Anuv Jain Setlist 2026 — Songs, Order & Running Time

Anuv Jain 2026 Tour Setlist Structure

Anuv Jain, the Indian indian indie act, has no confirmed dates on sale right now, so the song order below reflects how indian indie headline sets of this size are typically paced.

Recent Anuv Jain concerts have averaged between 18 and 24 songs spread across roughly 90 to 120 minutes of performance time (excluding opener). The shows typically follow this rough structure:

1. Opener (song 1 to 2). A high-energy hit to set the tone.
2. Hit block (song 3 to 7). A run of the most-streamed singles.
3. Acoustic / storytelling moment (song 8 to 10). Stripped-back arrangements and banter.
4. Deep-cut set (song 11 to 15). Fan favorites and newer album tracks.
5. Peak run (song 16 to 20). The dancefloor anthems and biggest singalongs.
6. Encore (song 21 to 24). A 2 to 3 song encore featuring the signature closer.

Does the Anuv Jain Setlist Change Night to Night?

The core of the Anuv Jain 2026 setlist — the singles and the staging — stays consistent across the tour so production cues work from night to night. Smaller changes (a deep cut swap, a city-specific cover, or an acoustic surprise) happen on some nights. For the exact setlist from a specific Anuv Jain show, check fan-submitted setlists on Setlist.fm after the concert.

Anuv Jain Setlist — FAQ

About Anuv Jain

Anuv Jain was born March 12, 1995 in Ludhiana, Punjab, into a Jain family that relocated between Ludhiana, Delhi, and Mumbai through his early childhood — a Punjabi-state birth and a Hindi-language Mumbai upbringing that has fed the cross-regional appeal his catalogue carries through the diaspora. He attended H.R. College of Commerce and Economics in Mumbai for undergraduate study, picked up guitar through self-instruction and the small online-tutorial economy of the late 2000s and early 2010s, and started writing Hindi-language acoustic songs while still in college — sitting in on the Bandra acoustic-night circuit at antiSOCIAL Khar, The Daily Bar, and The Hive in Khar Danda before any of the songs were formally released. He released his first single Baari in October 2019 — a solo acoustic Hindi love song he wrote, produced, recorded, and mixed in his bedroom — through his own YouTube channel rather than a label. It pulled past 80 million YouTube streams inside its first three years without radio rotation or Bollywood synchronisation, an unusual trajectory for Hindi-language solo acoustic material that was at that point treated by the Indian music industry as commercially marginal. Mishri followed in November 2020 with the same self-released template and crossed 100 million YouTube streams; Riha in 2021 added a piano-and-strings arrangement and pulled a similar streaming tail. The breakthrough came with Husn, released April 12, 2023 — a self-written, self-produced Hindi love song with an arrangement built almost entirely around solo acoustic guitar, light strings, and his own multi-tracked harmony vocals. The track crossed 200 million YouTube streams inside its first year, charted on the Billboard Global Excl. US for an extended run, and pulled him onto the Indian indie-festival mainstage circuit — Bandland, NH7 Weekender, Lollapalooza India — and into the first international touring routings the catalogue would support. Alag Aasmaan (2024) extended the catalogue into a more produced indie-folk arrangement with full band, Gul reached past the 100 million streaming mark in its first six months, and the Jo Tum Mere Ho single carried the same self-released, self-produced template. He recorded a single Bollywood playback for the 2024 release Meri Baaton Mein Mai Hi Tumhara — the only major-label compromise on the catalogue to date — and has otherwise remained self-managed and self-released, with no major-label deal, no Bollywood-production commitment, and no English-language crossover pivot. The Husn World Tour 2024–2025 closed roughly 40 dates across India, the UAE, the United Kingdom, North America, Australia, and Southeast Asia, with sell-through patterns that exceeded the venue projections for nearly every market on the routing — particularly the Toronto, Vancouver, London, New York, Dubai, and Singapore dates, which sold their primary allocation within minutes of public on-sale. He continues to write, record, and tour primarily in Hindi, with selective Punjabi and English material on the fringes of the main catalogue, and remains based in Mumbai with frequent extended writing residencies in the Indian hill stations and the Himalayan northern circuit.

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