The 8 closest dates from the live Ticketmaster feed.
Gracie Abrams is playing 24 cities this tour. Tap any city for exact dates, venue info, seat prices, and parking.
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4 showsFrom €93
2 showsLive tour status for Gracie Abrams across the 12 biggest North American markets — refreshed daily from Ticketmaster. Tap any "not yet" city to see the closest confirmed date.
59 upcoming Gracie Abrams concerts across 24 cities in North America, with tickets from €64 EUR. Live Ticketmaster availability refreshed daily.
Gracie Abrams ticket prices vary by city, venue size, day of week, and seat section. Live price breakdown across all 2027 tour stops:
GGracie Abrams returns to the 2027 touring circuit with a pop-arena production built around the hits — choreography, costume changes, video walls, and a setlist sequenced for maximum singalong moments. 59 confirmed dates across 24 cities this run. Tickets currently start at €64. Tour routing typically spans major North American cities, with Canadian stops usually including arena-sized venues in Toronto, Vancouver, Calgary, Edmonton, and Montreal, and US stops covering New York, Los Angeles, Chicago, Miami, Seattle, and other top metros.
Gracie Abrams tickets can move fast, especially for big-city dates, but there are a few reliable ways to land the best price.
When available, Gracie Abrams VIP packages are offered directly on Ticketmaster alongside the standard tickets for each tour date. VIP experiences for Gracie Abramsconcerts often include early venue entry, a premium seat or pit access, an exclusive tour merchandise item, and occasionally a pre-show soundcheck or photo opportunity. Meet and greet packages, when offered, sell out fastest — if you see one listed on the show page above, it's worth grabbing immediately. For the full breakdown of current VIP and meet and greet options on this tour, see the Gracie AbramsVIP & meet and greet guide.
Presale windows for the Gracie Abrams 2027 tour typically open 1 to 3 days before the general on-sale and are the best way to lock in seats before inventory drops. The most common presales for Gracie Abramstour stops are Ticketmaster Verified Fan, Live Nation presale, the artist's official newsletter or fan club, and credit-card presales from Citi, American Express, or Capital One in North America. Sign-up links usually go live from the artist's official site 1 to 2 weeks before the on-sale. See the Gracie Abrams presale guide for the current active codes and sign-up deadlines.
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Gracie Abrams is the Los Angeles-born indie-pop singer-songwriter whose career arc is one of the cleaner case studies in modern pop development — a slow, deliberate climb from teenage Instagram demos through two confession-pop EPs to a debut album, then the late-2024 sophomore record that effectively re-priced the project from intimate-theatre artist to arena-tier headliner across a single calendar year. The Secret of Us, produced primarily with Aaron Dessner (The National, Big Red Machine, the Taylor Swift folklore and evermore records), is the album that turned a quietly-loyal fan base into a global pop project — 'Risk', 'That's So True', 'I Love You, I'm Sorry', 'Close to You', and the Taylor Swift-featuring 'us.' all running simultaneously on streaming, the songs threading the diary-pop sensibility through the Dessner-led acoustic-and-piano arrangements that have come to define his second decade of production work. The live show is the deliberate inverse of what most pop breakouts at this scale present — full live band, no choreography, no pre-recorded backing vocals, songs played close to their album arrangements, and an audience that turns each show into a singalong of every word from front of room to back of arena. The Secret of Us Tour scaled the project from 2,000-cap theatres at the EP-era opening dates to 15,000-to-20,000-cap arenas inside an album cycle, with a North American leg, a UK and European leg through The O2 London and the equivalent rooms in Berlin, Paris, and Amsterdam, and a continuing presence as the highest-profile opening act on Taylor Swift's Eras Tour (Gracie carried roughly fifty Eras Tour dates across the tour's two-year North American, European, and Asian routing). She is signed to Interscope Records, writes her own material with frequent collaborators Aaron Dessner and Audrey Hobert, and is the daughter of director and producer J.J. Abrams — a piece of biographical context that hangs over the early-career coverage of the project but has had increasingly little to do with the artistic arc as the catalogue has built out. This page is the working guide to who Gracie Abrams is, what a Secret of Us Tour show actually looks like in practice, how the ticketing tends to behave at the arena tier, and which cities keep coming up on the routing.
