KATSEYE Seat Map 2026 — Floor, Bowl, VIP & Best Seats

KATSEYE seat maps by venue

The seller has published a static seating chart for 16 of the 23 listed venues. The interactive map with live availability opens on the seller listing for each date.

Spectrum Center, Charlotte

1 listed date: Oct 20, 2026

Capital One Arena, Washington

1 listed date: Oct 22, 2026

UBS Arena, Belmont Park

2 listed dates: Oct 24, 2026, Oct 25, 2026

TD Garden, Boston

1 listed date: Oct 28, 2026

Centre Bell, Montreal

1 listed date: Oct 30, 2026

TD Coliseum, Hamilton

1 listed date: Nov 1, 2026

Little Caesars Arena, Detroit

2 listed dates: Nov 3, 2026, Nov 3, 2026

United Center, Chicago

2 listed dates: Nov 5, 2026, Nov 5, 2026

Target Center, Minneapolis

1 listed date: Nov 7, 2026

Moody Center ATX, Austin

1 listed date: Nov 10, 2026

American Airlines Center, Dallas

1 listed date: Nov 11, 2026

Climate Pledge Arena, Seattle

2 listed dates: Nov 17, 2026, Nov 17, 2026

Oakland Arena, Oakland

1 listed date: Nov 19, 2026

Crypto.com Arena, Los Angeles

2 listed dates: Nov 21, 2026, Nov 22, 2026

Mortgage Matchup Center, Phoenix

1 listed date: Nov 24, 2026

Dickies Arena, Fort Worth

2 listed dates: Dec 1, 2026, Dec 1, 2026

• Capital One Arena, Washington DC — no static seat map published by the seller
• UBS Arena, New York — no static seat map published by the seller
• Bell Centre, Montreal — no static seat map published by the seller · Bell Centre seating chart
• Hamilton Arena, Hamilton — no static seat map published by the seller
• MGM Grand Garden Arena, Las Vegas — no static seat map published by the seller
• Oakland Arena, San Francisco — no static seat map published by the seller
• Palacio de los Deportes , Mexico City — no static seat map published by the seller

KATSEYE Seat Map — FAQ

About KATSEYE

KATSEYE were built deliberately, in public, over the course of the Dream Academy reality series that Hybe and Geffen ran across 2023 and 2024. The premise was simple and ambitious: take the rigorous Korean idol training system Hybe had honed with BTS, Tomorrow X Together, and LE SSERAFIM and apply it to a cast of trainees pulled from auditions held in Los Angeles, Seoul, Bangkok, Sydney, Mexico City, and online, with the explicit goal of debuting a group that didn't sit inside K-pop's national identity but could plug into any market. Twenty trainees were narrowed to six through a televised competition that judged vocals, choreography, on-camera presence, and the harder-to-name quality of pop-star magnetism. The final lineup paired Sophia, a Filipino-American singer who'd built a following on YouTube before auditioning, with Lara, of Indian and Swiss heritage; Manon, Swiss and a former dancer in the European competition circuit; Daniela, Venezuelan-American with a theatre background; Yoonchae, Korean and the youngest member of the group; and Megan, a US-born vocalist who came up through the LA musical-theatre and pop pipeline. Their sound sits inside the post-K-pop global pop lane — dance-pop production with bright top-lines and stacked harmonies, drawing on Y2K teen-pop, contemporary R&B, and the same Scandinavian songwriting bench that's powered the last decade of mainstream pop. The debut EP SIS (Soft Is Strong) shipped in 2024 with singles 'Debut' and 'Touch', and the group followed up with 'Tonight I Might' and a string of choreography-led short-form video moments that did the heavy lifting on TikTok and Instagram Reels. Live, they lean on six-part choreography, polished vocal arrangements, and the kind of in-ear-driven production that has become the global pop standard. The group's positioning matters as much as the songs: where K-pop's biggest girl groups have always carried the soft-power weight of Korea's entertainment industry on their backs, KATSEYE were engineered from the start to belong to no single market, and the fanbase that has cohered around them in the first two years of the project reads like a snapshot of how pop discovery actually works in the streaming era — multilingual, internet-native, choreography-fluent, and largely indifferent to the genre borders the industry still tries to police.

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