Jazmine Sullivan Tour 2026
Is Jazmine Sullivan Coming to Your City?
0 / 12 citiesLive tour status for Jazmine Sullivan across the 12 biggest North American markets — refreshed daily from Ticketmaster. Tap any "not yet" city to see the closest confirmed date.
Jazmine Sullivan is currently between tours. No confirmed 2026 North America dates on Ticketmaster right now — this page auto-updates the moment new dates drop.
- How do I get Jazmine Sullivan tickets?
- Tap any date below to checkout on Ticketmaster — listings here are official primary tickets, refreshed daily.
- What time does the show start?
- Most Jazmine Sullivan shows start between 7 and 9 PM local, with doors 60–90 minutes earlier. Exact time is on each ticket.
- How long is the concert?
- Roughly 90–150 minutes including the opener and a short encore.
About Jazmine Sullivan
JJazmine Sullivan is the American R&B Soul artist on the 2026 tour, bringing the vocal-forward live arrangements, full band, and intimate-room energy R&B audiences travel for. Live dates auto-populate on this page the moment new 2026 shows are confirmed. Tour routing typically spans major North American cities, with Canadian stops usually including arena-sized venues in Toronto, Vancouver, Calgary, Edmonton, and Montreal, and US stops covering New York, Los Angeles, Chicago, Miami, Seattle, and other top metros.
Cheapest Jazmine Sullivan Tickets — 5 Ways to Save on the 2026 Tour
Jazmine Sullivan tickets can move fast, especially for big-city dates, but there are a few reliable ways to land the best price.
- Buy during the official on-sale window. Face-value primary tickets on Ticketmaster are almost always cheaper than resale — the listings above show primary availability first.
- Consider mid-week shows. Tuesday and Wednesday Jazmine Sullivan dates often list 15 to 30 percent lower than weekend stops in the same city.
- Go upper-level. Upper 300-level or balcony sections typically start near $45 to $75 and still offer a strong view of the stage.
- Watch last-minute drops.Resellers often slash prices 24 to 48 hours before doors open, especially for mid-week dates that haven't sold out.
- Compare nearby cities. It can be cheaper to drive 2 to 3 hours to a smaller market — check the full cheap Jazmine Sullivan tickets guide for current low-priced dates.
Jazmine SullivanVIP Packages & Meet & Greet Options
When available, Jazmine Sullivan VIP packages are offered directly on Ticketmaster alongside the standard tickets for each tour date. VIP experiences for Jazmine Sullivanconcerts often include early venue entry, a premium seat or pit access, an exclusive tour merchandise item, and occasionally a pre-show soundcheck or photo opportunity. Meet and greet packages, when offered, sell out fastest — if you see one listed on the show page above, it's worth grabbing immediately. For the full breakdown of current VIP and meet and greet options on this tour, see the Jazmine SullivanVIP & meet and greet guide.
Jazmine SullivanPresale Tickets & Codes
Presale windows for the Jazmine Sullivan 2026 tour typically open 1 to 3 days before the general on-sale and are the best way to lock in seats before inventory drops. The most common presales for Jazmine Sullivantour stops are Ticketmaster Verified Fan, Live Nation presale, the artist's official newsletter or fan club, and credit-card presales from Citi, American Express, or Capital One in North America. Sign-up links usually go live from the artist's official site 1 to 2 weeks before the on-sale. See the Jazmine Sullivan presale guide for the current active codes and sign-up deadlines.
