US stops covering New York, Los Angeles, Chicago, Miami, Seattle, and other top metros.
Carrie Underwood tickets can move fast, especially for big-city dates, but there are a few reliable ways to land the best price.
When available, Carrie Underwood VIP packages are offered directly on Ticketmaster alongside the standard tickets for each tour date. VIP experiences for Carrie Underwoodconcerts often include early venue entry, a premium seat or pit access, an exclusive tour merchandise item, and occasionally a pre-show soundcheck or photo opportunity. Meet and greet packages, when offered, sell out fastest — if you see one listed on the show page above, it's worth grabbing immediately. For the full breakdown of current VIP and meet and greet options on this tour, see the Carrie UnderwoodVIP & meet and greet guide.
Presale windows for the Carrie Underwood 2026 tour typically open 1 to 3 days before the general on-sale and are the best way to lock in seats before inventory drops. The most common presales for Carrie Underwoodtour stops are Ticketmaster Verified Fan, Live Nation presale, the artist's official newsletter or fan club, and credit-card presales from Citi, American Express, or Capital One in North America. Sign-up links usually go live from the artist's official site 1 to 2 weeks before the on-sale. See the Carrie Underwood presale guide for the current active codes and sign-up deadlines.
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Carrie Underwood is the small-town Oklahoma vocal powerhouse who walked off the American Idol Season 4 finale stage in May 2005 with the kind of voice that radio executives in Nashville had been quietly waiting a generation to find again. The win — over runner-up Bo Bice on a record-setting voting night — sent her straight into the studio for Some Hearts, the 2005 debut that has been certified eight-times platinum, spent more than a decade on the country album charts, and produced the format-defining singles "Jesus, Take the Wheel" and "Before He Cheats" that turned a former farm-girl wildlife-biology major into a Grand Ole Opry member and Country Music Hall of Fame trajectory before her thirtieth birthday. Everything since has been a controlled expansion of that core franchise — Carnival Ride in 2007, Play On in 2009, the darker and bigger-sounding Blown Away in 2012, Storyteller in 2015, Cry Pretty in 2018, the gospel-leaning My Savior in 2021, and Denim & Rhinestones in 2022 — eight Grammys across country and gospel categories, sixteen-plus No. 1 country singles, multiple CMA Female Vocalist of the Year and ACM Entertainer of the Year wins, the long-running NFL Sunday Night Football theme that has put her voice into roughly fifteen years of Sunday-night living rooms, a 2024 return to the American Idol judges' table that closed a full-circle loop on the show that launched her, and the "Reflection" Las Vegas residency at The Theatre at Resorts World that ran from late 2021 through 2024 as one of the highest-grossing country residencies in the building's short history. She tours arenas and stadiums when she tours, treats stagecraft and production design as part of the show rather than something to apologize for, and married Nashville Predators captain Mike Fisher in 2010 in a wedding that made the Tennessean front page. This page is the landing spot for current Carrie Underwood tour dates, ticket information, setlists, residency notes and city-specific show information, kept evergreen year-round so it tracks every new touring or residency leg as it rolls out — and hedges anything specific to a calendar year that has not yet been announced.
Carrie Marie Underwood was born March 10, 1983 in Muskogee, Oklahoma and raised on a family farm outside Checotah, a town of roughly 3,500 in Mcintosh County in the eastern half of the state where her father worked at a paper mill and her mother taught elementary school. She sang in the local Free Will Baptist church from age three, played in talent shows at the Robbins Memorial Theater in Muskogee through her teens, briefly chased a regional record deal with Capitol Nashville at fourteen that collapsed before it produced anything, and went on to Northeastern State University in Tahlequah on an academic track toward a degree in mass communications with a journalism emphasis. By her own telling she had effectively decided to give up on a music career and was a semester from graduating when she drove eight hours to a St. Louis open call for American Idol Season 4 in the summer of 2004. She was twenty-one years old, had never been further west than Texas, and walked into the audition room with the kind of country-soprano range and Sunday-morning gospel control that Simon Cowell, Randy Jackson and Paula Abdul had not heard yet on the show.
