
Bill Burr Tour 2026
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The 5 closest dates from the live Ticketmaster feed.


Bill Burr

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Bill Burr Live

Bill Burr Live: Great Outdoors Comedy Festival
Bill Burr Tickets Near You — Shows by City
5 citiesBill Burr is playing 5 cities this tour. Tap any city for exact dates, venue info, seat prices, and parking.
Is Bill Burr Coming to Your City?
0 / 12 citiesLive tour status for Bill Burr across the 12 biggest North American markets — refreshed daily from Ticketmaster. Tap any "not yet" city to see the closest confirmed date.
5 upcoming Bill Burr concerts across 5 cities in North America. Live Ticketmaster availability refreshed daily.
- When is Bill Burr's next show?
- Sat, June 13, 2026 at Centreville Bank Stadium.
- Is Bill Burr touring near me?
- Playing 5 cities in 2026. See the "Tickets Near You" section below for your city.
- How do I get Bill Burr tickets?
- Tap any date below to checkout on Ticketmaster — listings here are official primary tickets, refreshed daily.
- What time does the show start?
- Most Bill Burr shows start between 7 and 9 PM local, with doors 60–90 minutes earlier. Exact time is on each ticket.
- How long is the concert?
- Roughly 90–150 minutes including the opener and a short encore.
About Bill Burr
BBill Burr is the American Stand-up Comedy artist touring in 2026. 5 confirmed dates across 5 cities this run. Tour routing typically spans major North American cities, with Canadian stops usually including arena-sized venues in Toronto, Vancouver, Calgary, Edmonton, and Montreal, and US stops covering New York, Los Angeles, Chicago, Miami, Seattle, and other top metros.
Cheapest Bill Burr Tickets — 5 Ways to Save on the 2026 Tour
Bill Burr tickets can move fast, especially for big-city dates, but there are a few reliable ways to land the best price.
- Buy during the official on-sale window. Face-value primary tickets on Ticketmaster are almost always cheaper than resale — the listings above show primary availability first.
- Consider mid-week shows. Tuesday and Wednesday Bill Burr dates often list 15 to 30 percent lower than weekend stops in the same city.
- Go upper-level. Upper 300-level or balcony sections typically start near $45 to $75 and still offer a strong view of the stage.
- Watch last-minute drops.Resellers often slash prices 24 to 48 hours before doors open, especially for mid-week dates that haven't sold out.
- Compare nearby cities. It can be cheaper to drive 2 to 3 hours to a smaller market — check the full cheap Bill Burr tickets guide for current low-priced dates.
Bill BurrVIP Packages & Meet & Greet Options
When available, Bill Burr VIP packages are offered directly on Ticketmaster alongside the standard tickets for each tour date. VIP experiences for Bill Burrconcerts often include early venue entry, a premium seat or pit access, an exclusive tour merchandise item, and occasionally a pre-show soundcheck or photo opportunity. Meet and greet packages, when offered, sell out fastest — if you see one listed on the show page above, it's worth grabbing immediately. For the full breakdown of current VIP and meet and greet options on this tour, see the Bill BurrVIP & meet and greet guide.
Bill BurrPresale Tickets & Codes
Presale windows for the Bill Burr 2026 tour typically open 1 to 3 days before the general on-sale and are the best way to lock in seats before inventory drops. The most common presales for Bill Burrtour stops are Ticketmaster Verified Fan, Live Nation presale, the artist's official newsletter or fan club, and credit-card presales from Citi, American Express, or Capital One in North America. Sign-up links usually go live from the artist's official site 1 to 2 weeks before the on-sale. See the Bill Burr presale guide for the current active codes and sign-up deadlines.
