P!nk Tour 2026

Inside P!nk

P!nk is the American pop-rock singer, songwriter, and aerial performer whose two-and-a-half-decade catalogue has carried her from late-nineties R&B-flavoured pop through arena rock, acoustic balladry, and one of the most physically ambitious stadium shows in contemporary touring. Born Alecia Beth Moore on September 8, 1979 in Doylestown, Pennsylvania, she signed with LaFace Records as a teenager, released the R&B-leaning debut Can't Take Me Home in 2000, and within a year pivoted into the rock-pop register that has defined her career ever since — the Linda Perry-produced M!ssundaztood arriving in November 2001 with Get the Party Started, Just Like a Pill, and Don't Let Me Get Me as the singles that broke her into the global pop mainstream. Across the next two decades the cycle of hit singles barely paused: There You Go, Get the Party Started, Just Like a Pill, So What, Just Give Me a Reason with fun.'s Nate Ruess, F**kin' Perfect, Try, Raise Your Glass, What About Us, Walk Me Home, All I Know So Far, Trustfall, and Never Gonna Not Dance Again all landed in the upper reaches of the Billboard Hot 100 across multiple album cycles — Try This (2003), I'm Not Dead (2006), Funhouse (2008), The Truth About Love (2012), Beautiful Trauma (2017), Hurts 2B Human (2019), and Trustfall (2023). The live show across that same period has been built around something that almost no other pop artist of her scale attempts: she sings full vocals while suspended on aerial silks, harnesses, bungees, and rigged trapeze across the stadium roof — a circus-arts discipline she has trained in for more than fifteen years and that has come to define the visual identity of the headline tours. The Summer Carnival Tour, launched in support of Trustfall, has operated at stadium scale across Europe, North America, Australia, and New Zealand and is one of the highest-grossing tours of the decade by either gender; the parallel Trustfall arena routing handles markets where a stadium isn't on the table. This page is the working hub for tour dates, ticket guidance, the aerial-show signature, and the cities her routings most often touch.

About P!nk

Alecia Beth Moore was born September 8, 1979 in Doylestown, Pennsylvania — a Bucks County town about an hour north of Philadelphia — to Judith Moore, a nurse, and James Moore, a Vietnam-veteran insurance salesman whose own folk-rock guitar playing gave Alecia her earliest exposure to songwriting. The family moved to suburban Philadelphia and the teenage Alecia worked the city's club circuit through her early teens, performing in a series of short-lived R&B and hip-hop groups including Choice, a four-piece girl group that signed a development deal with LaFace Records founder L.A. Reid in 1995. When Choice fell apart Reid kept Alecia on as a solo artist and gave her the stage name P!nk — a nod to the Reservoir Dogs character Mr. Pink and to her childhood blush. The debut Can't Take Me Home arrived in April 2000 with the R&B-leaning singles There You Go, Most Girls, and You Make Me Sick — the album sold multi-platinum and established her as a credible new pop-R&B voice on a roster that also held TLC, Outkast, and Usher. The pivot came with M!ssundaztood in November 2001, the album she has described as the record where she finally got to sound like herself: Linda Perry of 4 Non Blondes co-wrote and produced the bulk of the project, the sound dropped the R&B production for a guitar-and-piano rock-pop palette, and the singles Get the Party Started, Just Like a Pill, Don't Let Me Get Me, and Family Portrait sold thirteen million copies of the parent album worldwide and confirmed her as one of the genre's most distinctive voices. Try This (2003), I'm Not Dead (2006), and Funhouse (2008) consolidated the rock-pop register across U + Ur Hand, Who Knew, So What, Sober, and Please Don't Leave Me — Funhouse in particular sold seven million copies and introduced the aerial-acrobatic stadium show element that has defined every tour cycle since. The Truth About Love (2012) brought the Just Give Me a Reason duet with fun.'s Nate Ruess to number one on the Billboard Hot 100 and produced Try and Blow Me (One Last Kiss); Beautiful Trauma (2017) and Hurts 2B Human (2019) carried What About Us, Walk Me Home, and Whatever You Want into the late twenty-tens; Trustfall arrived in February 2023 with the title track and Never Gonna Not Dance Again as the singles that anchored the Summer Carnival stadium tour. Across the catalogue she has won three Grammy Awards, a Daytime Emmy, the MTV VMA Michael Jackson Video Vanguard Award (2017), and the Brit Award for Outstanding Contribution to Music. She married motocross star Carey Hart in January 2006 and the couple have two children, Willow Sage (born June 2011) and Jameson Moon (born December 2016) — both of whom have appeared on stage and on record across multiple tour cycles. She is an outspoken vegetarian, a long-time supporter of PETA and UNICEF, and records for RCA Records under the Sony Music umbrella.

