Bruce Springsteen Setlist Guide 2026 — Songs & Show Reports

Find a setlist for a specific Bruce Springsteen concert

We do not have a verified song-by-song feed for Bruce Springsteen. Search for the performance date and venue in fan-submitted show reports; a past setlist does not confirm the songs or order for an upcoming show.

Bruce Springsteen popular songs (Apple Music)

The 15 songs Apple Music returns first for Bruce Springsteen — the artist's popular catalogue, not a confirmed setlist or a prediction of the next concert.

• I'm On Fire
• Born In the U.S.A.
• Glory Days
• Dancing In the Dark
• Santa Claus Is Comin' to Town (Live at C.W. Post College, Greenvale, NY - December 1975)
• The Rising
• Tunnel of Love
• I'm Goin' Down
• Cover Me
• Jersey Girl (Live at Meadowlands Arena, E. Rutherford, NJ - July 1981)
• Rosalita (Come Out Tonight)
• Born to Run
• My Hometown
• No Surrender
• One Step Up

Upcoming Bruce Springsteen performances

Our ticket feeds have no upcoming performances listed here at the moment. This does not establish the artist's touring plans.

Bruce Springsteen Setlist — FAQ

About Bruce Springsteen

Bruce Frederick Joseph Springsteen was born September 23, 1949 at Monmouth Memorial Hospital in Long Branch, New Jersey, and raised in Freehold — a working-class borough in central New Jersey whose factories, Main Street, and the family home on South Street and Randolph have become recurring images in the catalogue across fifty years of songwriting. He started playing guitar at thirteen, formed his first serious band, the Castiles, at fifteen, and spent the late 1960s and early 1970s working the Jersey Shore and Asbury Park bar circuit through a sequence of bands before signing to Columbia Records in 1972 on the strength of an audition with John Hammond, the legendary A&R executive who had signed Bob Dylan a decade earlier. The debut, Greetings from Asbury Park, N.J., arrived in January 1973; The Wild, the Innocent and the E Street Shuffle followed in September 1973 with Rosalita and the title track of the E Street Band-era catalogue. Born to Run, released in August 1975 after a fourteen-month studio process that nearly ended Springsteen's relationship with Columbia, was the record that broke the catalogue into the mainstream — Thunder Road, the title track, Tenth Avenue Freeze-Out, Backstreets, and Jungleland — and produced the simultaneous Time and Newsweek covers in October 1975 that made Springsteen an overnight national figure. Darkness on the Edge of Town (1978), delayed by a three-year legal battle with former manager Mike Appel, anchored the catalogue's harder, working-class second chapter with Badlands, Promised Land, Prove It All Night, and the title track. The River (1980), a twenty-track double album, gave the catalogue its first US number-one with Hungry Heart. Nebraska (1982) — recorded by Springsteen alone on a four-track cassette deck at his home in Colts Neck — pulled the songwriting toward Steinbeckian American narrative and remains one of the most influential singer-songwriter records of the decade. Born in the U.S.A., released in June 1984, was the commercial peak: thirty million copies sold worldwide, seven consecutive Top-10 singles, a fifteen-month world tour through 1984–85 that drew more than five million tickets, and the moment Springsteen briefly became the biggest American rock artist on the planet. Tunnel of Love (1987), Human Touch and Lucky Town (1992), The Ghost of Tom Joad (1995), The Rising (2002 — the post-9/11 E Street Band reunion that produced the Grammy-winning title track), Devils & Dust (2005), Magic (2007), Working on a Dream (2009), Wrecking Ball (2012), High Hopes (2014), Western Stars (2019), Letter to You (2020), and Only the Strong Survive (2022) extended the catalogue. Springsteen on Broadway — the solo theatre residency at the Walter Kerr Theatre — ran from October 2017 through December 2018 and again across 2021, playing 236 performances and winning a Special Tony Award. The 2016 memoir Born to Run sat on the New York Times bestseller list for thirty consecutive weeks. The Boss is the rare American rock musician whose cultural authority extends well beyond music — into film, into politics, and into the New Jersey identity itself, where the catalogue and the artist remain effectively inseparable from the state's cultural geography.

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