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Inside Bill Burr
Bill Burr is the Boston-born, red-headed, full-volume stand-up comedian who has spent more than three decades grinding the craft of headlining theater and arena rooms with what is, at this point, the most durable acerbic-everyman voice in American comedy. He came up through the late-1990s Boston club circuit when that scene was still the toughest training ground in the country, moved to New York for the Comedy Cellar grind in the early 2000s, broke nationally with a Chappelle's Show appearance and a Late Show with Conan O'Brien run in the mid-2000s, launched the Monday Morning Podcast in May 2007 as one of the first comics in stand-up to commit fully to the format, co-founded the All Things Comedy podcast network with Al Madrigal in 2012, created and voiced the Netflix animated series F is for Family across five seasons from 2015 through 2021, recurred as the bounty-hunter-turned-Imperial-defector Migs Mayfeld on The Mandalorian beginning in 2020, wrote and directed his feature debut Old Dads for Netflix in 2023, and across that same arc released eight stand-up specials — Why Do I Do This? (2008), Let It Go (2010), You People Are All the Same (2012), I'm Sorry You Feel That Way (2014), Walk Your Way Out (2017), Paper Tiger (2019), Live at Red Rocks (2022), and Drop Dead Years (2024). Bill Burr's touring schedule has scaled up with the act — from black-box clubs in Boston and Manhattan to theaters across North America to arena-tier rooms at Madison Square Garden, the Kia Forum, the Hollywood Bowl, the O2 Arena in London, Scotiabank Arena in Toronto, Rogers Place in Edmonton, and the Royal Albert Hall residencies that made him one of the only American comics to sell out the room for multiple consecutive nights. This page is the catchmovement hub for Bill Burr tour dates, ticket links, and city-by-city venue notes for every market where he plays — the Boston hometown rooms at TD Garden and the Wang Theatre, the New York and Los Angeles arena and theater stops, the London Royal Albert Hall and O2 international leg, and the rotating North American arena schedule that fills out each tour cycle. The live schedule above pulls real on-sale dates; the blocks below explain what the room actually feels like, why his audiences run from twenty-five to sixty-five in the same lobby, and how the ticketing pattern works.
About Bill Burr
William Frederick Burr was born June 10, 1968 in Canton, Massachusetts, and raised in the working-class Boston suburbs in a large Irish-Catholic family — a detail that anchors a substantial share of his early stand-up material about his father, his mother, his upbringing, Catholic-school discipline, and the particular emotional vocabulary of the New England Irish-American household. He has spoken in interviews about a turbulent childhood, a chaotic emotional home, and the years of work in therapy that eventually pulled into the act as part of the writing — the gradual evolution from a hot-tempered young comic into the older, slightly-self-aware-but-still-furious headliner persona that defines the current era of the show. He attended Emerson College in Boston in the late 1980s and worked as a warehouse loader after graduating before committing to stand-up in his mid-twenties. The first decade was Boston clubs — the Comedy Studio in Harvard Square, the Comedy Connection in Faneuil Hall, Nick's Comedy Stop, the rooms that produced the late-1990s and early-2000s Boston comedy generation alongside Patrice O'Neal (a close friend and mentor whose 2011 death remains a touchstone in Burr's act and podcast) and the broader Opie and Anthony orbit. He moved to New York in the early 2000s, became a Comedy Cellar regular, and broke nationally with a Chappelle's Show appearance and the long-running circuit of Late Show with Conan O'Brien sets. The first hour special, Why Do I Do This?, dropped on Comedy Central in 2008 and locked in the touring brand at a national scale. The Monday Morning Podcast launched on May 1, 2007 as one of the first podcast vehicles in stand-up — a roughly hour-and-a-half free-association rant recorded every Monday and Thursday, no guests for most of its run, ranging across sports, marriage, parenting, current events, the comedy business, and whatever Burr is exercised about the week of recording. The podcast has run continuously for nearly two decades and has consistently sat near the top of the comedy-podcast charts, and its audience is one of the largest direct-to-fan engagement channels in stand-up. In 2012 he co-founded All Things Comedy with Al Madrigal, a comedian-owned podcast network and live-touring company that gave a generation of working comics an alternative to network-controlled distribution. The Netflix relationship started with the animated F is for Family in 2015 — Burr co-created the series with Michael Price, voiced the lead Frank Murphy, and ran it for five seasons through 2021. The Mandalorian role as Migs Mayfeld arrived in 2020 with the second-season episode 'The Believer' and recurred across the broader Star Wars Disney+ universe. He wrote, directed, and starred in Old Dads for Netflix in 2023, his first feature behind the camera. The stand-up specials chart the touring brand: Why Do I Do This? (2008, Comedy Central), Let It Go (2010, Comedy Central), You People Are All the Same (2012, Netflix — Netflix's first stand-up commission), I'm Sorry You Feel That Way (2014, Netflix, shot in black and white), Walk Your Way Out (2017, Netflix), Paper Tiger (2019, Netflix, shot at the Royal Albert Hall in London), Live at Red Rocks (2022, Netflix), and Drop Dead Years (2024, Hulu). He married Nia Renee Hill in 2013; they have two children and live in Los Angeles. The voice on stage is the same voice on the podcast and the same voice on screen: a Boston accent that thickens whenever he gets angry, an everyman frame of reference, a willingness to push past the comfort point on race, gender, marriage, money, and politics that has landed him in periodic controversy without ever shrinking the audience, and the slow-arc self-deprecation that lets him say almost anything because the joke is, ultimately, on him.
