
Cody Johnson Tour 2026
Next Cody Johnson Shows
The 8 closest dates from the live Ticketmaster feed.


Braves Country Fest ft. Cody Johnson & Ella Langley

Cody Johnson

Alan Jackson Last Call: One More for the Road - The Finale

Ottawa Bluesfest

Cody Johnson Live '26

Cody Johnson Live '26

Cody Johnson Live '26
Cody Johnson Tickets Near You — Shows by City
13 citiesCody Johnson is playing 13 cities this tour. Tap any city for exact dates, venue info, seat prices, and parking.
2 shows
1 show
1 show
1 show
2 shows
2 shows
2 shows
1 show
1 show
1 show
1 show
1 show
1 showIs Cody Johnson Coming to Your City?
4 / 12 citiesLive tour status for Cody Johnson across the 12 biggest North American markets — refreshed daily from Ticketmaster. Tap any "not yet" city to see the closest confirmed date.
17 upcoming Cody Johnson concerts across 13 cities in North America. Live Ticketmaster availability refreshed daily.
- When is Cody Johnson's next show?
- Sat, June 6, 2026 at Nissan Stadium.
- Is Cody Johnson touring near me?
- Playing 13 cities in 2026. See the "Tickets Near You" section below for your city.
- How do I get Cody Johnson tickets?
- Tap any date below to checkout on Ticketmaster — listings here are official primary tickets, refreshed daily.
- What time does the show start?
- Most Cody Johnson shows start between 7 and 9 PM local, with doors 60–90 minutes earlier. Exact time is on each ticket.
- How long is the concert?
- Roughly 90–150 minutes including the opener and a short encore.
About Cody Johnson
CCody Johnson is the American Traditional Country artist taking the 2026 tour through arenas, amphitheaters, and outdoor festival stages — the kind of country show built around a full live band, a deep singalong catalog, and a setlist that mixes hits with stripped-down storytelling moments. 17 confirmed dates across 13 cities this run. Tour routing typically spans major North American cities, with Canadian stops usually including arena-sized venues in Toronto, Vancouver, Calgary, Edmonton, and Montreal, and US stops covering New York, Los Angeles, Chicago, Miami, Seattle, and other top metros.
Cheapest Cody Johnson Tickets — 5 Ways to Save on the 2026 Tour
Cody Johnson tickets can move fast, especially for big-city dates, but there are a few reliable ways to land the best price.
- Buy during the official on-sale window. Face-value primary tickets on Ticketmaster are almost always cheaper than resale — the listings above show primary availability first.
- Consider mid-week shows. Tuesday and Wednesday Cody Johnson dates often list 15 to 30 percent lower than weekend stops in the same city.
- Go upper-level. Upper 300-level or balcony sections typically start near $45 to $75 and still offer a strong view of the stage.
- Watch last-minute drops.Resellers often slash prices 24 to 48 hours before doors open, especially for mid-week dates that haven't sold out.
- Compare nearby cities. It can be cheaper to drive 2 to 3 hours to a smaller market — check the full cheap Cody Johnson tickets guide for current low-priced dates.
Cody JohnsonVIP Packages & Meet & Greet Options
When available, Cody Johnson VIP packages are offered directly on Ticketmaster alongside the standard tickets for each tour date. VIP experiences for Cody Johnsonconcerts often include early venue entry, a premium seat or pit access, an exclusive tour merchandise item, and occasionally a pre-show soundcheck or photo opportunity. Meet and greet packages, when offered, sell out fastest — if you see one listed on the show page above, it's worth grabbing immediately. For the full breakdown of current VIP and meet and greet options on this tour, see the Cody JohnsonVIP & meet and greet guide.
Cody JohnsonPresale Tickets & Codes
Presale windows for the Cody Johnson 2026 tour typically open 1 to 3 days before the general on-sale and are the best way to lock in seats before inventory drops. The most common presales for Cody Johnsontour stops are Ticketmaster Verified Fan, Live Nation presale, the artist's official newsletter or fan club, and credit-card presales from Citi, American Express, or Capital One in North America. Sign-up links usually go live from the artist's official site 1 to 2 weeks before the on-sale. See the Cody Johnson presale guide for the current active codes and sign-up deadlines.