P!nk tour dates and live show

The Summer Carnival Tour is the headline stadium routing in support of the Trustfall album and one of the highest-grossing tours of the decade by any artist — multi-night stadium runs across the United Kingdom, Ireland, continental Europe, Australia, New Zealand, North America, and Mexico that have anchored on buildings including Wembley Stadium, the Tottenham Hotspur Stadium, BST Hyde Park, the Allianz Parque equivalents across European markets, MCG and Optus Stadium across Australia, and the major MLB and NFL stadiums across the United States and Canada. The parallel Trustfall Tour routing handles markets and dates where the stadium scale isn't on the table, anchoring on the standard NBA and NHL arena circuit. The live show is structured around an unusually long runtime — 130 to 150 minutes across roughly 22 to 26 songs — and a stadium-scale set design that combines a primary stage at one end of the floor with a B-stage built out into the centre of the crowd, connected by a long thrust runway and a series of rigged aerial cables that let her fly between the two structures while singing live. The aerial element is the production's signature: she opens with a song delivered from a giant chandelier-rig descending from the roof, returns to silks and bungee harnesses across multiple songs through the back half, and closes — almost without exception — with a full aerial pass across the entire stadium roof on So What and Glitter in the Air during which she is singing live the whole time. A full dance ensemble, brass section, and rock band fill the stage between aerial passes; one or two confetti and pyro cycles synchronise to the singles. The live event listings above this block carry every confirmed primary on-sale link for the active routing — treat any forward-looking dates outside the published calendar with appropriate caution.

P!nk tickets

P!nk tickets across the Summer Carnival and Trustfall routings clear primarily through Ticketmaster in North America, Ticketmaster UK and AXS in Britain, Eventim across continental Europe, Frontier Touring and Ticketek in Australia and New Zealand, and Ticketmaster Mexico through OCESA in Latin America. Stadium face value has typically run from a rough US$60 to US$90 for upper-bowl reserved up into the US$250 to US$500 band for lower-bowl and floor positions, with a smaller VIP package allocation priced higher again that bundles premium seating with a pre-show lounge, an exclusive Summer Carnival tour merchandise item, early venue entry, and a commemorative laminate — none include a guaranteed face-to-face with P!nk. Arena dates on the Trustfall routing run a band higher in absolute terms per seat given the smaller building inventory. Dynamic pricing has been in effect on the North American on-sales since the first Summer Carnival cycle; flagship floor and lower-bowl inventory can surge well above the initial face value during high-demand windows, then settle back toward the listed band once the early rush clears. The on-sale model has been a structured release: an artist mailing list presale 24 to 72 hours ahead of the public window, a separate Citi or Verified Fan presale on the North American legs, and the public window opening with whatever inventory remains. Resale through Ticketmaster's Verified Resale and AXS Official Resale runs at or near face value in many jurisdictions; uncapped third-party listings on StubHub, SeatGeek, and Viagogo carry the standard risk of inflated pricing or no-entry at the gate. Register for the artist mailing list before any market announces; the presale codes routed through it are the realistic path to face-value lower-bowl seats.

P!nk setlist

A Summer Carnival or Trustfall Tour setlist runs roughly 130 to 150 minutes across 22 to 26 songs and is structured as a deliberate full-career retrospective rather than a front-loaded new-album showcase. The opening lands almost always on Get the Party Started — delivered from a rigged aerial harness as she's lowered from a chandelier centred above the stage — straight into Raise Your Glass and Just Like a Pill across the first ten minutes with the full dance ensemble on the primary stage. The middle of the set settles into a mix of the new Trustfall material (Trustfall, Never Gonna Not Dance Again, Runaway, Hate Me) and the Beautiful Trauma and Hurts 2B Human-era singles (What About Us, Beautiful Trauma, Walk Me Home, All I Know So Far) across the runway and B-stage. The acoustic second-stage block — typically Who Knew, F**kin' Perfect, and Just Give Me a Reason performed at the small piano on the B-stage with a minimal band — gives the room its quietest moment before the back half escalates. The closing run pulls from the late-album catalogue and the headline singles: Try, Blow Me (One Last Kiss), Cover Me in Sunshine (often with daughter Willow on guest vocals), and So Far Away. The encore lands on So What — performed entirely from a rigged aerial bungee harness that flies her across the full stadium roof in a single multi-minute pass while she sings live — and on Glitter in the Air, the Funhouse-era ballad performed on aerial silks descending from the roof above the floor as the room hits its visual peak. Setlist variation night to night is moderate; setlist.fm tracks every confirmed P!nk show with crowd-submitted song-by-song lists posted within hours of the encore.

Tour cities