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Inside Jazmine Sullivan
Jazmine Sullivan is one of the most acclaimed vocalists in modern R&B — a Philadelphia-born singer-songwriter whose blues-leaning contralto, novelistic songwriting, and refusal to chase trend cycles have earned her a reputation as a singer's singer across a career now stretching nearly two decades. Born Jazmine Marie Sullivan on April 9, 1987 in Philadelphia, Pennsylvania, she grew up in the city's Strawberry Mansion neighborhood, started singing at her grandmother's Pentecostal church, and was discovered as a child performing at Philadelphia's historic Apollo Theater amateur night circuit before being signed to Jive Records as a teenager. Her 2008 debut Fearless arrived with the Missy Elliott-produced Need U Bad and Bust Your Windows as immediate radio hits, earned her five Grammy nominations on a single ceremony, and announced an artist whose technical vocal command — the runs, the chest-voice belt, the controlled vibrato — sat at a different ceiling than almost anything else on R&B radio. Love Me Back in 2010 carried Holding You Down (Goin' in Circles) and Lions, Tigers & Bears. After a five-year hiatus, Reality Show in 2015 returned the catalogue with Mascara, Dumb, Forever Don't Last, and the storytelling concept arc that established Sullivan as the most narrative-driven R&B writer of her generation. Heaux Tales, released January 2021 as a 14-track EP-into-album threading interview interludes from real women about love, sex, autonomy, and money through her own songwriting, became the cultural and commercial inflection point — it won the Grammy for Best R&B Album in 2022, debuted at number four on the Billboard 200, produced Pick Up Your Feelings, Lost One, On It with Ari Lennox, and Girl Like Me with H.E.R., and was followed by the 2022 deluxe Heaux Tales, Mo' Tales: The Deluxe. Sullivan and Eric Church performed America the Beautiful and the national anthem at Super Bowl LV in Tampa on February 7, 2021. She holds twelve Grammy nominations across a catalogue that has consistently prioritized craft over volume. This page is the central hub for Jazmine Sullivan tour dates, ticket guidance, setlist tracking, and the cities she plays most.
About Jazmine Sullivan
Jazmine Marie Sullivan was born April 9, 1987 in Philadelphia, Pennsylvania to a deeply musical household — her mother Pam Sullivan worked as a backup singer in the Philadelphia gospel and R&B circuits, and the family raised Jazmine inside the Pentecostal church tradition that shaped her vocal foundation. She grew up in the city's Strawberry Mansion neighborhood in North Philadelphia, attended the Philadelphia High School for Creative and Performing Arts (CAPA) — the same magnet school that produced Boyz II Men, Ahmir 'Questlove' Thompson, and Black Thought of The Roots — and started performing publicly as a child on the Philadelphia talent-show circuit. She was a regular at the historic Apollo Theater amateur night in Harlem during her early teen years, won the famously brutal Showtime at the Apollo audience repeatedly, and was signed to Jive Records as a teenager after years of demo work with Philadelphia producers including the Bell Biv DeVoe-affiliated production teams in the early 2000s. Her debut single Need U Bad, produced by Missy Elliott and built on a reggae one-drop sample, dropped in 2008 and became a top-40 Billboard Hot 100 hit; the follow-up Bust Your Windows — the now-canonical revenge anthem about smashing a cheating partner's car windows — landed at number 31 on the Hot 100 and cemented Sullivan as one of the most distinctive new voices in R&B. Fearless, released September 30, 2008 on J Records, debuted at number six on the Billboard 200 and earned five Grammy nominations at the 2009 ceremony including Best New Artist, Best R&B Album, Best Female R&B Vocal Performance for Need U Bad, Best R&B Song for Need U Bad, and Best Traditional R&B Vocal Performance for Bust Your Windows. Love Me Back, released November 30, 2010 on J Records, produced Holding You Down (Goin' in Circles), Lions, Tigers & Bears, and 10 Seconds and continued the same five-Grammy-nomination critical reception. After Love Me Back, Sullivan publicly announced a hiatus in 2011, citing burnout and a desire to recalibrate her relationship to the music industry — she returned to Philadelphia, stepped back from public performance for roughly three years, and worked through what she has described in subsequent interviews as a period of personal and creative recovery from an industry that had pushed her too hard too young. Reality Show, released January 13, 2015 on RCA Records, was the comeback — a concept album threading reality-TV satire through ten songs that produced Mascara, Dumb featuring Meek Mill, Forever Don't Last, and the lead single Dumb. Reality Show earned Sullivan three further Grammy nominations and was widely