GloRilla Tour Dates 2026 — Full Schedule, Cities & Venues

GloRilla 2026 Tour Dates

1 listed date in 2026. Prices are the advertised starting price supplied for each date, in the seller's own currency.

GloRilla Tour Dates — FAQ

About GloRilla

Gloria Hallelujah Woods was born on July 28, 1999 in Memphis, Tennessee, the youngest of several siblings in a strict Christian household in the Frayser neighborhood on the north side of the city. Her parents raised her inside the church — the name Hallelujah was no accident — and her earliest performance experience was singing in the choir at a young age, an experience she has cited repeatedly in interviews as foundational to her vocal cadence, her phrasing, and the call-and-response instinct that runs through every chorus she writes. She attended Martin Luther King Jr. College Preparatory High School in Memphis and started writing raps in middle school, recording her first tracks in her teens and posting them to SoundCloud and YouTube under early monikers that she later consolidated into the GloRilla brand once the project began to take shape. The name itself is a portmanteau — Glo from Gloria, Rilla from gorilla — a deliberate Memphis-rap signature that places her in a lineage of the city's hip-hop nicknames running from Three 6 Mafia and Project Pat through Yo Gotti and Young Dolph. She built her early local following through a series of singles released between 2019 and 2021, working with Memphis-area producers and posting clips of in-studio sessions on Instagram and TikTok that gradually expanded her reach beyond the city. The pivotal moment arrived in the spring of 2022 with F.N.F. (Let's Go), a track produced by Memphis-based producer Hitkidd and released as part of his Renegades compilation in April of that year. The song — built around a sparse, hard-knocking Memphis beat and a chant-along chorus that translated immediately to TikTok — exploded across short-form video in the late spring and summer, charted on the Billboard Hot 100, and drew label attention from across the industry. Yo Gotti's Collective Music Group, headquartered in Memphis with distribution through Interscope, signed her in the summer of 2022, and the relationship has anchored her commercial trajectory ever since. The debut extended play under the CMG deal, Anyways, Life's Great..., arrived in November 2022 and contained the Cardi B-featuring Tomorrow 2, which became her first Top 10 entry on the Billboard Hot 100, peaking at number nine, and earned the inaugural Grammy nomination of her career in the Best Rap Performance category at the 2023 ceremony. The Ehhthang Ehhthang mixtape arrived in April 2024 carrying Wanna Be with Megan Thee Stallion — a record that became one of the most-played radio rap singles of the summer — and Yeah Glo!, a track whose production from producers Squat and Atljacob carried the same Memphis-club energy as F.N.F. (Let's Go) but with a sharper, more confident songwriter at the microphone. The full-length debut studio album Glorious arrived on October 11, 2024, and was the first project to position her as a headline artist rather than a breakout single act: TGIF carried the lead-single weight, Whatchu Kno About Me with Sexyy Red pulled in the broader Southern women-in-rap wave, Hollon featured a Fridayy hook, and the album closed with Rain Down on Me, a gospel-leaning collaboration with Kirk Franklin that drew an explicit line back to her church upbringing. The album debuted at number five on the Billboard 200 and produced the kind of catalogue depth that supports a full headline tour rather than a festival-only routing. GloRilla's commercial scale — a Grammy nomination on her first major-label EP, multiple top-ten Hot 100 singles, a top-five Billboard 200 debut on the first studio album, and a streaming footprint that has cleared multiple billion-play thresholds across platforms — has been built in roughly thirty months from F.N.F. (Let's Go) going viral to Glorious shipping, which is one of the fastest commercial arcs in modern hip-hop. The Memphis identity, the CMG affiliation, and the call-and-response chorus instinct from the choir background are the through-lines that connect the work.

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