Fans Also Viewed
If you're a Cody Johnson fan, these Country artists are also currently touring North America.
Inside Cody Johnson
Cody Johnson is the Texas-traditional country headliner who walked into Nashville with a working cowboy's resume already filled out — ex-prison guard, ex-bull rider, fourth-generation East Texas — and built one of the largest country touring operations of his generation without ever once trading the steel guitars and shuffle beats for the country-pop production that was supposed to be the only way through. The major-label debut Ain't Nothin' to It arrived through Warner Music Nashville in January 2019 after more than a decade of self-released grinding through the Texas dance-hall circuit, and the catalogue from that point forward has been a deliberate, unbroken argument for a kind of country music that the radio format mostly stopped making: real Telecaster, real fiddle, real twin-fiddle waltzes, songs about rodeo grounds and divorce and the actual mechanics of a small-town life. "'Til You Can't" landed in late 2021, ran to No. 1 on the Billboard country airplay chart, picked up a Grammy nomination for Best Country Song, and won CMA Song of the Year and Single of the Year — the kind of cross-format moment that flipped Johnson from the largest secret in country music to a stadium-tier headliner inside a single album cycle. "The Painter" — the love song he wrote for his wife Brandi — followed as the next No. 1, then "Human" anchored the next radio cycle, then the title track of Leather (2023) extended the catalogue into the Texas dance-hall material that Johnson had been quietly chart-topping the regional Texas radio format with for ten years. A CMA Award winner, an ACM-stamped touring operation that sells through Houston Livestock Show and Rodeo to record attendance, a back catalogue of ten self-released and major-label studio records, and a band of road musicians who have been with Johnson since the dance-hall circuit days have built the kind of headlining operation that does not need a viral moment or a TV special to move tickets. This page is the landing spot for current Cody Johnson tour dates, ticket information, setlists and city-specific show information, kept evergreen year-round so it tracks every Leather Tour and post-Leather routing leg as the calendar rolls out from arenas into rodeo grounds and back again.
About Cody Johnson
Cody Wayne Johnson was born May 18, 1987 in Sebastopol, Texas — an unincorporated community in the East Texas pines about an hour and a half north of Houston — and raised between Huntsville and the rodeo grounds his father took him to as soon as he could climb a fence. He picked up a guitar in his early teens, picked up bull riding around the same time, and rode the Texas amateur rodeo circuit through high school and into his early twenties as a working bull rider with serious enough chops to chase a pro card. The day job that funded the music for the first eight years of the career was a corrections officer at the Texas Department of Criminal Justice in Huntsville, the prison-town the East Texas Department runs out of; Johnson worked the gates and the towers in uniform from 2008 through about 2013 while gigging four and five nights a week at the dance halls — Gruene Hall in New Braunfels, Billy Bob's in Fort Worth, the Houston honky-tonks — and self-releasing studio records under his own CoJo Music imprint. Black and White and Six Strings (2006) was the first record; Cowboy Like Me (2010), A Different Day (2011), Cowboy Like Me Deluxe (2013), Cowboy Like Me Bonus (2014), Gotta Be Me (2016) and Cowboy Like Me's various reissues followed across the next decade. By 2014 the Texas country radio format had Johnson at the top of its airplay chart and Billy Bob's Fort Worth on its books for sold-out multi-night runs; the major-label conversation that Nashville had spent five years not having with him finally happened in early 2018 when Warner Music Nashville signed Johnson on a deal that — unusually for a Music Row contract — let him keep his band, his producer Trent Willmon and his publishing imprint intact.