cited as one of the strongest R&B albums of the 2010s. Heaux Tales, released January 8, 2021 on RCA Records, was the cultural inflection point — a 14-track project threading audio interview interludes from real women in Sullivan's life (her sisters, friends, and fellow artists) about love, sex, financial autonomy, and self-worth through her own songwriting, with features from H.E.R., Ari Lennox, Anderson .Paak, and Issa Rae. The album debuted at number four on the Billboard 200, produced Pick Up Your Feelings, Lost One, On It with Ari Lennox, Girl Like Me with H.E.R., and Bodies, won the Grammy for Best R&B Album at the 2022 ceremony, and was followed by Heaux Tales, Mo' Tales: The Deluxe in February 2022 carrying additional Tales and the new track Hurt Me So Good. Sullivan and country artist Eric Church performed The Star-Spangled Banner and America the Beautiful together at Super Bowl LV on February 7, 2021 at Raymond James Stadium in Tampa, with H.E.R. performing America the Beautiful in the same broadcast; the performance drew widespread praise for Sullivan's vocal control across the broadcast's pre-game window. Sullivan holds twelve career Grammy nominations across the Fearless, Love Me Back, Reality Show, and Heaux Tales cycles, with the 2022 Best R&B Album win for Heaux Tales as the headline. She has been publicly engaged in advocacy work around women's autonomy, mental health, and Black women's representation in R&B, and her catalogue is widely cited by younger R&B artists — Summer Walker, Ari Lennox, Coco Jones, Muni Long, Tyla — as a foundational influence on the genre's contemporary direction.
Jazmine Sullivan tour dates and live show
Jazmine Sullivan's touring framework has been built around the Heaux Tales material since the album's 2021 release — the Heaux Tales Tour ran across major North American theaters and amphitheaters in 2022 and 2023 following the lifting of pandemic touring restrictions, and her live show has continued to anchor the post-Heaux Tales era through festival headline slots, theater dates, and special-event appearances. The live show is structured around her voice in a way that few R&B headliners attempt — relatively minimal staging, a tight live band built around keys, bass, drums, guitar, and a small horn or string section depending on the room, and a setlist that leans into the technical vocal demands of the catalogue rather than dance-heavy choreography. The arrangement allows her to stretch the longer notes, the runs, and the call-and-response moments with the audience in a way that doesn't survive the bigger arena production she has occasionally been booked into. Theater and amphitheater rooms — The Met Philadelphia, Radio City Music Hall, the Hollywood Bowl, the Greek Theatre LA, and the Apollo Theater in Harlem on the most symbolic dates — have been the touring sweet spot. The setlist braids the Fearless and Love Me Back catalogue (Bust Your Windows, Need U Bad, Holding You Down, Lions Tigers & Bears) with the Reality Show material (Mascara, Forever Don't Last, Dumb) and the Heaux Tales cuts (Pick Up Your Feelings, Lost One, On It, Girl Like Me, Bodies) across a roughly 90-to-110-minute headline block. Doors typically open ninety minutes before show start; Sullivan's set typically runs close to schedule. If a Heaux Tales or successor routing date is confirmed in your region, the schedule strip above pulls every confirmed night from the live feed.
Jazmine Sullivan tickets
Jazmine Sullivan tickets on the Heaux Tales-era theater and amphitheater routing typically start in the $55–$95 range for upper-level and rear-section seats on the day of on-sale across most North American markets, climbing to $120–$220 for orchestra and lower-level seats once Ticketmaster dynamic pricing engages on the higher-demand dates. Front-row and VIP packages clear $300–$600 in Philadelphia, New York, Los Angeles, Atlanta, and Washington DC. Resale on StubHub, SeatGeek, and Vivid Seats can land above face on Friday and Saturday nights once the on-sale window closes — Philadelphia hometown dates at The Met or the Mann Center clear faster than any other market on the routing. Ticketmaster pre-sale codes and RCA Records artist pre-sale codes typically open 24–72 hours before the public on-sale window — register for the Jazmine Sullivan newsletter at her official site and watch for the pre-sale email. American Express Card Member pre-sale and Citi Cardmember pre-sale run in parallel on select markets through the Live Nation and AEG Presents booking partners. VIP packages bundle premium seating, early venue entry, a commemorative laminate, and limited merchandise rather than a meet-and-greet on most dates. Avoid social-media DMs and any seller demanding Venmo, Zelle, or wire payment outside a verified platform — the secondary market for high-demand R&B headline dates is heavily scammed in Philadelphia, New York, and Los Angeles.