The Season 4 run was a steady climb from regional auditions through Hollywood week into a finale broadcast on May 25, 2005 that drew roughly thirty million viewers and saw Underwood take the title over Bo Bice on a vote split widely reported as the largest margin in the show's history to that point. Some Hearts dropped that November on Arista Nashville and 19 Recordings, the joint Idol-music deal, and effectively rewrote the country-format playbook: lead single "Jesus, Take the Wheel" went to No. 1 on the country airplay chart and crossed pop, follow-up "Before He Cheats" became one of the longest-charting country crossover singles of the decade and pushed the album to certified eight-times platinum status with more than seven million U.S. copies sold. Carnival Ride followed in 2007 with "All-American Girl" and "Last Name", Play On in 2009 with "Cowboy Casanova" and "Temporary Home", and Blown Away in 2012 added the title-track tornado-narrative single and "Two Black Cadillacs" as the catalogue darkened and got bigger sounding. Storyteller landed in 2015 with "Smoke Break" and "Heartbeat", Cry Pretty in 2018 was her first co-produced record and her first studio album to debut at No. 1 on the all-genre Billboard 200, the gospel My Savior arrived in early 2021 and won the Grammy for Best Roots Gospel Album, and Denim & Rhinestones in 2022 closed a multi-album cycle that handed her the touring catalogue she carries into every current arena set. The NFL Sunday Night Football theme — the "Waiting All Day for Sunday Night" / "Oh, Sunday Night" arrangement she has performed on the NBC broadcast since taking over from Faith Hill in 2013 — keeps her voice in roughly fifteen million Sunday-night television sets every fall. The "Reflection" Las Vegas residency at The Theatre at Resorts World launched in December 2021 and ran in batched residencies through 2024 as one of the highest-grossing country acts in the building's young history. The 2024 return to American Idol as a judge — replacing Katy Perry on the panel — closed the full-circle loop on the show that launched her career and re-introduced her to the streaming-era family-audience that had only ever known her as the headliner. Eight Grammys across country, gospel and Christian categories, seven CMA Female Vocalist of the Year wins, multiple ACM Entertainer of the Year nods, a 2008 Grand Ole Opry induction by Garth Brooks, marriage to former NHL captain Mike Fisher of the Nashville Predators in July 2010, two sons (Isaiah and Jacob), and a Sony Music Nashville home base she has held since the Some Hearts release — Carrie Underwood is the rare modern country artist whose franchise has survived every format shift since the Idol era because the voice has never needed an algorithm to find an audience.
The current Carrie Underwood touring chapter rolls between full-production arena legs, occasional stadium dates on co-headline bills, festival headline appearances and the "Reflection" Las Vegas residency run at The Theatre at Resorts World, which has cycled in and out of the calendar in batched stands rather than a continuous run. Historically her tours have routed through North American hockey-and-basketball arenas — Bridgestone Arena in Nashville, Scotiabank Arena in Toronto, Madison Square Garden in New York, Crypto.com Arena in Los Angeles, Rogers Arena in Vancouver, the United Center in Chicago, American Airlines Center in Dallas, T-Mobile Arena and the MGM Grand Garden in Las Vegas on non-residency dates, and Climate Pledge Arena in Seattle — with amphitheater swings on certain summer legs and select stadium one-offs when the demand justifies the larger building. Sets run a deliberate 105 to 120 minutes including a brief mid-show production change, with a sixteen-to-nineteen-song main set plus a multi-track encore that almost always ends on "Before He Cheats". The band is a tight seven-to-nine piece with a multi-singer backing-vocal section that anchors the gospel-style runs on "Jesus, Take the Wheel" and the show-stopping high-belt finishes that are her signature. Stage production scales up to a full thrust setup with an extended runway into the floor, a four-sided LED rig overhead, aerial and rigging elements on certain marquee dates, and a pyro and fountain build reserved for the back half — production design is part of the franchise rather than something Underwood has ever played minimalist about. Support acts rotate by leg and historically have leaned country, country-pop and gospel-leaning Americana — Maddie & Tae, Runaway June, Lindsay Ell, the Swon Brothers and Jimmie Allen have all had recent supporting runs. If a 2026 leg is announced, expect a similar arena-first routing with selected stadium or festival anchors and Resorts World residency stands woven into the gaps. Doors typically open 90 minutes before the first opener and the headline set runs from roughly 9:00 to 11:00 on most arena dates. The grid above pulls the live schedule directly from Ticketmaster and updates as new Carrie Underwood tour or residency dates are confirmed.
