Clairo Setlist 2026 — Songs, Order & Running Time

Clairo current tour setlist

The current Clairo touring setlist is built around the July 2024 album Charm and runs across roughly 16 to 20 songs in a 75 to 95 minute headline set. The cold open typically pulls from Charm — recent cycles have opened on Nomad or Sexy to Someone with the full band locked in from the first bar, with Add Up My Love and Juna following inside the first quarter of the set as the cycle's most recognisable groove-forward Charm-era material. The middle act pulls deeper from Sling — Blouse, Amoeba, and Zinnias as the acoustic singer-songwriter passages that drop the band down to a quieter palette and lean on Cottrill's voice and a fingerpicked guitar — alongside the Immunity-era mid-set anchor of Bags, which has been the project's defining live song since the 2019 debut album and is the moment the audience reliably sings the loudest. Sofia from Immunity lands later in the middle act as the same-sex first-relationship anthem that has held its emotional weight across every touring cycle since the album's release. The closing act typically pulls forward the heavier-tempo Charm cuts and the Diary 001 EP-era catalogue — Flaming Hot Cheetos and 4Ever as the call-backs to the project's earlier era — with Pretty Girl played on most cycles even though Cottrill has been publicly ambivalent about the song's bedroom-pop legacy for years. The encore is short, typically two songs, anchored on a stripped solo acoustic moment and a full-band closer. Setlist variance lives mainly in the deep-cut audible inside the middle acoustic act and the encore choice; the structural pillars — Charm cold open, Sling acoustic middle, Bags mid-set, Pretty Girl in the closing run — hold across the cycle. Setlist.fm tracks each night's exact running order after the show.

Clairo 2026 Tour Setlist Structure

Clairo, the American indie pop act, has no confirmed dates on sale right now, so the song order below reflects how indie pop headline sets of this size are typically paced.

Recent Clairo concerts have averaged between 18 and 24 songs spread across roughly 90 to 120 minutes of performance time (excluding opener). The shows typically follow this rough structure:

1. Opener (song 1 to 2). A high-energy hit to set the tone.
2. Hit block (song 3 to 7). A run of the most-streamed singles.
3. Acoustic / storytelling moment (song 8 to 10). Stripped-back arrangements and banter.
4. Deep-cut set (song 11 to 15). Fan favorites and newer album tracks.
5. Peak run (song 16 to 20). The dancefloor anthems and biggest singalongs.
6. Encore (song 21 to 24). A 2 to 3 song encore featuring the signature closer.

Does the Clairo Setlist Change Night to Night?

The core of the Clairo 2026 setlist — the singles and the staging — stays consistent across the tour so production cues work from night to night. Smaller changes (a deep cut swap, a city-specific cover, or an acoustic surprise) happen on some nights. For the exact setlist from a specific Clairo show, check fan-submitted setlists on Setlist.fm after the concert.

Clairo Setlist — FAQ

About Clairo

Claire Elizabeth Cottrill was born August 18, 1998, in Atlanta, Georgia, and raised in Carlisle, Massachusetts, in the northwestern suburbs of Boston. Her father is Geoff Cottrill, a former chief marketing officer at Converse and Music Choice; her mother, Allison Cottrill, works in fashion. The family environment was musical in the working-day sense — instruments in the house, a father with industry contacts, a willingness to encourage demos — and Claire started uploading lo-fi bedroom recordings to Bandcamp and SoundCloud under the name Clairo as early as 2014, when she was in middle school. The pivot song was Pretty Girl, recorded on a Casio keyboard and a webcam in August 2017 while she was a senior in high school, uploaded to YouTube as a single fixed-frame video with no edits and no production, and shared on a few aggregation accounts that picked up the clip the same week. Inside three months the video had crossed ten million views; inside six it was twenty million; by the time Cottrill arrived at Syracuse University for her freshman year in autumn 2017, a video clip recorded for fun had become the project's commercial launch. Label conversations followed almost immediately — she signed with Fader Label, the indie imprint attached to the Fader magazine and its A&R network, on terms that preserved the bedroom-recording workflow that had produced Pretty Girl in the first place. The Diary 001 EP in 2018 collected Flaming Hot Cheetos, Hello?, 4Ever and the early Bandcamp catalogue, and a touring band assembled around her for the first time. Immunity, the debut studio album, arrived in August 2019 — produced by Rostam Batmanglij (Vampire Weekend) at his Los Angeles studio, recorded over a stretch of months with Danielle Haim on drums on several tracks, and built on real chamber-pop arrangements rather than the bedroom-pop palette of the EP. The single Bags became the project's defining song on streaming and on critic year-end lists; the album was reviewed warmly across Pitchfork, NME, and the major weeklies, and the touring footprint that followed pushed the project from the 500-cap club tier into the 1,500-to-2,500-cap mid-size theater tier inside a year. Sling, the second album, arrived in July 2021 — produced this time by Jack Antonoff at his Allaire studio in the Catskills with Cottrill co-writing and co-producing every track, pulling the project further toward acoustic singer-songwriter and 1970s soft-rock palettes. The record carried no obvious single, was reviewed as a deliberate retreat from the streaming economy, and pushed the touring tier into 3,000-to-5,000-cap theaters (Radio City Music Hall, the Greek in Berkeley, the Beacon Theatre) on the supporting tour. Charm, the third album, arrived in July 2024 — produced with Leon Michels of El Michels Affair, the New York-based instrumentalist behind the Daptone soul-funk reissue circle, and pulled the project toward a Rhodes-and-analog-synth late-1970s soul-jazz palette with Sexy to Someone as the closest thing to a radio single and Juna as the album-cycle's mid-set breakout. She remains signed to Fader Label in the United States and to Pop Wig and similar indie partners in international territories, remains based in New York City, and continues to operate the project with a long-time core band — keyboardist, guitarist, bassist, drummer, occasional horn player — that has played most of the touring cycles since Immunity.

Related