Jazmine Sullivan setlist
A Jazmine Sullivan setlist on the Heaux Tales-era routing typically runs roughly 16 to 20 songs across a 90-to-110-minute headline block, braiding the four-album catalogue with the most recent Heaux Tales and Mo' Tales deluxe material as the structural anchor. Recent sets have opened with cuts from Heaux Tales — Bodies, Pick Up Your Feelings, or the Antoinette's Tale-into-Put It Down sequence — before pulling back into the Fearless and Love Me Back catalogue with Need U Bad (the Missy Elliott-produced debut single still anchors the radio canon), Bust Your Windows (the revenge anthem that turns the room every night), Holding You Down (Goin' in Circles), and Lions, Tigers & Bears as the emotional centerpiece. The Reality Show stretch typically lands Mascara, Forever Don't Last, Dumb, and Let It Burn across the middle of the set. The Heaux Tales material returns for the closing stretch with Lost One — Sullivan has built an extended a cappella moment into the live arrangement that strips the song to her voice and a single piano — Girl Like Me with the H.E.R. vocal on the recording carried by the band, and On It as the dance-floor closer. Encore typically runs Bust Your Windows or Need U Bad depending on the night. The full setlist on any given date is captured by setlist.fm, with crowd-submitted song lists usually posted within hours of the encore. Cover material is rare in her set — Sullivan's catalogue is deep enough that a 110-minute headline block doesn't need outside material — though she has occasionally pulled gospel or classic-soul cuts on special-event dates.
Tour cities
Philadelphia
Philadelphia is Jazmine Sullivan's hometown — Strawberry Mansion in North Philadelphia raised her, the Philadelphia High School for Creative and Performing Arts (CAPA) trained her, and the Pentecostal church tradition that runs through her vocal foundation is rooted in the city's Black gospel circuit. Hometown dates carry a different weight in Philadelphia than anywhere else on the routing. The Met Philadelphia on North Broad Street, the restored 1908 Oscar Hammerstein opera house that reopened in 2018 under Live Nation operation, has been the recent indoor anchor for Sullivan's Philadelphia dates with the room's restored gilt-and-velvet sightlines suiting the theater-tier production. The Mann Center for the Performing Arts in West Fairmount Park scales for amphitheater nights when the routing pushes outdoor. The Met sits on the Broad Street Line (Orange) at Girard station; the Mann Center is reachable via the SEPTA Trolley 36 to 38th Street plus the Mann Center event shuttle. Ticketmaster on-sale and the RCA Records artist pre-sale clear Philadelphia faster than any other market on the routing. Plan to register for the pre-sale window — Philadelphia hometown nights move first.
New York
New York hosts Jazmine Sullivan at Radio City Music Hall, the Beacon Theatre, the Apollo Theater in Harlem on the most symbolic dates, and Madison Square Garden for arena-tier appearances. Radio City Music Hall, the 6,015-seat Rockefeller Center venue that opened in 1932, has hosted some of the most acclaimed R&B headline runs of the streaming era. The Apollo Theater in Harlem at 253 West 125th Street — the same room where Sullivan won amateur night repeatedly as a teenager — carries the deepest symbolic weight on the routing. The Beacon Theatre at Broadway and 74th Street scales for mid-sized theater dates. Radio City is at 47-50 Streets/Rockefeller Center on the B, D, F, M lines; the Apollo is at 125 Street on the A, B, C, D lines and the 2, 3, 4, 5, 6 lines; Beacon Theatre is at 72 Street on the 1, 2, 3 lines. Ticketmaster Verified Fan, RCA Records pre-sale, and the Live Nation pre-sale run 24–72 hours before the public window. New York dates clear fast across all three rooms.