Gracie Madigan Abrams was born September 7, 1999, in Los Angeles, California — the daughter of director and producer J.J. Abrams (Lost, Star Trek, Star Wars: The Force Awakens, Mission: Impossible) and producer Katie McGrath (the co-CEO with J.J. of Bad Robot Productions). She is one of three siblings and grew up in Brentwood and the broader Westside LA, attended Brentwood School, and went on to Barnard College in New York where she studied International Relations until taking leave to focus on the music project full-time. The early writing was solo bedroom work — songs uploaded to Instagram across the late 2010s under her own name, with no industry push and no public framing as the daughter of the Abrams-McGrath household — and the breakthrough into the broader industry conversation was the Sonny With A Chance writer-producer Joel Little (Lorde, Khalid, Imagine Dragons) signing on to produce her first EP. Minor (the debut EP released July 2020 on Interscope) was the formal label-cycle introduction, with 'I miss you, I'm sorry' as the lead single and a confession-pop, vocal-forward sound built around a small palette of acoustic guitar, piano, and minimal production. The follow-up EP This Is What It Feels Like (released November 2021) deepened the catalogue with 'Feels Like' and 'Difficult' as the standout tracks; the debut album Good Riddance (released February 2023 and produced primarily with Aaron Dessner) was the project's first full-length and the first formal Dessner production credit, with 'Where Do We Go Now?', 'I Should Hate You', 'Difficult' (re-recorded), and 'Best' anchoring the record. The pivot to mainstream pop visibility was the Eras Tour booking: Taylor Swift selecting Gracie Abrams as one of the rotating opening acts on the Eras Tour, with Gracie performing across roughly fifty Eras Tour dates from the early North American leg through the European and Asian routing — the highest-profile pop touring exposure of the post-pandemic period, in front of 60,000-to-80,000 ticketed fans per night. The Secret of Us album, released June 2024 and produced primarily by Aaron Dessner with Gracie's brother Tobias Abrams and frequent collaborator Audrey Hobert co-writing across the track list, was the breakthrough record — 'Risk' as the lead single, 'That's So True' as the post-release crossover that became the project's biggest streaming song, 'I Love You, I'm Sorry' as the diaristic centrepiece, 'Close to You' as the long-tail catalogue burner from the Good Riddance era re-issued onto the deluxe edition, and the Taylor Swift collaboration 'us.' as the headline-level feature that pulled the broader pop audience into the catalogue. The Secret of Us Tour ran from the album release through an extended arena routing across North America, the UK, and Europe. She is signed to Interscope Records, manages through Range Media Partners, and writes her own material with Aaron Dessner as the consistent co-writer-and-producer across the most recent two records and Audrey Hobert as the consistent co-writer across the catalogue.
The Secret of Us Tour is the cycle that scaled the project from intimate-theatre artist to arena-tier headliner across a single album release window. The early EP-era touring was 500-to-2,000-cap club and small theatre routing — Bowery Ballroom in New York, El Rey Theatre in LA, the equivalent rooms in the UK and Europe — and the Good Riddance Tour pushed the project into the 2,500-to-5,000-cap mid-size theatre tier. The Secret of Us Tour opened at the 4,000-to-7,000-cap theatre level (Radio City Music Hall in New York, the Greek Theatre in LA, Massey Hall in Toronto) and added arena dates as demand cleared multiple nights at the theatre rooms — the working pattern is now multi-night runs at marquee theatres and a layer of full arena dates at the marquee North American markets: Madison Square Garden in New York, Kia Forum in Los Angeles, Scotiabank Arena in Toronto, United Center in Chicago, TD Garden in Boston, and the UK leg at The O2 London with European rooms in Berlin, Paris, Amsterdam, and Cologne. The live show runs roughly 90 to 105 minutes including the encore — about 20 to 24 songs across the album, the singles, EPs, and the recurring cover slot — with a full band, no choreography, no pre-recorded backing vocals on the lead, and an audience that knows every word of every track. The staging is the deliberate inverse of the typical post-2020 pop production — soft lighting, a modest band rig, a piano centre-stage, a B-stage at the foot of the main stage that pulls the quieter material out into the room, and minimal video screens. The opener slot has been a deliberate platform for the indie-pop and folk-pop community: Towa Bird, Maisie Peters, Yoke Lore, Searows, and a rotation of the project's frequent collaborators. Doors are typically 6:30 or 7 p.m., support opens around 7:30, and Gracie is on stage between 9 and 9:30 depending on the building. The live event listings above this block are the working calendar — filter by city or date to see which arenas and theatres are on sale right now.
