Mitski Setlist 2026 — Songs, Order & Running Time

Mitski Land Is Inhospitable tour setlist

The current Mitski headline setlist is built around The Land Is Inhospitable and So Are We (September 2023) and runs roughly 18 to 22 songs across 80 to 100 minutes. Recent tours have opened on Bug Like an Angel — the album-opener of The Land Is Inhospitable, the slow-folk hymn that sets the room's listening-room temperature before any of the louder Bury Me at Makeout Creek or Be the Cowboy material arrives — and moved into Working for the Knife (the 2021 Laurel Hell lead single that ended the indefinite-hiatus silence) and Geyser (the Be the Cowboy opener with its quiet-piano-into-loud-band dynamic that introduces the choreographic stage language of the cycle to the audience). The middle act tightens to the front of the stage and the movement work — Heaven, I Bet on Losing Dogs, The Frost, and Old Friend from the Land Is Inhospitable cycle paired with Nobody (the Be the Cowboy disco-pop song that has overtaken almost everything else as the audience-singalong centrepiece of the working live show and lifts the bowl at every venue on the tour). The closing act runs through Townie and Drunk Walk Home from Bury Me at Makeout Creek as the catalogue rock moments, Your Best American Girl (the Puberty 2 structural anchor that consistently lands inside the back third — the song's quiet verse into the distorted chorus is the loudest moment of the night and the singalong is total across every room on the tour), and My Love Mine All Mine from The Land Is Inhospitable as the post-TikTok song that broke the cycle into the mainstream (her first US Hot 100 top-ten and first UK top-five, a billion-plus Spotify streams) — the room sings every word and phones are in the air for the duration. The encore is typically anchored on A Burning Hill (the closer from Puberty 2), Two Slow Dancers (the Be the Cowboy closer), or a rotating quiet ballad pulled from the catalogue night by night for the audible slot. The opening cold open, the Nobody-anchored middle, and the Your Best American Girl-into-My Love Mine All Mine closing run are the three structural pillars that hold across every date; everything else inside those acts can shift night by night, and setlist.fm catches the exact running order after each show.

Mitski 2026 Tour Setlist Structure

Mitski, the American indie rock act, currently has 3 confirmed live dates — the most recent routing points at Great Park in Irvine, so the song order below reflects how indie rock headline sets of this size are typically paced.

Recent Mitski concerts have averaged between 18 and 24 songs spread across roughly 90 to 120 minutes of performance time (excluding opener). The shows typically follow this rough structure:

1. Opener (song 1 to 2). A high-energy hit to set the tone.
2. Hit block (song 3 to 7). A run of the most-streamed singles.
3. Acoustic / storytelling moment (song 8 to 10). Stripped-back arrangements and banter.
4. Deep-cut set (song 11 to 15). Fan favorites and newer album tracks.
5. Peak run (song 16 to 20). The dancefloor anthems and biggest singalongs.
6. Encore (song 21 to 24). A 2 to 3 song encore featuring the signature closer.

Does the Mitski Setlist Change Night to Night?

The core of the Mitski 2026 setlist — the singles and the staging — stays consistent across the tour so production cues work from night to night. Smaller changes (a deep cut swap, a city-specific cover, or an acoustic surprise) happen on some nights. For the exact setlist from a specific Mitski show, check fan-submitted setlists on Setlist.fm after the concert.

Mitski Setlist — FAQ

About Mitski

Mitsuki Laycock was born September 27, 1990, in Mie Prefecture in Japan to an American father working in international development and a Japanese mother, and spent the entirety of her childhood moving — by her own count, thirteen countries before college, with stops in the Democratic Republic of the Congo, Malaysia, China, Turkey, and the United States, never living anywhere long enough to develop the kind of regional accent or hometown identity that anchors most singer-songwriters. She started writing songs as a teenager, taught herself piano on whatever instrument was available wherever the family was posted, and entered SUNY Purchase's Conservatory of Music in suburban New York in 2010 to study studio composition rather than performance or songwriting — the academic environment that produced Lush in 2012 as a student-thesis-adjacent project with a full string ensemble (Lush was self-released through Bandcamp; she paid for the recording session herself by working campus dining hall shifts) and Retired from Sad, New Career in Business in 2013 as a piano-and-vocal follow-up structured around the seven-song suite format of a song cycle. The pivot point was Bury Me at Makeout Creek in November 2014 on Double Double Whammy, the New York DIY label run out of a Brooklyn apartment; the record traded the conservatory orchestration for distorted electric guitars, a four-piece rock-band line-up, and the conversational lyric voice that has defined every Mitski album since (Townie, First Love / Late Spring, I Don't Smoke). Dead Oceans signed her ahead of Puberty 2 in 2016 and she has remained on the Bloomington, Indiana label across every subsequent record. Be the Cowboy in August 2018 was the artistic and commercial breakthrough that turned the project into a generational figure — Nobody, Geyser, and Washing Machine Heart anchored the record, the album took the top spot on Pitchfork, NME, and Consequence of Sound year-end lists, and the supporting tour expanded into the 2,000-capacity theatre tier across North America, the UK, Europe, Australia, and Asia. She announced what she described as an 'indefinite' touring hiatus in 2019 after the Be the Cowboy cycle ended; Laurel Hell in February 2022 ended the silence with a synth-driven, ABBA-influenced production palette built with longtime collaborator Patrick Hyland, Working for the Knife as the lead single ahead of release, and a full theatre and amphitheatre tour. The Land Is Inhospitable and So Are We in September 2023 was the record that pulled the project all the way back to live instrumentation — Mitski wrote the album to be performable by an acoustic ensemble, recorded it at a Nashville session room with a string section and a country-folk backing band, and routed the resulting tour through the theatre and amphitheatre circuit. My Love Mine All Mine, the album's quietest song, broke on TikTok in late 2023 and became her commercial peak — her first US Hot 100 top-ten, her first UK top-five, and a track that has accumulated north of a billion Spotify streams across the cycle. She remains on Dead Oceans, remains based in Nashville after years between New York and Tennessee, remains close-collaborator-only with Patrick Hyland as her producer, and remains the working benchmark for what a mid-cap indie singer-songwriter career can become when the artist refuses both the major-label crossover lane and the DIY-purist lane in equal measure.

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