Los Angeles
Los Angeles hosts Jazmine Sullivan at The Greek Theatre in Griffith Park for amphitheater dates, the Hollywood Bowl for symphonic-scale appearances, and the YouTube Theater or Microsoft Theater at LA Live for indoor theater nights. The Greek Theatre, the 5,900-capacity outdoor amphitheater built in 1929 and operated by Nederlander, is reachable via the LADOT DASH Observatory shuttle from Vermont/Sunset Metro Red Line station on event nights. The Hollywood Bowl, the 17,500-capacity amphitheater operated by the LA Phil that opened in 1922, has hosted R&B headline orchestral nights on past tour cycles. Microsoft Theater at LA Live downtown is at 7th Street/Metro Center on the A, B, D, and E Metro lines. The LA market clears Sullivan's theater and amphitheater dates inside the on-sale window through Ticketmaster Verified Fan and AXS depending on the venue. RCA Records and AEG Presents pre-sales run 24–72 hours before the public window. Plan transit ahead — Greek Theatre post-show egress on Vermont Canyon Road can run 60 minutes and the DASH shuttle queue fills fast.
Atlanta
Atlanta hosts Jazmine Sullivan at the Fox Theatre on Peachtree Street for theater dates, Cadence Bank Amphitheatre at Chastain Park for amphitheater nights, and State Farm Arena for arena-tier appearances. The Fox Theatre, the 4,665-seat 1929 Moorish-revival theater on Peachtree Street, has hosted some of the most acclaimed R&B headline runs of the past two decades and the room's acoustic warmth suits Sullivan's voice in a way that few American theaters match. The Atlanta R&B audience treats Sullivan as a singer's-singer headline given the city's role as the contemporary R&B capital — Atlanta's Quality Control, LaFace Records heritage, and the broader Southern soul tradition through artists like Anthony Hamilton, Monica, and Toni Braxton all sit in dialogue with Sullivan's catalogue. The Fox Theatre is reachable via MARTA at North Avenue station on the Red and Gold Lines; State Farm Arena is at Five Points station on every MARTA rail line. RCA Records pre-sale and Live Nation pre-sale run 24–72 hours before the public window.
Washington DC
Washington DC hosts Jazmine Sullivan at The Anthem in The Wharf for mid-sized concert hall dates, Capital One Arena downtown for arena-tier appearances, and Wolf Trap's Filene Center in Vienna, Virginia for amphitheater nights. The Anthem, the 6,000-capacity I.M. Pei-designed concert hall that opened in 2017 on the Southwest Waterfront, has been a recurring DC anchor for theater-tier R&B routings given the room's modern sightlines and bowl geometry. Capital One Arena, the 20,000-capacity Wizards and Capitals home at 601 F Street NW, scales for arena dates. The Anthem sits at Waterfront Station on the Green Line; Capital One Arena is at Gallery Place-Chinatown on the Red, Yellow, and Green lines. The DC market pulls Sullivan's audience from across the Mid-Atlantic — Maryland, Northern Virginia, and the broader DMV corridor — and the on-sale clears the lower bowl in single-digit minutes through Ticketmaster Verified Fan. RCA Records pre-sale and the Live Nation DC pre-sale run 24–72 hours before the public window.
Chicago
Chicago hosts Jazmine Sullivan at the Chicago Theatre on State Street for downtown theater dates, the Auditorium Theatre at Roosevelt University for symphonic-scale theater nights, and the Huntington Bank Pavilion at Northerly Island for amphitheater dates when the routing pushes outdoor in summer. The Chicago Theatre, the 3,600-seat 1921 Rapp & Rapp landmark on North State Street with the iconic six-story marquee, has hosted decades of R&B and soul headline runs and the room's acoustic intimacy suits Sullivan's vocal staging. The Auditorium Theatre, the 3,891-seat 1889 Sullivan and Adler-designed landmark on South Michigan Avenue, has been used for the most symbolic Chicago R&B dates. The Chicago Theatre is at Lake station on the Red Line and Washington/State on the Blue Line; the Auditorium is at Harold Washington Library on the Brown, Orange, Pink, and Purple lines. The Chicago R&B audience runs deep through the Chess Records and Chicago soul heritage and the on-sale clears the lower level in single-digit minutes through Ticketmaster.
