Sebastián Yatra Gira / Tour 2026

Inside Sebastián Yatra

Sebastián Yatra is the Colombian Latin pop singer-songwriter who, across the late 2010s and into the wider Latin Grammy era, has built one of the most consistent crossover careers out of Medellín — a working career that lives equally inside the Spanish-language Latin pop and balada circuit, the wider reggaeton-adjacent collaborative ecosystem that runs out of the Colombian and Puerto Rican industries, and the Anglo-mainstream awards conversation that the Encanto soundtrack and the 'Dos Oruguitas' Oscar nomination pulled him into. The base is Latin pop in the classic balada and pop-rock idiom — the melodic, vocal-forward, lyric-driven style that runs from the wider Universal Music Latin singer-songwriter tradition — and the career arc reads as a deliberate expansion outward: an early run of romantic Latin pop singles across 2016 and 2017, a 2018 debut album 'Mantra' that consolidated the working catalogue, a 2019 follow-up 'Fantasia' that extended the reach into Spain and the European Spanish-language circuit, and the 2022 album 'Dharma' that pulled in collaborators across Latin pop, reggaeton, and the wider Iberoamerican touring world. The 'Milagro' album in 2024 was the deliberate return to a more intimate singer-songwriter configuration after the maximalist 'Dharma' cycle. The Encanto soundtrack — Lin-Manuel Miranda's 2021 Disney animated feature — placed 'Dos Oruguitas' as the emotional centrepiece of the film and the song was nominated for Best Original Song at the 2022 Academy Awards, the first Colombian artist nominated in that category in the contemporary era. The live show is a vocal-forward arena-and-theatre production — a full band built around piano, acoustic and electric guitar, and the contemporary Latin pop rhythm section, with a stage design that pulls equally from the singer-songwriter intimate-staging tradition and the modern arena-pop spectacle. The festival circuit — Vina del Mar in Chile, the Latin Grammy galas across Las Vegas and Miami, the Spanish summer festival run through Madrid and Barcelona, and the wider Mexican and Colombian arena routings — has been a deliberate part of the calendar. This page is the working guide to who Sebastián Yatra is, what a Milagro or Dharma live night actually looks like, how the ticketing tends to behave across the arena-and-theatre tier he anchors on, and which cities keep coming up on the routing.

About Sebastián Yatra

Sebastián Obando Giraldo was born October 15, 1994 in Medellín, the second-largest city in Colombia and the cultural anchor of the country's contemporary Latin pop and reggaeton industries. He spent significant stretches of his early childhood between Medellín and Miami, and the bilingual Spanish-and-English upbringing across the Colombian-American diaspora corridor has been a structural part of the career from the start. The early musical training came through guitar and piano lessons, and the first independent recordings circulated through the Latin pop singles market from 2013 onward. The artistic name 'Yatra' is the family surname on his mother's side, adopted as the working stage name when the major-label conversations began. He was signed to Universal Music Latin Entertainment in the mid-2010s, and the breakthrough single 'Traicionera' in 2016 — the romantic Latin pop record built around a piano-and-vocal arrangement — established the singer-songwriter identity he has carried into the rest of the catalogue. The 2017 singles 'Robarte un Beso' with Carlos Vives, 'Devuelveme el Corazon', and the wider collaborative run with the Colombian and Puerto Rican Latin pop circuit consolidated him as one of the most reliable hitmakers in the Spanish-language singles market through the late 2010s. The 2018 debut album Mantra was the first full-length statement and carried the Latin Grammy nominations for Best New Artist that established the wider industry standing. The 2019 album Fantasia extended the catalogue with 'Cristina' and 'Un Ano' (the collaboration with Mexican pop-rock band Reik) and pulled the touring routing into the European Spanish-language market for the first time at scale. The 2022 album Dharma was the maximalist Latin pop statement: 'Tacones Rojos' (the title that defined the cycle), 'Pareja del Ano' with Myke Towers, and a long list of collaborations across the wider Latin pop and reggaeton ecosystem. The album generated multiple Latin Grammy nominations across the major categories. The Encanto soundtrack moment in late 2021 and early 2022 placed his vocal on 'Dos Oruguitas', Lin-Manuel Miranda's Spanish-language ballad written for the Disney animated feature; the song was nominated for Best Original Song at the 94th Academy Awards in March 2022, performed during the live broadcast, and pulled him into the Anglo-mainstream awards conversation. The 2024 album Milagro was the deliberate return to the singer-songwriter foundation after the maximalist Dharma cycle. He is signed to Universal Music Latin Entertainment for the global Spanish-language market and has built the working catalogue across the wider Universal Music Group apparatus for international rollout.