Bill Burr tour dates
Bill Burr tours on a relentless arena-and-theater pattern that has been the most consistent in the American comedy business since the early 2010s. Early-career legs ran the club circuit — the Comedy Connection, Caroline's, the Hollywood Improv, the Punch Line in San Francisco — at the three-hundred-to-six-hundred-seat scale. By the mid-2010s, the run had scaled to two-thousand-to-three-thousand-seat theaters across North America: the Wang Theatre in Boston, the Beacon in New York, the Chicago Theatre, the Wiltern in Los Angeles, the Massey Hall era in Toronto. The 2017 Walk Your Way Out cycle and the 2019 Paper Tiger cycle pushed him into NBA-arena rooms — Madison Square Garden, the Kia Forum, the TD Garden hometown shows, Scotiabank Arena in Toronto, Rogers Place in Edmonton — and the Live at Red Rocks special documented his ability to fill nine-thousand-plus-seat outdoor amphitheaters. The Royal Albert Hall in London has hosted Burr for multiple consecutive sold-out nights across cycles, an unusual achievement for an American comic in the room, and the O2 Arena in North Greenwich has been the larger London room when the leg scales up. The Drop Dead Years tour through the mid-2020s has kept the arena pattern in rotation across North America, the UK, Ireland, Australia, and parts of continental Europe. A typical headline show runs about ninety minutes of stand-up plus a short opener — usually a comic from his All Things Comedy orbit. Unlike many of his peers, Burr does not lock phones at most dates — he trusts the room and the bit-to-bit pacing to keep the show his own, and his audience is, by long acculturation, one of the lower-recording demographics in stand-up. Arena dates lean heavier on the canonical hour built around the current special; theater dates and the Boston hometown stops lean heavier on local material and the workshop bits that have not yet locked. The live schedule above pulls directly from the on-sale feed, so once a leg is announced the city, venue, date, and ticketing link appear here automatically.
Bill Burr tickets
Tickets for Bill Burr tour dates go on sale through Ticketmaster, AXS, and the relevant venue box offices depending on the building. Presale codes for the All Things Comedy email list, the venue's own pre-sale (for example MSG Garden Insiders, AEG Presents lists for the Kia Forum), and the American Express card-member presale are the standard primary-market path on the bigger arena legs — codes drop forty-eight to seventy-two hours before the public on-sale and clear the best inventory in a one-to-two-day window. Arena pricing typically lands in the $70–$140 band for upper-bowl seats, $140–$280 for lower-bowl ends and the 100-level, and $280–$500 for the floor on bigger tour cycles. Theater dates run a tighter $80–$250 across the room, with hometown Boston shows at TD Garden, the Wang Theatre, and the occasional Boston Garden specialty date pricing closer to the top of the band. Secondary inventory on StubHub, SeatGeek, Vivid Seats, and TickPick is consistently moderate — heavier on hometown Boston, New York, Los Angeles, and London Royal Albert Hall dates, lighter on the second-and-third-tier markets where price tends to settle close to face by the week of the show. The hometown Boston runs and the multi-night Royal Albert Hall residencies are the toughest tickets on the route and hold price closest to face right up to first curtain. VIP and meet-and-greet packages have not historically been a standing feature of every Bill Burr leg — when offered on a specific tour cycle, they clear on the presale window. Confirm specific inclusions and venue policies on the ticket page before purchase, particularly for the international dates where on-sale platforms and pricing currencies vary.
