The Killers Tour 2026
Is The Killers Coming to Your City?
0 / 12 citiesLive tour status for The Killers across the 12 biggest North American markets — refreshed daily from Ticketmaster. Tap any "not yet" city to see the closest confirmed date.
The Killers is currently between tours. No confirmed 2026 North America dates on Ticketmaster right now — this page auto-updates the moment new dates drop.
- How do I get The Killers tickets?
- Tap any date below to checkout on Ticketmaster — listings here are official primary tickets, refreshed daily.
- What time does the show start?
- Most The Killers shows start between 7 and 9 PM local, with doors 60–90 minutes earlier. Exact time is on each ticket.
- How long is the concert?
- Roughly 90–150 minutes including the opener and a short encore.
About The Killers
TThe Killers is on the 2026 tour with the full live rig — guitars front and center, full production, and the deep-catalog setlist long-time fans buy tickets to hear played end-to-end. Live dates auto-populate on this page the moment new 2026 shows are confirmed. Tour routing typically spans major North American cities, with Canadian stops usually including arena-sized venues in Toronto, Vancouver, Calgary, Edmonton, and Montreal, and US stops covering New York, Los Angeles, Chicago, Miami, Seattle, and other top metros.
Cheapest The Killers Tickets — 5 Ways to Save on the 2026 Tour
The Killers tickets can move fast, especially for big-city dates, but there are a few reliable ways to land the best price.
- Buy during the official on-sale window. Face-value primary tickets on Ticketmaster are almost always cheaper than resale — the listings above show primary availability first.
- Consider mid-week shows. Tuesday and Wednesday The Killers dates often list 15 to 30 percent lower than weekend stops in the same city.
- Go upper-level. Upper 300-level or balcony sections typically start near $45 to $75 and still offer a strong view of the stage.
- Watch last-minute drops.Resellers often slash prices 24 to 48 hours before doors open, especially for mid-week dates that haven't sold out.
- Compare nearby cities. It can be cheaper to drive 2 to 3 hours to a smaller market — check the full cheap The Killers tickets guide for current low-priced dates.
The KillersVIP Packages & Meet & Greet Options
When available, The Killers VIP packages are offered directly on Ticketmaster alongside the standard tickets for each tour date. VIP experiences for The Killersconcerts often include early venue entry, a premium seat or pit access, an exclusive tour merchandise item, and occasionally a pre-show soundcheck or photo opportunity. Meet and greet packages, when offered, sell out fastest — if you see one listed on the show page above, it's worth grabbing immediately. For the full breakdown of current VIP and meet and greet options on this tour, see the The KillersVIP & meet and greet guide.
The KillersPresale Tickets & Codes
Presale windows for the The Killers 2026 tour typically open 1 to 3 days before the general on-sale and are the best way to lock in seats before inventory drops. The most common presales for The Killerstour stops are Ticketmaster Verified Fan, Live Nation presale, the artist's official newsletter or fan club, and credit-card presales from Citi, American Express, or Capital One in North America. Sign-up links usually go live from the artist's official site 1 to 2 weeks before the on-sale. See the The Killers presale guide for the current active codes and sign-up deadlines.
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Inside The Killers
The Killers are the Las Vegas four-piece who walked out of a Sunset Strip residency in 2002, signed to Lizard King and Island, and within two years had written one of the defining modern-rock singles of the 21st century. Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie Vannucci Jr. have held the recording lineup since the Hot Fuss sessions and have spent the two decades since building one of the most resilient touring catalogues in arena and stadium rock. The headline number is Mr. Brightside, the second single from a 2004 debut that has now spent more than 400 weeks on the UK Official Singles Chart — a continuous, almost statistically absurd presence that has outlasted every chart format change, every streaming pivot, and every generational handover since the song was released, and that has turned every Killers show into a five-figure singalong from the first chord of the opening riff. Around it sits a back catalogue most rock bands would happily retire on: Somebody Told Me, When You Were Young, Read My Mind, All These Things That I've Done, Human, Spaceman, Runaways, The Man, Caution. Across seven studio albums from Hot Fuss through Pressure Machine and the Rebel Diamonds greatest-hits collection, the band have sold more than 28 million records worldwide, headlined Glastonbury (most prominently the Pyramid Stage closing set in 2019, where they brought out Pet Shop Boys and Johnny Marr in the same hour), held arena and stadium-level routings across Europe, North America, Latin America, and Oceania, and quietly settled into the role of a generational live act: the band a particular kind of listener will see whenever they come through, no matter what album cycle is in motion. The Killers arrive in your city as a working stadium rock band with a singles run almost no one in their generation can match.