Ain't Nothin' to It came out in January 2019 and debuted at No. 1 on the Billboard Top Country Albums chart, the largest country debut of the year. The Cowboy Like Me dance-hall material that Johnson had been chart-topping the Texas regional format with for a decade was the spine of the record; "On My Way to You" was the lead single and his first national No. 1. Human: The Double Album arrived in October 2021 as a sprawling double-album set with seventeen tracks across two discs, and "'Til You Can't" — the song that flipped the catalogue from regional Texas-country headliner to stadium-tier — landed as the lead single. The song ran to No. 1 on the Billboard country airplay chart, won the 2022 CMA Song of the Year and Single of the Year, picked up the 2023 Grammy nomination for Best Country Song, and put Johnson on the front row of the country format's award-circuit conversation for the first time. "The Painter" — the love song he wrote for his wife Brandi Johnson, the high-school sweetheart he has been married to since 2011 and with whom he has three daughters — followed as the next No. 1; "Human" anchored the next cycle. Leather arrived in November 2023 with the title track and "The Fall" as the two anchor singles, extended the Texas dance-hall material into another platinum-selling record, and built out the Leather Tour stadium-and-arena routing that has rolled continuously since. A CMA Award winner, an ACM-recognised touring operation, and one of the very few Texas-traditional country headliners selling rodeo grounds and arenas at scale, Johnson remains based out of Huntsville with Brandi and the daughters and runs the CoJo Music imprint as his publishing home.
Cody Johnson tour dates
The current Cody Johnson touring chapter is the rolling Leather Tour, the arena-and-stadium routing he launched off the back of the November 2023 Leather album and has kept on the road across multiple legs since. The routing mixes major North American arenas — Bridgestone Arena in Nashville, Toyota Center in Houston, American Airlines Center in Dallas, Moody Center in Austin, Madison Square Garden in New York, Scotiabank Arena in Toronto — with rodeo headlining runs that are the practical backbone of any Cody Johnson touring year, plus amphitheater swings on the down legs and the dance-hall throwback weekends at Billy Bob's Fort Worth and Gruene Hall in New Braunfels that Johnson keeps on the calendar as a tip of the hat to the venues that built the career. The Houston Livestock Show and Rodeo run at NRG Stadium is the single biggest annual booking — Johnson has headlined the rodeo to record attendance multiple times and the rodeo is the only stadium-cap room he plays multiple nights a year. Sets run a deliberate 110 to 125 minutes with no intermission and no backing tracks; Johnson fronts the same eight-piece road band he has played with since the dance-hall years — twin fiddles, full pedal steel, two electric guitars, Telecaster lead — and works the catalogue with a deliberate steel-guitar Texas-country density that the modern country-radio format mostly stopped making. Production scales by venue: arena nights run a four-sided LED rig, a thrust stage and a flame-pot pyro hit on the "'Til You Can't" chorus drop, while rodeo nights play the standard rodeo-grounds stage build with the giant LED scoreboard as the only screen. Pricing across the Leather Tour holds in the fan-friendly band that Johnson and his manager Jason Henke have publicly defended — $35 to $50 upper bowl, $65 to $110 lower-bowl reserved, $125 to $200 floor with front-of-stage pit packages capped around $250. Support acts rotate by leg and lean toward the Texas dance-hall and neo-traditional country artists Johnson personally listens to — Randy Houser, Jake Worthington, Ian Munsick, Drake Milligan, Tanner Adell, Pat Green, Whiskey Myers — with a typical two-opener bill running about 90 minutes before Johnson hits the stage at roughly 9:00. The grid above pulls the live schedule directly from Ticketmaster and updates as new Leather Tour and post-Leather dates are confirmed.