Sebastián Yatra tour dates

Sebastián Yatra currently tours through a hybrid configuration — headline mid-cap arena and upper-end theatre dates in the international markets paired with festival anchor sets across the Latin American, Spanish, and wider Iberoamerican touring circuits. The Dharma and Milagro tour patterns have been single-night stops at the marquee theatre and mid-cap arena rooms across North America and Europe (Radio City Music Hall in New York, the YouTube Theater or the Greek Theatre in Los Angeles, the Eventim Apollo in London, Sala Razzmatazz in Barcelona) with full arena upgrades in cities where demand has overflowed. The Colombian and broader Latin American routing operates at a different scale — the Movistar Arena in Bogota, the Coliseo MedPlus in Bogota, the wider Colombian regional theatre circuit, and stadium-scale festival anchors at the Estereo Picnic festival. The Mexican routing carries Auditorio Nacional and Pepsi Center WTC configurations in Mexico City alongside the wider Monterrey and Guadalajara arena dates. The Spanish summer routing runs through the WiZink Center in Madrid, the Palau Sant Jordi in Barcelona, and the wider Spanish festival circuit (Starlite in Marbella, Concert Music Festival in Cadiz, the Mallorca Live calendar). A typical international leg has run four to six weeks across North America and Europe combined; the Latin American leg is usually a longer multi-country stretch built around the regional festival calendar. The live set runs roughly 90 to 110 minutes at the headline configurations and 50 to 70 minutes on festival sets, with a full band built around piano, acoustic and electric guitar, bass, drums, and the contemporary Latin pop rhythm section. Doors are typically 7 or 7:30 p.m., with one or no opener on most international headline dates. The live event listings above this block are the working calendar — filter by city or date to see which rooms are on sale right now.

Sebastián Yatra tickets

Dharma and Milagro tour tickets are mid-cap arena and upper-theatre tickets across the international markets, with the Colombian and Mexican routings operating at a domestic-market pricing structure that differs meaningfully from the North American and European tiers. International face value has typically run from a rough US$55 to US$80 for the cheapest upper-balcony or mezzanine reserved up to US$180 to US$320 for premium orchestra or lower-bowl, with VIP packages bundling early entry, premium seating, a tour-specific merch item, and a pre-show meet-and-greet (where offered) into the US$280 to US$700 band depending on tier and city. The Colombian dates carry a domestic-market price structure — typically COP 150,000 to COP 400,000 (Colombian pesos) for standard tickets and COP 600,000 to COP 1,500,000 for premium platea or palco tiers. The Mexican dates run roughly MXN 800 to MXN 2,500 for standard tickets and MXN 3,000 to MXN 8,000 for premium configurations depending on the venue. Spanish dates run on a European pricing tier broadly comparable to the international range, denominated in euros. Festival ticketing operates on the festival's own structure rather than per-artist. Dynamic pricing through Ticketmaster Platinum can push lower-bowl inventory past sticker on the highest-demand international dates — particularly New York, Los Angeles, Madrid, and Miami. Onsale routes through Ticketmaster, AXS, and Live Nation depending on the building on the international circuit, and through Ticketmaster Colombia, TuBoleta, Ocesa in Mexico, and Entradas.com in Spain depending on the local market. Secondary inventory on StubHub, SeatGeek, and Vivid Seats is live within minutes on international dates and runs at a meaningful premium above face on the rooms where capacity is tightest.

Sebastián Yatra setlist

A Dharma or Milagro tour set runs roughly 90 to 110 minutes at the international headline configurations and follows a deliberate multi-act template: the opening block leans on the more uptempo Latin pop and pop-reggaeton material — 'Tacones Rojos' is frequently the structural opener or lands early in the set, alongside 'Pareja del Ano' with Myke Towers (performed solo with the recorded Myke Towers verse playing back through the production), 'Chica Ideal', and the wider Dharma uptempo catalogue — establishing the full-band staging and the energy baseline before the set steps into the ballad-and-singer-songwriter middle. The mid-set is the classic Latin pop balada block: 'Traicionera', 'Devuelveme el Corazon', 'Un Ano' (the Reik collaboration, performed in a solo arrangement on the touring configuration), 'Cristina', and the slower-tempo Mantra and Fantasia material. The 'Dos Oruguitas' Encanto moment is a structural mid-set centrepiece and is typically performed solo at the piano or on acoustic guitar, with the lighting design pulled down to a single spotlight and the audience routinely turning the moment into a phone-light singalong. The closing block lifts the tempo back into the Robarte un Beso and Latin Grammy-era collaborative material — the Carlos Vives 'Robarte un Beso' chorus, 'No Hay Nadie Mas', and rotating singles from across the catalogue. The encore is typically one or two songs that close the night on a high-energy Latin pop note, often returning to 'Tacones Rojos' for a reprise. Festival sets compress this into a 50-to-70-minute version with 'Tacones Rojos', 'Pareja del Ano', and 'Dos Oruguitas' as the structural anchors. The Colombian and Spanish dates frequently include extended catalogue passages and surprise-guest features. Setlist.fm tracks each show after the fact.

Tour cities