Bill Burr setlist and topics
There is no fixed Bill Burr setlist in the sense of a song-by-song running order — the comedy 'setlist' is the framework of recurring topic territory, not a script. A typical show is built around the canonical hour from the current tour cycle (Drop Dead Years material in the most recent leg, Live at Red Rocks material before that, Paper Tiger and Walk Your Way Out material on earlier cycles) plus extended new bits that are being workshopped toward the next special. Recurring topic territory anyone who has followed him from the podcast era will recognize: marriage and the long-term-relationship comedy he has been writing for more than a decade, fatherhood and the comedy of raising two children in his fifties, his Boston-Irish-Catholic upbringing and his father, masculinity and the slow-arc self-deprecation of the aging American man, race and gender material that pushes the line on purpose and trusts the room to track the joke past the setup, sports (the Patriots, the Celtics, baseball, boxing, helicopter and aviation hobby material), money, the economy, real estate, and a steady undercurrent of political and cultural commentary that refuses to map cleanly to either partisan frame. The recurring meta-bit about the audience itself — the working older guys in the back, the wives dragging husbands, the younger guys finding the act through clips of the podcast — has been a Burr show staple for years. The Monday Morning Podcast and the Thursday Afternoon Just Before the Weekend Podcast preview the material in raw form throughout each cycle: bits that get heat on the podcast almost always graduate into the touring hour, and bits that fail on the road get autopsied on the podcast the following Monday. Fan setlist sites and post-show subreddit threads are the best place to track which bits are running on the current leg.
Bill Burr meet and greet
Bill Burr meet-and-greet availability is limited and not a permanent feature of every date on the route. Unlike many headlining touring comics, Burr has historically been resistant to selling formal meet-and-greet packages — the working position across most of his cycles has been that paid VIP photo lines turn the post-show experience into a transactional product that he is not comfortable with at the scale he plays. On the rare cycles where a VIP package has been offered (occasional charity-tied dates, specific All Things Comedy events, festival appearances), the package has been sold through the same primary-market channel as the regular tickets and has cleared inside the presale window — usually as a premium seat tier plus a signed item rather than a handshake-line greet. There is no industry-standard post-show stage-door meet on the tour: the size of the touring rooms, the door policies of the buildings, and the run-of-show pacing make that model impractical at arena scale. The most reliable face-time channels for fans hoping to hear from Burr directly are not the touring leg at all — they are the Monday Morning Podcast and the Thursday Afternoon Just Before the Weekend Podcast voicemail lines, where listener-submitted questions and rants regularly make it onto the show, and the All Things Comedy social channels and email list, which announce the rare in-person meet events first. Confirm specific VIP inclusions on the ticket page before purchase on any cycle that lists a VIP option — exact package contents vary by city, venue, and tour cycle, and have changed across the years.
Tour cities
Boston
Boston is the hometown stop on every Bill Burr cycle and the toughest ticket on the route. Arena-tier dates land at TD Garden in the West End — the Celtics' and Bruins' 19,000-seat building, accessible from North Station on the Orange and Green Lines and the commuter rail — and on the largest cycles the Garden has run as a two-night Burr stand. Theater-format Boston dates land at the Boch Center Wang Theatre on Tremont Street, the Orpheum Theatre near Park Street, or the Chevalier Theatre in Medford. The Boston crowd is the home crowd — Emerson and the Comedy Connection class, the old Opie and Anthony listeners, the Patrice O'Neal-era loyalists, plus the next generation that found the act through the podcast — and the room reads bits before the punchline lands. Lower-bowl arena pricing on Burr's Boston dates typically lands in the $180–$420 band; Wang Theatre orchestra opens around $150 and tops near $325. Boston dates clear fastest of any market on the route, and the secondary market holds well above face. The hometown advantage on the writing is meaningful — Boston-specific material that does not travel to the rest of the route lands harder in TD Garden than anywhere else.