Cody Johnson tickets
Cody Johnson tickets are sold through Ticketmaster as the primary outlet, with secondary inventory on StubHub, SeatGeek, Vivid Seats and Ticketmaster's own Face Value Exchange linked from each event card on this page. Arena pricing on the Leather Tour typically opens with upper-bowl seats in the $35 to $50 range, lower-bowl reserved at $65 to $110, floor at $125 to $200 and front-of-stage pit packages capped around $250 — deliberately well below the country-stadium-headliner pricing curve and one of the things Johnson has been publicly vocal about defending. Rodeo tickets on the Houston Livestock Show and Rodeo, Houston Rodeo Carnival, San Antonio Stock Show & Rodeo, Fort Worth Stock Show and other major U.S. rodeos are sold through the rodeo's own box office and are a separate, lower-priced ticket — typically $25 to $75 for the entire rodeo-plus-concert package — that does not appear on the Leather Tour Ticketmaster on-sale. CoJo Nation fan club presales open the Tuesday before the Friday public on-sale and are the most reliable path to good seats on the major-market arena dates; the membership runs a flat annual fee through the official codyjohnsonmusic.com site and includes presale access plus member-only meet-and-greets on select dates. Ticketmaster Verified Fan registration is used on the highest-demand Leather Tour on-sales — Houston, Dallas, Nashville — to keep bot inventory off the early window. Face Value Exchange is the resale tool Johnson and his team push as the cleaner secondary alternative; listings are capped at the original face value and clear directly through Ticketmaster, which keeps marketplace markup off most arena nights. Dynamic pricing is used sparingly on Cody Johnson on-sales by his own request, so face value typically holds from queue open to checkout on most dates. Always buy from a marketplace with a buyer guarantee.
Cody Johnson setlist
A current Cody Johnson setlist runs about twenty-three to twenty-six songs across 110 to 125 minutes with the band tight and the pacing built around the steel-guitar Texas-traditional country density that defines the catalogue. The night usually opens with a hard-driving Cowboy Like Me-era dance-hall cut — "Y'all People", "Long Haired Country Boy" or "Diamond in My Pocket" — to set the honky-tonk tone, then settles into a mid-set hit run that pulls in "On My Way to You", "Dear Rodeo", "Husbands and Wives" (the Brooks & Dunn cover Johnson recorded as a duet with Reba McEntire) and the deeper Human and Leather album material. "The Painter" — the love song Johnson wrote for his wife Brandi — lands roughly a third of the way through and is the first big phone-light singalong of the night, sung back at him by the entire arena with the kind of attentiveness that Texas crowds reserve for songs about marriages that actually work. The mid-set acoustic block typically includes "Dear Rodeo" — the Reba-duet rodeo retirement song that won the 2021 ACM Music Event of the Year — with one of Johnson's daughters occasionally walking out for a verse on the homecoming Texas dates, plus the dance-hall throwback "With You I Am" and the Leather title track stripped to acoustic. "Human" anchors the back-half hit run with the four-on-the-floor production drop; "Long Haired Country Boy" (the Charlie Daniels cover Johnson has played at every show since the prison-guard days) gets the back-half cover-set slot. "'Til You Can't" — the song that flipped the catalogue from regional Texas-country headliner to CMA Song of the Year — closes the night more often than any other; the band stretches the last chorus to thirty seconds of arena singing back at Johnson loud enough to make the room shake. Encore is typically a single track — "Dance Her Home" or the "Long Haired Country Boy" cover — though Johnson occasionally rolls a George Strait, Garth Brooks or Merle Haggard cover into the back half depending on the city. Check setlist.fm after the first night of any new Leather Tour leg for the current run order; fan submissions usually go up within a couple of hours of last call.
Tour cities
Houston
Houston is the practical home market — Johnson was born and raised about ninety minutes north in Sebastopol and Huntsville, lives in the East Texas country with Brandi and the daughters, and the Houston dance-hall scene is the room that built the career. The Houston Livestock Show and Rodeo at NRG Stadium is the single biggest annual booking on the calendar — Johnson has headlined the rodeo run multiple times to record attendance and the 72,000-cap stadium converted to rodeo configuration sells through on every announcement. The rodeo ticket includes the rodeo competition and the concert and is a separate, lower-priced on-sale through the Houston Rodeo box office rather than the Leather Tour Ticketmaster listing. Toyota Center handles the standard arena swings downtown — 18,000 cap, home of the Rockets — accessible from the METRORail Green Line. The Texas crowd turns "The Painter" and "'Til You Can't" into full-room singalongs. NRG Stadium parking lots fill three hours before showtime; the METRORail Red Line drops at the NRG Park stop.