About The Killers
The Killers formed in Las Vegas in 2001 when Brandon Flowers (lead vocals, keyboards), then a 20-year-old fresh from being fired by a synth-pop side project called Blush Response, answered a Las Vegas Weekly classified ad placed by guitarist Dave Keuning. The two wrote Mr. Brightside in the first weeks of working together. Mark Stoermer (bass) and Ronnie Vannucci Jr. (drums) joined within the year, and the four-piece spent 2002 grinding through Las Vegas venues — the Junkyard, the Sasha, the Cafe Espresso Roma — before a six-week UK residency in 2003 caught the attention of Lizard King Records, who signed the band and licensed them to Island in North America. Hot Fuss was released in June 2004 and changed the band's life: Somebody Told Me, Mr. Brightside, Smile Like You Mean It, and All These Things That I've Done turned the album into a slow-burning global breakout that has now sold more than 7 million copies in the US alone and topped 10 million worldwide, winning the NME Award for Best International Band and earning the band Grammy nominations for Best Rock Album and Best Rock Performance by a Duo or Group. The band pivoted hard for Sam's Town in October 2006 — a heartland-rock reset produced by Flood and Alan Moulder that traded the Anglophile new-wave shimmer of Hot Fuss for Springsteen-scale Americana, with When You Were Young and Bones leading a record that debuted at number two on the Billboard 200 and number one on the UK chart and shifted around 4.5 million copies worldwide. Sawdust (2007) collected the b-sides. Day & Age (2008) brought Human and Spaceman and was the band's last record with the recording lineup intact for a stretch, hitting number one in the UK and number six in the US. Battle Born (2012) leaned into stadium rock with Runaways and Miss Atomic Bomb. Wonderful Wonderful (2017) gave the band their first US number-one album and their second UK chart-topper, with The Man as the lead single. Imploding the Mirage (2020), produced by Shawn Everett and Jonathan Rado, hit number one in the UK and was widely regarded as the band's best-reviewed record in a decade — Caution, Dying Breed, and My Own Soul's Warning carried the run. Pressure Machine (2021) followed quickly with a quieter, story-cycle record rooted in Brandon Flowers' upbringing in Nephi, Utah. Rebel Diamonds (2023) collected twenty years of singles into a single greatest-hits set. Across the catalogue the band have remained a Las Vegas institution, a UK festival staple, and one of the most reliable arena-and-stadium touring acts of their generation.
The Killers — live
The Killers tour cycle has moved between full-scale album runs and curated residencies and festival headlines, and at the time of writing the band are working a mixture of arena and stadium dates across the UK, Europe, and North America alongside their long-running Las Vegas residency engagements. A typical Killers headline show lands in the 100- to 130-minute range across roughly 20 songs and is built around three non-negotiables: an opening run that pulls in Mr. Brightside or Spaceman near the top to set the energy, a back catalogue middle section that rotates Somebody Told Me, Smile Like You Mean It, Read My Mind, Human, The Man, Runaways, Bones, and a deep-cut acoustic moment from the Pressure Machine record, and a closing trio of When You Were Young into All These Things That I've Done into Mr. Brightside (when the song is not used earlier in the show) that has been the band's encore architecture for the better part of a decade. The production scale moves with the venue: arena and stadium shows run a full rock-band rig with multi-tier video, confetti drops on the singalong moments, and the wider runway and b-stage configuration; festival headline sets compress the same arc into 90 minutes with fewer deep cuts and more catalogue. Brandon Flowers is one of the more consistent live frontmen of the era — sustained vocal performances, minimal between-song downtime, and a Vegas-showman streak that has only grown across twenty years on the road. Doors typically open 90 minutes to two hours before showtime depending on the venue and support runtime.