Carrie Underwood tickets are sold through Ticketmaster as the primary outlet for North American dates, with the Resorts World Theatre residency on its own Ticketmaster on-sale window managed by the venue. Secondary inventory appears on StubHub, SeatGeek, Vivid Seats and Ticketmaster's own verified resale platform, all linked from each event card on this page. Arena pricing on a typical Carrie Underwood tour date opens with upper-bowl reserved seats at the lower end of the modern country-arena range and climbs through lower-bowl reserved, floor seats and front-of-stage premium packages — exact face value moves by city, day of week and demand, and dynamic pricing has been used on recent on-sales, so the figure at checkout can differ from the listed face value at queue open. For the Resorts World residency, theatre seating in the roughly 5,000-cap room tends to price well above a comparable arena seat because of the smaller capacity and the production-design density on the residency build. Fan club presales through the official Carrie Underwood site are the most reliable path to good seats on high-demand markets and on Vegas residency stands; sign up as soon as a new on-sale is announced to keep registration windows open. Ticketmaster Verified Fan registration has been used on select on-sales to limit bot inventory in the early window. Citi cardmember presales, venue presales and radio-station local presales fill out the rest of the on-sale week. The secondary market often beats primary on midweek arena dates and on the back end of a residency run when single seats and obstructed-view pairs surface; always buy from a marketplace with a buyer guarantee and avoid private resale on social media or classifieds.
A current Carrie Underwood setlist runs about twenty to twenty-three songs across 105 to 120 minutes with a multi-act structure and a brief mid-show production change. The night typically opens with a hard-driving uptempo cut — recent legs have used "Good Girl", "Southbound" or "Renegade Runaway" — to set the arena-rock tone, then settles into a mid-set hit run that pulls in "Cowboy Casanova", "Last Name", "Two Black Cadillacs" and the title-track "Blown Away" with the full pyro and lighting build. A quieter mid-show acoustic or piano segment is part of the running structure — "Temporary Home", "Jesus, Take the Wheel" and selections from the My Savior gospel record have anchored that section on recent legs, and the gospel material reliably draws the longest sustained reaction of the night. The back half ramps back up through "Smoke Break", "Heartbeat" and "Drinking Alone" or "Ghost Story" depending on the era, with the multi-act show building toward a "Church Bells" or "Dirty Laundry" peak before the encore. "Before He Cheats" closes the night more often than any other song — it has been the closer on essentially every major tour since the Carnival Ride cycle and is non-negotiable on the set order. Underwood occasionally rolls a cover into the back half — Aerosmith, Guns N' Roses, Motley Crue and gospel standards have all surfaced on different legs, often as a tease into one of her own choruses. Specific song selections rotate leg to leg and the residency setlist is structurally different from the touring setlist, so do not assume a one-to-one match. Check setlist.fm after the first night of any new tour or residency leg for the current run order; fan submissions usually go up within a couple of hours of last call.
Nashville is the home-room show. Underwood has lived in the Nashville area since the Some Hearts cycle, was inducted into the Grand Ole Opry at the Ryman in 2008, and her Nashville dates — typically at Bridgestone Arena downtown — carry the weight of a hometown showcase. Bridgestone holds roughly 19,000 for an end-stage concert and sits at the foot of Lower Broadway, which means the post-show bar crawl is built into the walk back to your hotel. The crowd skews country-industry on the lower bowl — fellow Opry members, Music Row writers and label executives fill the front rows on a Nashville night — and surprise guest walk-ons from Vince Gill, Reba McEntire, Brad Paisley or whichever country headliner happens to be in town are part of the running tradition. Bridgestone parking fills early on a sold-out Saturday; the easier play is a rideshare into the SoBro arts district and a ten-minute walk in. Lower-bowl tickets and the floor sell first on the on-sale; the 300-level upper ring is the value buy.
