Stray Kids France Tour 2026 — French Dates, Cities & Tickets

Stray Kids France Tour 2026 — All Dates

Stray Kids France Tour — FAQ

About Stray Kids

Stray Kids were formed in 2017 through a JYP Entertainment and Mnet co-produced survival show, with JYP founder Park Jin-young handing executive oversight to a project conceived from the outset as a self-producing idol group rather than a vehicle for an external songwriting and production stack. Bang Chan, a JYP trainee since 2010 with Australian-Korean dual nationality, anchored the project as leader and assembled the core line-up himself during the pre-show selection process. The group's identity was shaped from day one by the 3RACHA subunit — Bang Chan, Changbin, and Han — who had been releasing self-produced mixtapes through SoundCloud and YouTube before debut and continued that creative model post-launch, writing, composing, and arranging the bulk of the catalogue themselves rather than working with the external songwriting rooms that dominate K-pop A&R. The official debut landed in March 2018 with the I am NOT mini-album, and the Clé trilogy that followed established the group's heavier hip-hop and EDM-leaning sound. Original ninth member Woojin departed in October 2019 for personal reasons, and the group has been the eight-member line-up of Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin, and I.N since. The breakthrough run started with GO LIVE in 2020 and accelerated through NOEASY in 2021 — the album won Album of the Year at the Mnet Asian Music Awards and crystallised the project's commercial momentum heading into the post-pandemic touring window. MAXIDENT in 2022 delivered 'Case 143', and the 2023 release ★★★★★ 5-STAR became the group's third consecutive Billboard 200 number-one album, a streak that extended through ATE in 2024 with the global TikTok-fuelled single 'Chk Chk Boom' and into Karma in 2025. The Lollapalooza Chicago 2024 headline slot — Stray Kids became the first Korean act to headline a major US festival's main stage — pulled the group fully into the Western mainstream-festival conversation alongside BLACKPINK and a handful of K-pop soloists who had previously reached that tier. The dominATE World Tour that followed scaled the live operation up to stadium-tier rooms in multiple Asian and South American markets while holding arena-tier production discipline through North America and Europe. The fandom, STAY, has grown into one of the largest organised K-pop fan bases globally, with chapters running streaming and venue projects across every continent the group tours. Across the catalogue arc, the project has built one of the strongest live-show ladders in fourth-generation K-pop, climbing from theatre through arena, dome, and stadium-tier rooms in under a decade. The group's combination of self-producing creative model with stadium-scale live operation has become a template subsequent JYP and HYBE projects have explicitly cited.

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