The Killers tickets
The Killers tickets are sold through Ticketmaster in most territories, with AXS handling several of the band's US venues and See Tickets and Gigs and Tours active in the UK. Pricing varies sharply by routing: UK and European arena dates have historically sat in the £45–£120 range for general bowl seating with VIP packages running £200 and up; North American arena shows have typically priced in the $60–$200 range for standard seats with floor and VIP packages above that; stadium dates and festival headline slots price higher and sell faster. Verified Fan registration has been used on several US on-sales to filter out brokers. Official fan club presales through thekillersmusic.com run roughly a week before the public on-sale for each leg, with the password delivered to fan club members by email 24 to 48 hours before the presale window opens. The Las Vegas residency engagements are typically routed through the host venue's own ticketing system in addition to the standard primary channels. Secondary market reality for in-demand shows — any UK date, the Glastonbury-adjacent festival headline slots, the Las Vegas hometown shows — is that face-value tickets do not last long; verified resale through Ticketmaster Verified Resale, AXS Official Resale, or Twickets in the UK is the cleanest route. Avoid generic search-ad ticket sites and any seller asking for payment outside an escrowed marketplace.
The Killers setlist — what they play
The Killers setlist is one of the more reliable in modern rock: a 20-song, roughly two-hour run that rotates only at the margins from night to night and is engineered to land both the singles run and a handful of catalogue moments at full force. The show typically opens with a wide-screen mid-tempo from the recent records — My Own Soul's Warning, Enterlude, or a Wonderful Wonderful track — before pulling Somebody Told Me, Spaceman, or Smile Like You Mean It forward in the first quarter to set the energy. The middle hour pulls in Read My Mind, Human, Jenny Was a Friend of Mine, The Man, Bones, Runaways, Caution, and a slower acoustic interlude — often Be Still, A Dustland Fairytale, or a Pressure Machine narrative track — built around Brandon Flowers alone at the piano or in a small ensemble arrangement at a downstage position. The back half escalates into Dying Breed, Miss Atomic Bomb, and a sustained singalong block leading into the encore. The encore architecture has been remarkably consistent for a decade: When You Were Young as the opener, All These Things That I've Done as the choral middle (the entire bowl singing the I got soul but I'm not a soldier refrain), and Mr. Brightside as the night's closing wall of sound — confetti, full stadium lighting, and an audience response that genuinely does not behave like a song from 2003. Night-by-night variation is modest and usually limited to the acoustic slot, one or two catalogue swaps, and the occasional Pet Shop Boys or Joy Division cover when the routing fits. Setlist.fm is the most reliable real-time source for confirming exactly what your date is playing.
Tour cities
London
The Killers' London dates land at one of three venues depending on the cycle: The O2 in Greenwich (20,000 capacity) for the standard arena routing, Wembley Stadium (90,000) for the largest single-night shows, and on the Imploding the Mirage tour the band booked Emirates Stadium and the BST Hyde Park festival slot. London has been one of the band's deepest markets globally since the Hot Fuss release; the city's relationship with Mr. Brightside is a phenomenon all of its own — the song's continuous UK chart run is overwhelmingly powered by London streams and downloads. The O2 sits directly above North Greenwich Jubilee Line station and is a 20-minute trip from central London; Wembley is on the Wembley Park Jubilee and Metropolitan station, 25 to 35 minutes from Baker Street. Doors typically open 90 minutes before showtime for arena dates and earlier for stadium shows. London Killers crowds are statistically among the loudest the band play to anywhere on the planet — the closing Mr. Brightside singalong has been recorded at sustained levels matched by very few other audiences globally.