Las Vegas is the residency room. The "Reflection" residency at The Theatre at Resorts World launched in December 2021 and ran in batched stands through 2024 in the roughly 5,000-cap purpose-built theatre on the north end of the Strip; off-residency Vegas tour dates have routed through T-Mobile Arena on the south end or the MGM Grand Garden depending on the leg. The residency build is the higher-production show — the smaller room allows for production-design density that doesn't scale to an arena floor, with aerial elements, an extended runway, themed sequencing built around the Reflection brand and a setlist structurally different from the arena tour. The crowd skews destination-vacation rather than country-radio loyal, which means the deep-cut singalongs are quieter and the hit catalogue lands harder. Resorts World sits about a fifteen-minute walk north of the Wynn on the Strip and is car-only or rideshare unless you are staying inside the resort. If a new residency stand is announced for 2026 or beyond, expect a comparable structure on the Reflection production base. Theatre seating is smaller and pricier than an arena seat by design.
Toronto is the marquee Canadian stop on every recent Carrie Underwood arena tour. She plays Scotiabank Arena downtown, the 19,800-cap home of the Maple Leafs and Raptors attached to Union Station via the SkyWalk. The Canadian crowd skews older and more attentive than the U.S. arena nights — "Jesus, Take the Wheel" plays to dead silence on the verses and full-volume singalong on the chorus — and the Predators connection through her husband Mike Fisher gives Toronto a hockey crossover that no other market quite replicates. GO Transit and the TTC subway both drop within five minutes of the gates, which makes Scotiabank one of the easiest North American arenas to access without a car. Lower-bowl tickets sell first on the on-sale; the 300-level upper rings hold the best price-to-view ratio in the building. Fan club presales are the most reliable path to good Toronto floor seats.
New York gets a Carrie Underwood arena date at Madison Square Garden on most North American tour legs — the Garden is the marquee Northeast stop and a near-sellout across the lower bowl on every recent on-sale. The 7th Avenue building seats roughly 20,000 for an end-stage concert and sits directly above Penn Station, which makes it the easiest concert arrival in the country: any subway, NJ Transit, LIRR or Amtrak line drops you inside the arena in under five minutes. New York crowds skew more eclectic than the Southeast markets — Underwood's pop-crossover footprint pulled a chunk of the audience that came in through the "Before He Cheats" video on MTV rather than country radio — and the gospel material from the My Savior record gets a quieter and more attentive reception than the deep-South arena nights. Lower-bowl pricing runs higher here than most other tour stops; the 200-level is the value buy. Citi cardmember presale is the back-channel for good Garden seats.
Los Angeles is the West Coast marquee. Underwood plays Crypto.com Arena downtown on arena swings — 20,000 cap, home of the Lakers and Kings — and Kia Forum in Inglewood on certain non-Crypto routings. Crypto.com is Metro Expo Line accessible from Pico Station, which is the practical play given downtown traffic on an event night; the Forum is closer to LAX and easier on a Friday flight-in itinerary. LA crowds run pop-Americana with a heavy Idol-era nostalgia contingent — Underwood's Southern California audience came in heavy through the 2005 finale broadcast and the early Some Hearts pop-radio cycle. The "Jesus, Take the Wheel" singalong here is one of the bigger emotional moments of the night. Lower-bowl prices climb fast on the on-sale; the 300-level upper ring holds value, and the floor is the premium tier reserved for fan-club pre-sale buyers.