Dallas
Dallas-Fort Worth is a flagship Texas market for Johnson and the routing typically splits between American Airlines Center in downtown Dallas, Dickies Arena in Fort Worth and the dance-hall throwback weekends at Billy Bob's Texas in the Fort Worth Stockyards. American Airlines Center holds 20,000 for an end-stage arena concert and is the easier indoor play on a weekend night; DART rail drops at Victory Station a two-minute walk from the gates. Dickies Arena at the Will Rogers Memorial Center handles the Fort Worth Stock Show & Rodeo run and the standard arena swings — 14,000 cap, walkable from the Stockyards. Billy Bob's Texas is the world's largest honky-tonk at 6,000 cap and the room Johnson played multiple nights a year through the dance-hall years; he keeps Billy Bob's on the calendar as a tip of the hat to the room that built the career. The Texas crowd here turns "'Til You Can't" into one of the loudest moments of any night on the Leather Tour.
Austin
Austin is the central-Texas marquee and one of the most attentive rooms on the Leather Tour. Johnson plays Moody Center on the University of Texas campus on arena nights — 15,000 cap, opened in 2022 as the modern replacement for the Frank Erwin Center, served by the MetroBus and walkable from West Campus. The Austin crowd skews younger and Spotify-discovery than the Houston rodeo run, drawing from the UT student body and the broader Austin music-discovery audience. Johnson typically routes Moody Center adjacent to the dance-hall throwback weekends at Gruene Hall in New Braunfels (45 minutes south, 1,200 cap, the oldest continually-operating dance hall in Texas and a venue Johnson has played since the prison-guard days) for fans willing to chase the smaller-room set on the off-night. Lower-bowl seats at Moody Center sell first on the on-sale; the upper-bowl 200-level rings hold the best price-to-view ratio in the building.
Nashville
Nashville is the music-business home room despite Johnson being a Texas native. He writes here when the touring calendar allows, the CoJo Music imprint runs out of Music Row partner offices, and Bridgestone Arena downtown is the standard Leather Tour stop. Bridgestone holds roughly 19,000 for an end-stage concert and sits at the foot of Lower Broadway, which means the post-show bar crawl is built into the walk back to your hotel. Fellow Music Row writers fill the front rows on the Nashville night — Trent Willmon (Johnson's producer), Brett James, Lori McKenna, Travis Meadows have all been spotted in the building — and surprise guest walk-ons from Reba McEntire (for the "Dear Rodeo" and "Husbands and Wives" duets), Brooks & Dunn or whichever country headliner is in town are part of the running Nashville tradition. The "'Til You Can't" closer here turns the room into a full-volume singalong from the front rail to the upper deck. Lower-bowl seats and the floor go first on the on-sale.
San Antonio
San Antonio is the south-Texas marquee and a market Johnson treats as a near-second home given how often the dance-hall years routed through the central Texas honky-tonk circuit. He plays the Frost Bank Center on arena nights — 18,500 cap, home of the Spurs, off the VIA Primo line — and headlines the San Antonio Stock Show & Rodeo run at the Freeman Coliseum each February to record attendance, the same rodeo-plus-concert ticket model as the Houston rodeo and one of the largest annual rodeo events in the United States. The San Antonio crowd skews older and more attentive than the Austin or Houston rooms, drawing from the deep Tejano-country crossover audience that has been Johnson's home crowd since the dance-hall years. The "The Painter" singalong here runs full-volume into the upper bowl. Lower-bowl tickets and floor seats sell first on the on-sale.