Gracie Abrams tickets sit at the rare price point where the demand has cleared multi-night arena runs and the secondary market is reliably active, but the early-cycle Eras-Tour-opener exposure and the deliberate-development pricing strategy have kept face values lower than the typical post-breakthrough pop tier. Expect the standard arena split now: general admission floor or pit at the front of the stage (the most contested ticket — gone within the first minute of any public window), reserved lower-bowl seating with sightlines onto the staging, reserved upper-bowl, and the limited-view far-corner inventory at the lowest face value. Face value across the arena cycle has run roughly US$45 to US$70 for cheapest upper-bowl reserved, US$95 to US$175 for lower-bowl reserved, and US$175 to US$325 for premium pit and front-of-floor inventory, with the Gracie Abrams VIP package bundling early entry, premium seating, exclusive merch, the in-venue lounge, and the meet-and-greet add-on into the US$350 to US$800 band depending on tier. Theatre-tier face values run lower: typically US$60 to US$130 for the 4,000-to-7,000-cap rooms. Ticketmaster runs onsales through its Verified Fan system on the major US arena dates — registration window first, code distribution by lottery, then a Verified Fan presale, then any artist-list presale, then the public Friday-10am-local window for whatever inventory has not cleared. Dynamic pricing through Ticketmaster Platinum is the live wire and routinely pushes lower-bowl tickets well past sticker for the highest-demand multi-night runs. Secondary inventory on StubHub, SeatGeek, and Vivid Seats is live within minutes of onsale and runs at a meaningful premium for the marquee North American dates — always cross-check the venue chart and the face-value range before paying a markup.
A Gracie Abrams Secret of Us Tour show runs roughly 90 to 105 minutes and follows the same broad structural shape from night to night, with the same surprise-song slot and rotational cover that has become a load-bearing piece of the post-Eras-Tour live model. The opener is typically 'Felt Good About You' — the front-of-album track from The Secret of Us — followed by 'Risk' as the second song while the room is still calibrating to the band and the staging. The early-set run carries 'I Love You, I'm Sorry', 'Blowing Smoke', and 'I Knew It, I Knew You' through the middle of the room before pivoting to the slower-tempo block. 'Cedar', 'Tough Love', and the B-stage acoustic interlude (typically two to three songs played close to the audience with just acoustic guitar and piano) sit in the centre of the show — this is the wardrobe-change-free quiet section, with Gracie occasionally taking song requests from the front row. 'Close to You' and 'Where Do We Go Now?' carry from the Good Riddance catalogue into the back half. 'us.' (the Taylor Swift-featuring single) is staged as a singalong moment with the crowd carrying the full duet vocal across both verses and the bridge — the recurring per-show talking point across the cycle. 'That's So True' as the streaming smash sits late in the main set as the highest-energy moment of the night. The encore typically pairs a rotational cover (Phoebe Bridgers, Lorde, Lana Del Rey, Joni Mitchell, the rotation depends on the night and the city) with a closing original — most commonly 'Stay' or 'Best' from Good Riddance, occasionally an unreleased song teased ahead of the next album. Exact running order shifts night to night; setlist.fm tracks each show after the fact, usually within hours of curfew, so the working version of any given night's running order is always one search away.