New York
New York dates land at Madison Square Garden or the Theater at Madison Square Garden for arena-tier bookings, and Radio City Music Hall, the Beacon Theatre, or Kings Theatre in Brooklyn for theater-format dates. The NYC crowd is one of the densest comedy-fan markets in the world — Comedy Cellar regulars, theater subscribers, podcast listeners, and the broader Burr-from-the-Conan-era audience all in the same lobby — and the secondary market on MSG-tier dates holds price close to face right up to first curtain. MSG sits on top of Penn Station with direct LIRR, NJ Transit, and Amtrak access, so the tri-state can transit in without driving into Manhattan. Lower-bowl MSG pricing on Burr dates typically lands in the $200–$500 band; Beacon and Radio City orchestra in the $160–$380 range. Burr has historically anchored Comedy Cellar drop-in late-night work-out sets in New York the same week as his theater dates, and those Cellar tickets, when they exist, are walk-up-only and not part of the tour ticketing.
Los Angeles
Los Angeles is Bill Burr's home base — he has lived in LA with his family for more than a decade — and the city anchors the West Coast leg of every tour. Arena-tier dates land at the Kia Forum in Inglewood or Crypto.com Arena downtown; the Hollywood Bowl has hosted Burr for outdoor summer dates on the larger cycles. Theater-format bookings run through the Wiltern, the Greek Theatre at Griffith Park (outdoor summer scale), the Dolby Theatre in Hollywood, and the Microsoft Theater downtown. Smaller late-night drop-in sets at the Comedy Store on Sunset and the Hollywood Improv continue throughout the year between tour cycles — those are walk-up rooms and not part of the touring ticketing. The LA crowd skews industry, podcast-listener, and the broader West Coast comedy audience that has tracked Burr from the Chappelle's Show era forward. Lower-bowl Kia Forum pricing on Burr dates lands in the $180–$450 band; Wiltern orchestra runs $150–$320. Hollywood Bowl Section A and the boxes are the most aggressively priced LA seats on any Burr cycle.
Chicago
Chicago dates scale to the Chicago Theatre on State Street, the Auditorium Theatre at Roosevelt University, or the Rosemont Theatre near O'Hare for theater-format bookings, and to the United Center on the West Side or the Allstate Arena in Rosemont for arena-tier dates. The Chicago crowd pulls from the city, the suburbs, Milwaukee, the broader Midwest comedy audience, and is a strong working-class room that reads Burr's blue-collar Boston material in a way that almost no other market does. Allstate Arena in Rosemont sits on the Blue Line for direct transit access from downtown and O'Hare. United Center is a drive-and-park venue. Lower-bowl United Center pricing on Burr dates runs $180–$400; Chicago Theatre orchestra lands in the $150–$300 range. The Chicago hometown read on Burr's broader American-working-class material lands harder than in coastal markets — the room treats the bits as observation rather than provocation.
Toronto
Toronto is the largest Canadian stop on every Bill Burr cycle. Arena-tier dates land at Scotiabank Arena downtown — the Maple Leafs' and Raptors' 19,000-seat building — with theater-format bookings going to Massey Hall on Shuter Street, Meridian Hall (the former Sony Centre), or the Queen Elizabeth Theatre when the leg runs that scale. The Toronto crowd has been a strong Burr market since the early Just for Laughs era, and the GTA's six-million-plus population draws from a radius wider than almost any other comedy market on the route. Scotiabank Arena sits directly above Union Station, so the 905 region and the broader Golden Horseshoe can transit in on GO without driving downtown. Lower-bowl pricing on the arena dates typically lands in the CAD $190–$430 band; Massey Hall orchestra opens around CAD $150 and tops near CAD $320 for centre-front rows. Toronto Just for Laughs festival appearances over the years have historically been a separate ticketing channel from the regular tour and are worth tracking on the JFL Toronto schedule.
Edmonton
Edmonton is the western-Canadian arena stop on the route. Arena-tier dates land at Rogers Place in the ICE District downtown — the Oilers' 18,500-seat building and the largest indoor venue in Alberta. Theater-format bookings (on cycles where the western Canadian leg runs at that scale) drop into the Northern Alberta Jubilee Auditorium near the University of Alberta campus or the Winspear Centre downtown. The Edmonton crowd is one of the strongest blue-collar Burr markets in Canada — the Boston working-class voice translates directly into the Alberta oil-and-trades audience — and the Rogers Place dates have historically cleared on a similar timeline to the Calgary stop. Rogers Place sits on the Metro and Capital LRT lines at MacEwan Station, so the suburbs and St. Albert can transit in without driving downtown. Lower-bowl arena pricing typically lands in the CAD $170–$400 band; Jubilee orchestra opens around CAD $130.