Oklahoma City
Oklahoma City is one of the strongest secondary markets on the Leather Tour and a reliable indicator of how well a country headliner plays outside Texas. Johnson plays Paycom Center downtown — 18,000 cap, home of the Thunder, accessible from the OKC streetcar — and the National Finals Rodeo run in Las Vegas (held annually at the Thomas & Mack Center on UNLV's campus) pulls heavily from the Oklahoma City rodeo audience that Johnson has played to since the bull-riding days. The OKC crowd skews deep-country and rodeo-loyal, drawing from the Oklahoma State and University of Oklahoma student bodies plus the broader Oklahoma rodeo audience. The "'Til You Can't" closer here turns Paycom into one of the loudest singalongs of any night on the tour. Lower-bowl seats sell first on the on-sale; the upper-bowl 300-level holds the best price-to-view ratio.
Calgary
Calgary is the marquee Canadian stop on every Leather Tour leg that runs the western Canadian rodeo circuit. Johnson plays the Scotiabank Saddledome on arena nights — 19,000 cap, home of the Flames, on the Calgary Transit C-Train Red Line at Erlton station — and headlines the Calgary Stampede infield concert series in early July to one of the largest rodeo-plus-concert audiences in North America. The Stampede is a separate, lower-priced ticket through the Stampede box office and is one of the very few rodeo runs outside Texas that Johnson treats as a multi-year recurring booking. The Calgary crowd is older and more attentive than the U.S. arena nights and turns "Dear Rodeo" into one of the most emotionally charged moments of any show on the tour — the room knows what a bucking horse out the chute actually feels like. Currency conversion makes Canadian face value a noticeable discount for U.S. fans willing to make the trip north.
Denver
Denver is the mountain-west marquee and one of the strongest non-Texas markets on the Leather Tour. Johnson plays Ball Arena downtown on arena nights — 19,500 cap, home of the Nuggets and Avalanche, served by the RTD light-rail Pepsi Center/Elitch Gardens station — and headlines the National Western Stock Show in January each year at the National Western Complex (the country's premier January rodeo run, a separate lower-priced rodeo ticket through the NWSS box office). The Denver crowd skews mountain-west rodeo plus Colorado Springs ranch audience plus the broader I-25 Front Range country-discovery audience, and the room turns the "'Til You Can't" closer into one of the loudest moments of any night. Red Rocks Amphitheatre in Morrison handles the down-leg amphitheater swing — 9,500 cap, the most famous amphitheater in North America — and is the one venue Johnson talks about wanting to headline more often than the routing currently allows.
Phoenix
Phoenix is one of the strongest desert-southwest markets on the Leather Tour and a recurring annual booking through the Country Thunder Arizona festival at Canyon Moon Ranch in Florence, southeast of Phoenix. Johnson plays Footprint Center downtown on arena nights — 17,000 cap, home of the Suns, accessible from the Valley Metro light-rail 3rd Street station — and Country Thunder Arizona handles the festival booking with a higher-production camping-festival audience that pulls from across Arizona, New Mexico and Southern California. The Phoenix arena crowd skews retirement-Arizona country-radio audience plus the Phoenix Suns season-ticket demographic, while the Country Thunder Arizona audience skews younger and ranch-country. The "The Painter" singalong here runs full-volume into the upper bowl on the arena nights. Lower-bowl seats at Footprint Center sell first on the on-sale; the upper-bowl 200-level rings hold the best price-to-view ratio in the building.
Atlanta
Atlanta is the southeastern marquee and one of the strongest non-Texas markets for Johnson on the Leather Tour. He plays State Farm Arena downtown on arena nights — 16,800 cap, home of the Hawks, served by the MARTA Five Points station and walkable from Centennial Olympic Park — and Ameris Bank Amphitheatre in Alpharetta handles the amphitheater swings (12,000 cap, the metro Atlanta lawn-and-pavilion outdoor build). The Atlanta crowd skews deep-South country with a healthy Auburn / Georgia / Tennessee SEC-school contingent, and the "'Til You Can't" closer here runs full-volume into the upper bowl. State Farm Arena sits on the MARTA rail line — Five Points and Peachtree Center stations both drop within a ten-minute walk of the gates, which is the only sensible way in on a Saturday night when the Atlanta Hawks or Atlanta United schedule overlaps with the country-show calendar. Field-level seats and the front-of-stage pit go first on the on-sale.