Los Angeles is the literal home market — the city Gracie Abrams grew up in (Brentwood and the Westside), the city the project is based out of, and the home of the family-and-friends fan base that has shown up at every LA show from the early Bowery-Ballroom-era through the arena scale. The Secret of Us Tour LA dates moved from the Greek Theatre (5,900 cap, Griffith Park) and the YouTube Theater (6,000 cap, Inglewood) on the early arena-tier routing to multi-night runs at Kia Forum (17,500 cap, Inglewood) at the headline-arena scale. The Hollywood Bowl (17,500 cap, Hollywood Hills) is the natural future stop for a quieter album-cycle one-off; the Hollywood Palladium (3,500 cap, Hollywood) and El Rey Theatre (770 cap, Mid-City) were the EP-era LA rooms and are now too small for headline routing. Pre-show culture in LA is the most music-industry-coded of any market on the routing — Eras Tour alumni, fellow Interscope-and-Republic-label artists, the broader West Hollywood pop community. Onsales move through Ticketmaster Verified Fan with the artist-list presale layered ahead of the public window. Check the live event strip above for the active LA date, venue, and onsale status.
New York has been one of Gracie Abrams's most demand-overrun markets — the city pulls from the Barnard and Columbia college-aged fan base (Gracie attended Barnard before taking leave for the music project), the NYU and broader downtown college community, the queer-coded pop tastemaker base across Brooklyn, and the tri-state commuter feed from northern New Jersey and Long Island. The Secret of Us Tour New York dates upgraded across the cycle from Radio City Music Hall (6,000 cap, Rockefeller Center) to multi-night runs at Madison Square Garden (20,000 cap, Penn Station) as the streaming numbers and the post-Eras-Tour visibility cleared the demand math. Forest Hills Stadium (15,000 cap, Queens) is the outdoor option for warm-weather routing. The Bowery Ballroom (575 cap, Lower East Side) and Brooklyn Steel (1,800 cap, Williamsburg) were the EP-era New York rooms and are now too small for headline routing. NYC onsales move through Ticketmaster Verified Fan with the artist presale a day or two ahead of the public window; secondary inventory on StubHub and SeatGeek lights up within minutes. Pre-show culture in New York is theatrical-and-literary in a way that overlaps the Aaron Dessner production aesthetic — the audience reads the lyrics back as a single voice. Check the live event strip above for the active NYC date, venue, and onsale window.
Chicago is the Midwest anchor of the Secret of Us Tour — one of the cycle's most reliably overrun markets and a city where the Eras Tour opening slot (Soldier Field, 61,500 cap, three-night Eras Tour stand) seeded a meaningful Chicago-specific fan base ahead of the Secret of Us headline routing. The headline arena tier landed at the United Center (20,500 cap, West Side, home of the Bulls and Blackhawks) for single nights scaled to multi-night runs as demand cleared. The Allstate Arena (18,500 cap, Rosemont) is the alternative when the United Center calendar is full. The Aragon Ballroom (4,500 cap, Uptown), Riviera Theatre (2,500 cap, Uptown), and Salt Shed (3,600 cap, the West Loop riverside venue) were the EP-era and Good Riddance-era Chicago rooms and are now too small for headline routing. Grant Park (300,000 cap during Lollapalooza weekend) is the festival venue if a festival booking sits on the routing. Onsales move through Ticketmaster Verified Fan; secondary inventory on StubHub and SeatGeek is live within minutes. The Chicago crowd has been consistently word-perfect across the encore. Check the live event strip above for the active Chicago date, venue, and onsale window.