Las Vegas
Las Vegas is The Killers' hometown and the band's run of residency engagements at the city's strip venues — including stretches at the Chelsea at the Cosmopolitan and the Pearl at the Palms across various cycles — have made the city the band's spiritual home base. Standard Vegas Killers dates land at venues including the T-Mobile Arena (20,000), the MGM Grand Garden Arena (17,000), and the Dolby Live at Park MGM theatre (5,200) for the smaller intimate shows. The Strip venues are walkable from Strip-corridor hotels or reachable via the Las Vegas Monorail; T-Mobile Arena sits at the New York-New York / Park MGM corner and is served directly from the MGM Grand Monorail station with a 5-minute walk through The Park. Vegas Killers shows lean into the hometown identity hard — Brandon Flowers regularly references specific Las Vegas neighbourhoods and venues from the stage, the setlist routinely includes deeper Sam's Town cuts than other markets get, and the band have been known to bring out Las Vegas-based collaborators for one-off guest appearances. Heat and dehydration are the operational risks; even at evening showtimes the desert summer stays in the 30s°C and the walk between hotel and venue catches sun.
Toronto
Toronto's Killers date is at Scotiabank Arena (formerly the Air Canada Centre) in the downtown core — the 19,800-capacity NHL and NBA home that hosts the city's main arena tours — or at the Rogers Centre or Rogers Stadium for the larger stadium-scale routings. Scotiabank Arena sits directly above the Union Station rail and subway interchange and is the easiest single arena access in the country: GO Transit, TTC Subway Lines 1 and 2, Union Pearson Express, and VIA Rail all converge within a 3-minute walk of the gates. Doors typically open 90 minutes before showtime. The downtown location means walking-distance access to Front Street and King West for post-show food and drinks; the area clears in 20 to 30 minutes after the show. Toronto Killers crowds are reliably loud and the band's catalogue overlap with the city's modern-rock radio market makes the Mr. Brightside encore one of the louder North American closings on the tour.
Manchester
Manchester's Killers date is at Co-op Live (the new 23,500-capacity arena that opened in 2024 in the Etihad Campus) or at the AO Arena (formerly the MEN Arena) in the city centre for the older arena routings, with Old Trafford and Heaton Park hosting the band's largest single-night Manchester shows on previous cycles. Co-op Live sits next to the Etihad Stadium on the Manchester Metrolink Etihad Campus tram stop, about 15 minutes from Piccadilly Gardens. AO Arena is built directly above Manchester Victoria rail and Metrolink interchange in the city centre. Manchester is one of the strongest UK markets for the band outside London — the Mr. Brightside cultural footprint runs deep through the city's club and pub scene, and the singalong moments at a Manchester Killers show carry a particular northern intensity. Doors typically open two hours before showtime. The post-show walk into the Northern Quarter or Deansgate clears the venue area in 20 minutes.
New York
The Killers' New York date is at Madison Square Garden in midtown Manhattan — the 20,000-capacity arena above Penn Station that has hosted the band's biggest single-city North American arena nights since the Sam's Town tour — with occasional larger routings landing at Forest Hills Stadium in Queens (14,000) or Citi Field in Flushing for the rare stadium scaling. MSG sits directly above Penn Station with NJ Transit, LIRR, Amtrak, and the 1, 2, 3, A, C, and E subway lines all within the building; transit is overwhelmingly the cleanest access. Doors typically open 90 minutes before showtime. The MSG concert configuration runs the stage at the south end of the floor with full bowl seating, capping the show at around 18,500. New York is one of the band's most consistent US markets across all album cycles — the Killers' Anglophile new-wave instinct (early Cure, Smiths, New Order, Roxy Music) plays particularly well to the Manhattan and Brooklyn alternative-rock audience and the band have headlined Madison Square Garden across multiple cycles.