Chicago gets a Carrie Underwood arena date at the United Center on most North American legs — the 23,500-cap West Side building that hosts the Bulls and Blackhawks — and amphitheater swings have routed through Hollywood Casino Amphitheatre out in Tinley Park on certain summer legs. United Center is the bigger room and the louder room; the Midwest country crowd here is larger than the coastal-music-press version of the city suggests, drawing from the broader Illinois, Indiana and Wisconsin suburban audience, and the singalong on "Before He Cheats" runs deep into the upper bowl. CTA Green Line to Ashland or a rideshare into the lots around the arena are the practical access plays. Hollywood Casino Amphitheatre is car-only from the city; budget 60 to 90 minutes of post-show parking-lot drain on a sold-out summer night. Lower-bowl seats sell first.
Dallas-Fort Worth is a flagship Texas market for Underwood, with recent tours splitting between American Airlines Center downtown and Dickies Arena in Fort Worth depending on the routing. American Airlines Center holds 20,000 for an end-stage arena concert and is the easier indoor play on a weekend night, with DART rail dropping at Victory Station a two-minute walk from the building. Dickies Arena is the newer 14,000-cap room in the Will Rogers Memorial Center complex and skews more country-traditional in audience mix. Texas crowds turn the "Last Name" and "Two Black Cadillacs" singalongs into full-volume room-shakers, and the gospel material from My Savior plays to one of the more reverent rooms on the tour. Lower-bowl seats at American Airlines Center sell first; the upper-bowl 300-level is the value buy. Stadium one-offs at AT&T Stadium in Arlington have happened on co-headline routings but are not a guaranteed leg fixture.
Atlanta is one of Underwood's strongest Southeast arena markets and recent tours have routed through State Farm Arena downtown — the 16,500-to-18,000-cap home of the Hawks. The crowd skews deep-South country with a healthy SEC-school contingent and a strong gospel-music audience that turns up loud on the My Savior material. State Farm Arena is MARTA-accessible from the Five Points station and Dome / GWCC / Philips Arena / CNN Center station, which is the easy play on a sold-out arena night — Saturday-night traffic on I-75 / I-85 into downtown can stretch an hour from the northern suburbs. Atlanta crowds turn out for the gospel material as loudly as the hits; the "Jesus, Take the Wheel" singalong here is one of the longest sustained reactions on the tour. Lower-bowl seats sell first; the 300-level upper ring is the value buy. Fan club presales are the practical path to good Atlanta floor seats.
Vancouver is the marquee British Columbia stop on every Carrie Underwood tour leg that runs the Pacific Northwest. She plays Rogers Arena downtown, the 18,900-cap home of the Canucks, accessible from SkyTrain at Stadium-Chinatown station on the Expo Line. The Canadian crowd is older and more attentive than the U.S. arena nights — "Jesus, Take the Wheel" plays to dead silence on the verses and full-volume singalong on the chorus. SkyTrain Expo and Millennium lines both drop within five minutes of the gates, which makes Rogers Arena one of the easiest North American arenas to access without a car. Currency conversion makes Canadian face value a noticeable discount for U.S. fans willing to make the trip up. Lower-bowl tickets sell first on the on-sale; the upper-bowl 300-level rings hold the best price-to-view ratio. The Mike Fisher / Nashville Predators connection gives Vancouver a hockey crossover the U.S. arena nights do not have.
Seattle is the Pacific Northwest U.S. marquee and recent tours have routed through Climate Pledge Arena up in the Seattle Center near the Space Needle — 17,100 cap, home of the Kraken and the Storm — served by the Monorail from downtown. The Pacific Northwest country crowd is bigger and louder than the national music-press version of Seattle suggests; Underwood sells through the building on every on-sale. The "Before He Cheats" closer runs deep into the upper deck and "Smoke Break" gets one of the longer mid-set reactions in the room. Climate Pledge Arena has limited on-site parking and the practical access play is rideshare from downtown or the Link light-rail to Westlake plus the Monorail. Lower-bowl seats sell first; the 300-level holds the best price-to-view ratio. Fan club presales are the most reliable path to good Seattle floor seats and 100-level pairs.