Toronto is the Canadian anchor of any North American Gracie Abrams routing — the city pulls demand from the Greater Toronto Area (6.5 million metro), a deep college-aged fan base across U of T, Ryerson (TMU), and York, and the secondary feed from Hamilton, Kitchener-Waterloo, and the cross-border traffic from Buffalo and Rochester. The Secret of Us Tour Toronto headline dates landed at Scotiabank Arena (19,800 cap, downtown by Union Station — home of the Maple Leafs and Raptors) for the arena scale; Massey Hall (2,700 cap, downtown heritage venue) was the EP-era and Good Riddance-era Toronto room and is now too small for headline routing. History Toronto (2,500 cap, Queen East) and Meridian Hall (3,000 cap, downtown) are the mid-cap theatre alternatives. The Eras Tour Toronto stand (Rogers Centre, six-night November booking, 50,000 cap per show) seeded a meaningful Toronto-specific fan base ahead of the Secret of Us headline routing. Onsales move through Ticketmaster Verified Fan; pricing is in CAD and the public window typically opens 10am local on Friday. Check the live event strip above for the active Toronto date, venue, and onsale window.
London is the UK anchor of any Gracie Abrams routing and the city where the Aaron Dessner production aesthetic and the diary-pop sensibility have landed most directly with the European fan base — the project has been disproportionately tastemaker-heavy in the UK market across the cycle, with the broadsheet music press and the BBC Radio 1 / Radio 2 daytime rotation lining up cleanly with the catalogue. The Secret of Us Tour London headline dates landed at The O2 (20,000 cap, Greenwich Peninsula, North Greenwich tube station) for the arena scale; the OVO Arena Wembley (12,500 cap, Wembley Park) is the alternative when The O2 calendar is locked. The Eventim Apollo (5,000 cap, Hammersmith) and Roundhouse (3,300 cap, Camden) were the EP-era and Good Riddance-era London rooms and are now too small for headline routing. Alexandra Palace (10,400 cap, North London) is the mid-arena alternative. The Eras Tour London stand (Wembley Stadium, eight-night booking, 90,000 cap per show) seeded a meaningful London-specific fan base ahead of the Secret of Us headline routing. Pricing is in GBP and the public window typically opens 9am or 10am local on Friday. Onsales move through Ticketmaster UK and AXS UK depending on the venue. Check the live event strip above for the active London date, venue, and onsale window.
Boston is the New England anchor of any North American Gracie Abrams routing — the city pulls demand from the Harvard / MIT / Northeastern / BU / BC / Tufts college-aged listenership (one of the densest student populations in the country), the broader indie-pop tastemaker base across the metro, and the secondary feed from Providence and Worcester. The Secret of Us Tour Boston headline dates landed at TD Garden (19,600 cap, downtown by North Station — home of the Celtics and Bruins) for the arena scale; MGM Music Hall at Fenway (5,000 cap, beside Fenway Park) and the Roadrunner (3,500 cap, Brighton) were the EP-era and Good Riddance-era Boston rooms and are now too small for headline routing. Agganis Arena (7,200 cap, BU campus) is the mid-cap alternative. Boston onsales move through Ticketmaster Verified Fan with the artist presale a day or two ahead of the public window. The Boston crowd has been reliably word-perfect through the encore, and the lyric-read-back pre-show ritual that has become part of the Gracie Abrams audience culture has been particularly visible in the Boston theatre dates. Check the live event strip above for the active Boston date, venue, and onsale window.
Philadelphia is the Mid-Atlantic anchor of any North American Gracie Abrams routing — the city pulls demand from the Penn / Drexel / Temple / Villanova college-aged listenership, the broader Philadelphia metro tastemaker base, and the secondary feed from Wilmington, Lancaster, and the South Jersey shore. The Secret of Us Tour Philadelphia headline dates landed at the Wells Fargo Center (19,500 cap, South Philadelphia sports complex — home of the 76ers and Flyers) for the arena scale; The Met Philadelphia (3,500 cap, North Broad heritage venue), The Fillmore Philadelphia (2,500 cap, Fishtown), and Franklin Music Hall (2,400 cap, Spring Garden) were the EP-era and Good Riddance-era Philadelphia rooms and are now too small for headline routing. Lincoln Financial Field (69,500 cap, South Philadelphia, the Eagles' stadium) is the future stadium option if the next album cycle scales up. Onsales move through Ticketmaster Verified Fan with the artist presale a day or two ahead of the public window; secondary inventory on StubHub and SeatGeek is live within minutes. The Philadelphia crowd has been one of the cycle's most consistently word-perfect audiences. Check the live event strip above for the active Philadelphia date, venue, and onsale window.