Los Angeles
The Killers' Los Angeles dates land at Crypto.com Arena (formerly the Staples Center) downtown — the 20,000-capacity LA Lakers and Kings home — or at the Hollywood Bowl (17,500) for the band's outdoor amphitheatre runs, with the Forum in Inglewood (17,500) also rotating into the routing on some cycles. Crypto.com Arena sits in the LA Live entertainment complex with the Metro A Line Pico station directly across Figueroa; expect heavy traffic on the 110 and the 10 for two hours either side of showtime. The Hollywood Bowl is reached most easily via the Bowl Shuttle from Hollywood/Highland Metro B Line station — driving is technically possible but parking is stacked-lot only and the post-show clearance routinely runs 90 minutes. The LA audience is one of the more catalogue-engaged Killers markets in North America; deeper Sam's Town and Day & Age cuts land particularly well here, and the band have historically reached deeper into the catalogue at Hollywood Bowl shows than at the standard arena routing.
Glasgow
Glasgow's Killers dates land at the OVO Hydro (formerly the SSE Hydro) on the Scottish Event Campus — the 14,300-capacity arena beside the Clyde that hosts the city's main arena tours — or at Bellahouston Park and TRNSMT Festival on Glasgow Green for the larger outdoor routings. The Hydro is reached via Exhibition Centre railway station (a 10-minute trip from Glasgow Central) or a 25-minute walk from the city centre along the Clyde. Glasgow Killers shows are statistically among the loudest in the UK — the city's relationship with Mr. Brightside, Human, and All These Things That I've Done has been a thing on Scottish modern-rock radio for two decades, and the singalong intensity at a Glasgow Hydro Killers show is regularly cited by Brandon Flowers from the stage as among the band's favourite audiences anywhere. Doors typically open 90 minutes before showtime. The walk back to Central Station clears in 25 minutes; the SECC and Finnieston bar strip absorbs the post-show crowd cleanly.
Dublin
Dublin's Killers date is at the 3Arena (formerly the O2) in the Docklands — the 13,000-capacity arena beside the Liffey that handles the city's main arena tours — or at Marlay Park in Rathfarnham for the band's outdoor festival routings. 3Arena is reached via the Luas Red Line to The Point stop (15 minutes from O'Connell Street) and sits in a regenerated docklands precinct with hotels, food, and bars walkable in all directions. Doors typically open 90 minutes before showtime. The Dublin audience for The Killers is one of the warmest in the band's European routing — the post-show singalong of Mr. Brightside reliably continues out into the Luas stop and onto the trams back into the city. Plan for a slow clearance of the docklands area for the first 45 minutes after the show. Hotel accommodation in the IFSC, Liberties, or Temple Bar all sit within 20 minutes of the venue.
Sydney
The Killers' Sydney dates land at Qudos Bank Arena in Sydney Olympic Park — the 21,000-capacity arena that handles the city's biggest indoor tours — or at Accor Stadium (80,000) for the band's stadium-scale Australian routings. Qudos Bank Arena is reached on the T7 Olympic Park rail line from Lidcombe, a 30-minute trip from Central Station. Doors typically open 90 minutes before showtime. The Australian Killers audience runs deep on Mr. Brightside, When You Were Young, Read My Mind, and Spaceman, with the band's profile here built across multiple Big Day Out and Splendour in the Grass festival appearances dating back to the Hot Fuss cycle. Sydney summer evenings stay warm well after sunset; layer for the air conditioning differential inside the arena. The post-show clearance from Olympic Park runs heavy queues for the first 45 minutes on the trains back to Central — budget the time accordingly.
Mexico City
The Killers' Mexico City dates have landed at the Foro Sol — the 65,000-capacity open-air stadium beside the Autódromo Hermanos Rodríguez in Iztacalco — for the band's largest single-night Mexican shows, with the Palacio de los Deportes (20,000) handling the arena-scale routings on other cycles. Foro Sol is reached via the CDMX Metro Line 9 Ciudad Deportiva station with a 15-minute walk to the gates and heavy on-site security throughout the precinct. Plan for high altitude (2,250 m) — hydrate during the day and pace the GA pit. Mexico City Killers crowds are statistically among the loudest on the band's Latin American routing; the Foro Sol singalong of Mr. Brightside and Somebody Told Me is a particular phenomenon of the venue. The band have also headlined the Corona Capital festival in Mexico City across multiple cycles. Doors typically open two hours before showtime at Foro Sol.