Ricky Gervais London Concert — Next Date & Ticket Alerts
Ricky Gervais hasn't announced a London date yet
Tour routing can change late, and Londondates are often added after the first on-sale. Here's how to be first in line — plus everything worth checking while you wait.
When Ricky Gervais plays London, shows are typically at Eventim Apollo Hammersmith.
Ricky Gervais London — Eventim Apollo Hammersmith, The O2 Arena context
London is Ricky Gervais's home market in every sense that matters. He has lived in Hampstead for the better part of two decades, the BBC sketch and stand-up apparatus that built his early career through Channel 4's The Eleven O'Clock News (1998), XFM London (1998 to 2002), and the original BBC Two broadcast of The Office (2001 to 2003) is concentrated within a few miles of the venue, and the largest stand-up dates on any UK tour cycle land in the capital. The current Mortality tour anchor in London is the Eventim Apollo Hammersmith — the 5,000-capacity Grade II-listed art deco theatre on Queen Caroline Street, accessed direct from Hammersmith Underground via the Piccadilly, District, Circle, and Hammersmith & City lines — which has rapidly become Gervais's structural London home for new-material work-in-progress and tour-recording dates. The Apollo's intimate scale relative to arena configurations suits the stand-up format cleanly and gives the Yondr-locked-pouch policy a tighter enforcement profile across the venue. Larger arena-scale London Gervais dates have anchored on the O2 Arena in North Greenwich — the 20,000-capacity arena on the Greenwich Peninsula reached on the Jubilee line direct from London Bridge and Waterloo — when the tour scale justifies the upgrade, with Wembley Arena and the Royal Albert Hall used for specific high-profile configurations and the BBC Television Centre studios in White City carrying selected Netflix and BBC archive specials. Ticket tiers at Eventim Apollo on the Mortality cycle ran from around forty-five pounds at the upper-tier balcony to seventy-five to one hundred pounds for the stalls front and one hundred and twenty to one hundred and fifty pounds for the front-of-stage and front-row blocks on primary, with the on-sale dynamics for Hammersmith Apollo residencies clearing inside the first hour given the smaller capacity relative to demand. O2 Arena upper-tier dates on the Armageddon tour configuration ran from around thirty-five to forty pounds for the largest rooms, fifty to seventy pounds for mid-tier seating, and ninety to one hundred and twenty pounds for front and lower-bowl blocks. The set on a London date follows the standard Mortality and Armageddon arc — short loose crowd work to open with the city-specific framing, an artificial-intelligence and online-discourse block in the first quarter, an extended animals and animal-welfare section drawing on Gervais's long-running campaigning work and his domestic life with cats, a religion and atheism block in the middle of the set (the section Gervais has been working since Animals in 2003 and which remains the most reliably structured area of any current tour), and the death-and-ageing closing third that the Mortality title refers to. The actual closer is usually quieter than the rest of the show, often a short heartfelt button, and the lights go down without an encore. London crowds tend to skew older and more comedy-literate than most regional rooms — Camden, Crouch End, Hampstead, and the broader North London creative-industries audience anchors the local base, with substantial Home Counties travel-in on Friday and Saturday nights. The Yondr-style locked phone pouches are enforced at every entrance; latecomers are usually not admitted until a designated break.