Washington DC is the Mid-Atlantic capital anchor of any Gracie Abrams routing — the city pulls demand from the broader Beltway metro, the Georgetown / GW / Howard / American / Maryland / George Mason college-aged listenership, and the federal-government young-professional demographic. The Secret of Us Tour DC headline dates landed at the Capital One Arena (20,500 cap, downtown DC — home of the Capitals and Wizards) for the arena scale; The Anthem (6,000 cap, The Wharf) was the EP-era and Good Riddance-era DC room and is now too small for headline routing. EagleBank Arena (10,000 cap, George Mason University, Fairfax) is the mid-cap alternative in northern Virginia. The All Things Go festival at Merriweather Post Pavilion (Columbia, Maryland) is the festival option if a festival booking sits on the routing. Onsales move through Ticketmaster Verified Fan; secondary inventory on StubHub and SeatGeek is live within minutes. The DC crowd has carried the lyric-read-back ritual particularly visibly across the theatre dates. Check the live event strip above for the active DC date, venue, and onsale window.
Nashville is the songwriter-community anchor of the Gracie Abrams routing — the city overlaps directly with the Aaron Dessner production base (Dessner has a Nashville-area studio, Long Pond is upstate New York but the broader Dessner ecosystem includes the Big Red Machine and Bon Iver collaborators who work out of Nashville), the broader folk-pop and indie-pop songwriter base, and the Belmont / Vanderbilt / MTSU college-aged listenership. The Secret of Us Tour Nashville headline dates landed at Bridgestone Arena (20,000 cap, downtown — home of the Predators) for the arena scale; the Ryman Auditorium (2,400 cap, downtown heritage venue) was the EP-era and Good Riddance-era Nashville room and is the rare venue where Gracie has been known to play deep-cut acoustic sets when the routing allows. Ascend Amphitheater (6,800 cap, riverfront) is the mid-cap outdoor alternative for warm-weather routing. The CMA Music Festival circuit (Nissan Stadium and Ascend Amphitheater) is the festival option if a festival booking sits on the routing. Onsales move through Ticketmaster Verified Fan with the artist presale a day or two ahead of the public window. Check the live event strip above for the active Nashville date, venue, and onsale window.
Seattle is the Pacific Northwest anchor of any North American Gracie Abrams routing — the city pulls demand from a young college-heavy local audience (University of Washington, Seattle U, Seattle Pacific), the broader indie-pop fan base across the metro that overlaps the Death Cab for Cutie / Sufjan Stevens / Phoebe Bridgers listenership, and the cross-border traffic from Vancouver, BC about three hours north. The Secret of Us Tour Seattle headline dates landed at Climate Pledge Arena (18,100 cap, Seattle Center — the rebuilt former KeyArena, home of the Kraken and Storm) for the arena scale; The Paramount Theatre (2,800 cap, downtown), Showbox SoDo (1,800 cap, SoDo), and the Moore Theatre (1,800 cap, downtown) were the EP-era and Good Riddance-era Seattle rooms and are now too small for headline routing. WaMu Theater (7,000 cap, SoDo beside Lumen Field) is the mid-cap alternative. Climate Pledge Arena sits two blocks from the Seattle Center monorail and a 10-minute walk from Queen Anne. Onsales move through Ticketmaster Verified Fan with the artist presale a day or two ahead of the public window. The PNW crowd has been reliably word-perfect through the encore. Check the live event strip above for the active Seattle date, venue, and onsale window.