Houston
Houston hosts Jazmine Sullivan at Bayou Music Center downtown for theater dates, the Hobby Center for the Performing Arts for symphonic-scale nights, and Toyota Center for occasional arena-tier appearances. Bayou Music Center, the 2,800-capacity Live Nation theater at 520 Texas Avenue, has hosted recent R&B headline routings in the Houston market. The Hobby Center for the Performing Arts at 800 Bagby Street scales for symphonic and theater-with-orchestra nights. Toyota Center, the 18,000-capacity Rockets home at 1510 Polk Street, is at the Bell METRORail Red Line station. The Houston R&B and soul audience pulls from a deep Texas soul heritage through Beyoncé, Solange, the original Bun B and UGK era, and the broader Houston blues and R&B tradition — Sullivan's catalogue lands hard in this market. RCA Records pre-sale and Live Nation pre-sale run 24–72 hours before the public window. The on-sale clears the lower level in single-digit minutes on the highest-demand Houston dates.
Detroit
Detroit hosts Jazmine Sullivan at the Fox Theatre on Woodward Avenue downtown for theater dates, the Aretha Franklin Amphitheatre on the Detroit River for amphitheater nights when the routing pushes outdoor, and Little Caesars Arena for arena-tier appearances. The Fox Theatre Detroit, the 5,048-seat 1928 C. Howard Crane-designed Moorish-revival theater that hosts the Olympia Entertainment booking calendar, has hosted decades of Motown-era and contemporary R&B headline runs and carries deep symbolic weight in the city's soul history. The Aretha Franklin Amphitheatre, the 6,000-capacity outdoor venue at Hart Plaza renamed in 2019 after the Detroit-born Queen of Soul, has hosted summer R&B routings. The Fox Theatre is reachable via the Detroit People Mover at Grand Circus Park station; Little Caesars Arena is at the same station. The Detroit R&B audience treats Sullivan as a singer's-singer headline given the city's foundational role in American R&B through Motown, Aretha Franklin, Anita Baker, and the broader Detroit soul tradition.
London
London hosts Jazmine Sullivan at indigo at The O2 in Greenwich for theater-tier dates, the Eventim Apollo Hammersmith for mid-sized theater nights, and the Royal Albert Hall in Kensington for the most symbolic UK dates. indigo at The O2, the 2,800-capacity theater-tier room inside The O2 entertainment complex, has hosted recent R&B headline runs in London. The Eventim Apollo Hammersmith, the 5,000-capacity 1932 art deco theater on Queen Caroline Street, has been a recurring London anchor for theater-tier R&B routings. The Royal Albert Hall, the 5,272-capacity 1871 Victorian concert hall opposite Kensington Gardens, carries the deepest symbolic weight on the UK routing. indigo at The O2 is reachable via North Greenwich on the Jubilee Line; the Eventim Apollo is at Hammersmith on the District, Piccadilly, and Hammersmith & City lines; the Royal Albert Hall is at South Kensington on the District, Circle, and Piccadilly lines. UK on-sale runs through Ticketmaster UK and AXS depending on the venue. The London R&B audience treats Sullivan as a headline of headlines given the limited number of US R&B singer's-singer dates that reach the UK each cycle.
Toronto
Toronto hosts Jazmine Sullivan at Massey Hall on Shuter Street for the most acoustically prized theater dates, History venue at 1663 Queen Street East for mid-sized concert hall nights, and Scotiabank Arena for arena-tier appearances. Massey Hall, the restored 1894 acoustic landmark that reopened in 2021 after a four-year restoration, has hosted some of the most acclaimed R&B headline runs since reopening and the room's acoustic warmth suits Sullivan's vocal staging. History venue, the 2,500-capacity Live Nation and Drake co-owned room in The Beach neighborhood, has handled mid-sized concert hall R&B routings since opening in 2021. Massey Hall sits at Queen station on the Yonge-University TTC line and is steps from Yonge-Dundas Square; Scotiabank Arena sits directly above Union Station on TTC, GO Transit, and UP Express. The Canadian R&B audience pulls Sullivan's catalogue heavily — the Toronto R&B and soul ecosystem through Daniel Caesar, Charlotte Day Wilson, Jessie Reyez, and the broader Ontario circuit treats her as foundational influence.