Peso Pluma Opening Act 2026 — Who is the Support?

Peso Pluma opening acts — the Doble P Records roster on tour

Peso Pluma's opening-act lineup on the Doble P Tour and the EXAS! and PRC tour cycles has functioned as a deliberate showcase for the wider corridos tumbados scene rather than a generic radio-name support slot, and the support roster is one of the more consistent things in his touring history. Tito Double P — Peso Pluma's cousin, a corridos tumbados artist signed to Doble P Records, and the highest-profile name on the support bill — has rotated through the opener slot on US arena dates across both the 2023 Doble P Tour and the 2024 Éxodo Tour, with his own catalogue (ADIVINO, Lady Gaga with Peso Pluma and Gabito Ballesteros, Loco) generating its own Spotify and Billboard Latin Airplay traction. Gabito Ballesteros — a Sonora-born singer-songwriter who co-wrote and featured on AMG, PRC, and Lady Gaga from the Génesis cycle — has opened on US arena dates across both tour cycles and stepped into co-headlining festival slots at Tecate Pa'l Norte and Bésame Mucho. Joel de la P, another Doble P Records signing, has rotated through the opener slot on Mexico stadium dates and select US arena routings. The Eslabon Armado collaborators have appeared on the support bill on select dates — Pedro Tovar and the wider Eslabon Armado lineup have not toured as the dedicated support act but have stepped onto the bill as featured guests for Ella Baila Sola at MSG, Foro Sol, and Banc of California, and the broader Eslabon Armado-adjacent rosters from Del Records and the wider sierreño-and-corrido lineage have appeared in regional slots. The platforming logic across the corridos tumbados rising stars is consistent: Peso Pluma uses the support bill on every cycle to scale up Doble P Records signings and adjacent genre peers ahead of their own headlining transitions, and several artists who first opened for Peso Pluma in 2023 — Tito Double P most prominently — have moved into their own arena-tier headlining slots in the cycles since. Stadium dates in Mexico typically carry longer support bills with three to four openers including Natanael Cano (when calendar permits), Eslabon Armado, and the Doble P roster; US arena dates run one to two openers depending on production tier. Doors open ninety minutes before the headline set, with the first opener typically taking the stage forty-five to sixty minutes after doors and the final opener clearing the stage twenty to thirty minutes before Peso Pluma's set. Confirmed opener for any specific date appears on the Ticketmaster event page and on the schedule strip at the top of this artist page.

How Peso Pluma Tour Openers Get Announced

Most Peso Plumatour openers aren't named when tickets go on sale. The supporting act is locked in per-region (sometimes per-show) and surfaces on the official Ticketmaster show page in the weeks before each stop. Click any date above to see whether the opener is confirmed yet — Catch Movement pulls live show pages daily, so the listed support act updates as soon as Ticketmaster does.

For headliners at Peso Pluma's scale, expect a single opener doing a 30 to 45 minute set, sometimes with a regional rotation (a Canadian opener for CA dates, a US opener for the American leg). The opener slot doesn't require a separate ticket — your Peso Pluma ticket covers the full show.

How to Find the Confirmed Peso Pluma Opener for Your City

1. Pick your city from the tour-date list above.
2. Click through to that show's Ticketmaster page.
3. Check the listing — confirmed openers appear under the headline name once added.
4. Watch for updates — openers are sometimes added 2 to 4 weeks out, so check back if it's still TBA.

Do I Need a Separate Ticket for the Opener?

No. The Peso Pluma ticket you buy from Ticketmaster covers the entire show — opener + headliner — at the same venue, same night. Doors usually open 60 to 90 minutes before the advertised start time; the opener typically performs first, with a 20 to 30 minute changeover before Peso Pluma takes the stage.

Peso Pluma Opening Act — FAQ

About Peso Pluma

Hassan Emilio Kabande Laija grew up in Zapopan, on the western edge of the Guadalajara metropolitan area, in a Lebanese-Mexican family with roots that he has spoken about openly in interviews — his paternal grandparents emigrated from Lebanon, and he holds dual heritage that he references obliquely in the catalogue. He picked up guitar in his early teens, listened to Ariel Camacho, Gerardo Ortiz, Calibre 50, and the wider sierreño-and-corrido lineage that runs through Sinaloa and Jalisco, and started writing his own corridos in high school. The early uploads in 2020 — recorded at home, distributed through SoundCloud and YouTube — caught the attention of producers working in the corridos tumbados scene that was already coalescing around artists like Natanael Cano, who had broken the form open by braiding traditional norteño instrumentation with trap drums, 808s, and the cadence and slang of urban Latin rap. Peso Pluma's contribution to the form was a voice that sat comfortably in either world: the breathy, sustained ranchera notes when the song called for it, the clipped trap delivery when the beat shifted. The 2022 single El Belicón with Raúl Vega broke him out on Mexican streaming charts; AMG with Natanael Cano and Gabito Ballesteros in early 2023 went massive across Latin America; Ella Baila Sola with Eslabon Armado, released in March 2023, became the genre's first true global hit. The song's success was structural — it ran simultaneously on TikTok, on US Latin radio, on Mexican regional radio, on Spotify's flagship playlists, and on the Billboard Hot 100 — and it pulled the entire corridos tumbados scene up with it. Génesis dropped in June 2023 with PRC, Lady Gaga, Bipolar, and Lagunas inside it, hit No. 3 on the Billboard 200, and took the Latin Grammy for Best Música Mexicana Album. The NPR Tiny Desk concert that October cemented the cultural moment: a full band with tuba, bajo quinto, requinto, and tololoche playing Lady Gaga, Por las Noches, and Rosa Pastel in arrangement that highlighted the form's traditional bones rather than the trap production layered on top in the studio versions. Éxodo arrived in June 2024 — a 24-track double-disc release split between Disco Éxodo (corridos tumbados, with collaborators including Gabito Ballesteros, Natanael Cano, and Tito Double P) and Disco Éxodo II (trap and reggaeton crossovers including Bellakeo with Anitta and La People II). He founded Doble P Records to sign and develop adjacent corridos tumbados artists, with Tito Double P and Joel de la P among the early signings.

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