Vancouver
Vancouver dates land at Rogers Arena downtown for arena-tier bookings — the Canucks' 19,000-seat building — and at the Queen Elizabeth Theatre, the Orpheum on Smithe, or the Vogue Theatre on Granville for theater-format dates. The Vancouver crowd is one of the most international rooms on the Canadian route, with strong East and South Asian audiences, a meaningful share of cross-border traffic from Seattle and Bellingham, and the broader BC podcast-listener audience that has tracked Burr from the Monday Morning Podcast era forward. Rogers Arena sits adjacent to the SkyTrain at Stadium-Chinatown Station, so transit access from the wider Lower Mainland is direct. Lower-bowl pricing typically lands in the CAD $180–$420 band; QE Theatre orchestra runs CAD $140–$300. Vancouver has historically been a faster-clearing market on the western Canadian leg, particularly when the booking is a one-night-only stop between Seattle and the Alberta dates.
London
London is the headline international stop on every Bill Burr cycle and one of the most established American-comic relationships with a single UK city in modern stand-up. Theater-format dates land at the Royal Albert Hall in South Kensington — Burr has played the room for multiple consecutive sold-out nights across cycles, and Paper Tiger (2019) was filmed there as the Netflix special — and at the Hammersmith Apollo (Eventim Apollo) in West London on cycles that scale that way. Arena-tier bookings land at the O2 Arena in North Greenwich, which Burr has played for multi-night runs on the largest cycles. The Royal Albert Hall sits on the Piccadilly line at South Kensington Station and is one of the most architecturally distinctive comedy rooms in the world. The O2 sits on the Jubilee line tube and is a transit-first venue. The London crowd is one of the largest international Burr audiences and tracks closely with the wider UK and Irish comedy-club ecosystem. Expect ticket pricing in pounds: Royal Albert Hall stalls and grand-tier seats run roughly £80–£280, Hammersmith stalls run £70–£200, O2 lower-tier runs £85–£250. UK on-sales typically run through AXS UK, Ticketmaster UK, and See Tickets rather than the US Ticketmaster system.
Dublin
Dublin is the Irish stop on Bill Burr's European leg, and given his Irish-Catholic Boston background it has been one of the most consistently sold-out markets on the international run. Theater-format dates land at the 3Olympia Theatre on Dame Street or Vicar Street on Thomas Street — both intimate rooms by Burr's normal touring scale. Arena-tier dates land at the 3Arena on the North Wall Quay in the Docklands, the 13,000-seat building used for the biggest touring stops in Ireland. The Dublin crowd reads Burr's Boston-Irish family material with a recognition that no other audience on the route brings — the references to Catholic-school discipline, the extended family dynamics, and the working-class Irish-American household land on a different layer in Dublin. Vicar Street is walking distance from the Liffey; 3Arena sits on the Luas Red Line at The Point stop. Expect ticket pricing in euros: 3Arena lower-tier runs €80–€220, Vicar Street and 3Olympia stalls run €60–€140. Irish on-sales run through Ticketmaster Ireland.
Sydney
Sydney is the headline Australian stop on Bill Burr's Pacific leg. Arena-tier dates land at Qudos Bank Arena at Sydney Olympic Park — the 21,000-seat building used for the biggest touring concerts and comedy specials in Australia — or, on cycles that scale that way, at the Aware Super Theatre at the ICC in Darling Harbour. Theater-format dates have historically dropped into the State Theatre on Market Street or the Enmore Theatre in Newtown. The Sydney crowd skews older than the North American average for comedy touring, and the Australian audience has tracked Burr from the early Netflix-special era forward through the podcast. Qudos Bank Arena sits on the Sydney Olympic Park train line; the State Theatre and ICC are central CBD venues with direct light-rail and metro access. Expect ticket pricing in Australian dollars: Qudos lower-tier runs AUD $150–$350, State Theatre stalls run AUD $130–$260. Melbourne and Brisbane are usually booked on the same Australian leg, so confirm the broader Pacific schedule on the live tour list above.









