Gracie Abrams Antwerp Concert — Apr 15, 2027 at AFAS Dome

Gracie Abrams Antwerp Ticket Prices

Live pricing from Ticketmaster for the Gracie Abrams Antwerp show. Resale prices on secondary markets may be higher.

About the Venue — AFAS Dome

The Gracie Abrams Antwerp show takes place at AFAS Dome (119 Schijnpoortweg). Plan to arrive 45 to 60 minutes before doors — lines and bag checks can stretch for big tour stops like this. Rideshare is typically the easiest way to arrive and leave on a show night. For paid parking, venue lots and nearby garages tend to fill 60 to 90 minutes before showtime.

Gracie Abrams in Antwerp— Concert & City Guide

Gracie Abrams brings two nights to Antwerp's AFAS Dome in April 2027, with tickets from €101, her most affordable stop on this leg. The large arena sits in the Merksem district just north of the centre, a short ride from Antwerp's stunning central station. Her intimate, diary-page songwriting flips into bright, singalong choruses, drawing a young and devoted crowd word-perfect on Risk and That's So True. Two Belgian dates give fans flexibility to pick their night.

Gracie Abrams in Antwerp — FAQ

About Gracie Abrams

Gracie Madigan Abrams was born September 7, 1999, in Los Angeles, California — the daughter of director and producer J.J. Abrams (Lost, Star Trek, Star Wars: The Force Awakens, Mission: Impossible) and producer Katie McGrath (the co-CEO with J.J. of Bad Robot Productions). She is one of three siblings and grew up in Brentwood and the broader Westside LA, attended Brentwood School, and went on to Barnard College in New York where she studied International Relations until taking leave to focus on the music project full-time. The early writing was solo bedroom work — songs uploaded to Instagram across the late 2010s under her own name, with no industry push and no public framing as the daughter of the Abrams-McGrath household — and the breakthrough into the broader industry conversation was the Sonny With A Chance writer-producer Joel Little (Lorde, Khalid, Imagine Dragons) signing on to produce her first EP. Minor (the debut EP released July 2020 on Interscope) was the formal label-cycle introduction, with 'I miss you, I'm sorry' as the lead single and a confession-pop, vocal-forward sound built around a small palette of acoustic guitar, piano, and minimal production. The follow-up EP This Is What It Feels Like (released November 2021) deepened the catalogue with 'Feels Like' and 'Difficult' as the standout tracks; the debut album Good Riddance (released February 2023 and produced primarily with Aaron Dessner) was the project's first full-length and the first formal Dessner production credit, with 'Where Do We Go Now?', 'I Should Hate You', 'Difficult' (re-recorded), and 'Best' anchoring the record. The pivot to mainstream pop visibility was the Eras Tour booking: Taylor Swift selecting Gracie Abrams as one of the rotating opening acts on the Eras Tour, with Gracie performing across roughly fifty Eras Tour dates from the early North American leg through the European and Asian routing — the highest-profile pop touring exposure of the post-pandemic period, in front of 60,000-to-80,000 ticketed fans per night. The Secret of Us album, released June 2024 and produced primarily by Aaron Dessner with Gracie's brother Tobias Abrams and frequent collaborator Audrey Hobert co-writing across the track list, was the breakthrough record — 'Risk' as the lead single, 'That's So True' as the post-release crossover that became the project's biggest streaming song, 'I Love You, I'm Sorry' as the diaristic centrepiece, 'Close to You' as the long-tail catalogue burner from the Good Riddance era re-issued onto the deluxe edition, and the Taylor Swift collaboration 'us.' as the headline-level feature that pulled the broader pop audience into the catalogue. The Secret of Us Tour ran from the album release through an extended arena routing across North America, the UK, and Europe. She is signed to Interscope Records, manages through Range Media Partners, and writes her own material with Aaron Dessner as the consistent co-writer-and-producer across the most recent two records and Audrey Hobert as the consistent co-writer across the catalogue.

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