Hannah Gadsby Tour 2026
Is Hannah Gadsby Coming to Your City?
0 / 12 citiesLive tour status for Hannah Gadsby across the 12 biggest North American markets — refreshed daily from Ticketmaster. Tap any "not yet" city to see the closest confirmed date.
Hannah Gadsby is currently between tours. No confirmed 2026 North America dates on Ticketmaster right now — this page auto-updates the moment new dates drop.
- How do I get Hannah Gadsby tickets?
- Tap any date below to checkout on Ticketmaster — listings here are official primary tickets, refreshed daily.
- What time does the show start?
- Most Hannah Gadsby shows start between 7 and 9 PM local, with doors 60–90 minutes earlier. Exact time is on each ticket.
- How long is the concert?
- Roughly 90–150 minutes including the opener and a short encore.
About Hannah Gadsby
HHannah Gadsby is the Australian Stand-up Comedy artist touring in 2026. Live dates auto-populate on this page the moment new 2026 shows are confirmed. Tour routing typically spans major North American cities, with Canadian stops usually including arena-sized venues in Toronto, Vancouver, Calgary, Edmonton, and Montreal, and US stops covering New York, Los Angeles, Chicago, Miami, Seattle, and other top metros.
Cheapest Hannah Gadsby Tickets — 5 Ways to Save on the 2026 Tour
Hannah Gadsby tickets can move fast, especially for big-city dates, but there are a few reliable ways to land the best price.
- Buy during the official on-sale window. Face-value primary tickets on Ticketmaster are almost always cheaper than resale — the listings above show primary availability first.
- Consider mid-week shows. Tuesday and Wednesday Hannah Gadsby dates often list 15 to 30 percent lower than weekend stops in the same city.
- Go upper-level. Upper 300-level or balcony sections typically start near $45 to $75 and still offer a strong view of the stage.
- Watch last-minute drops.Resellers often slash prices 24 to 48 hours before doors open, especially for mid-week dates that haven't sold out.
- Compare nearby cities. It can be cheaper to drive 2 to 3 hours to a smaller market — check the full cheap Hannah Gadsby tickets guide for current low-priced dates.
Hannah GadsbyVIP Packages & Meet & Greet Options
When available, Hannah Gadsby VIP packages are offered directly on Ticketmaster alongside the standard tickets for each tour date. VIP experiences for Hannah Gadsbyconcerts often include early venue entry, a premium seat or pit access, an exclusive tour merchandise item, and occasionally a pre-show soundcheck or photo opportunity. Meet and greet packages, when offered, sell out fastest — if you see one listed on the show page above, it's worth grabbing immediately. For the full breakdown of current VIP and meet and greet options on this tour, see the Hannah GadsbyVIP & meet and greet guide.
Hannah GadsbyPresale Tickets & Codes
Presale windows for the Hannah Gadsby 2026 tour typically open 1 to 3 days before the general on-sale and are the best way to lock in seats before inventory drops. The most common presales for Hannah Gadsbytour stops are Ticketmaster Verified Fan, Live Nation presale, the artist's official newsletter or fan club, and credit-card presales from Citi, American Express, or Capital One in North America. Sign-up links usually go live from the artist's official site 1 to 2 weeks before the on-sale. See the Hannah Gadsby presale guide for the current active codes and sign-up deadlines.
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Inside Hannah Gadsby
Hannah Gadsby is the Tasmanian-born stand-up comedian, author, and former art-history graduate whose 2018 Netflix hour Nanette did more to reshape the form of stand-up comedy in a single special than almost any other touring comic of the last twenty years — and whose touring career since has refused to be defined by that one hour. By the time Nanette arrived on Netflix in June 2018, Gadsby had already spent more than a decade grinding the Australian comedy-festival circuit, winning the national Raw Comedy competition in 2006, picking up the Melbourne International Comedy Festival's Best Newcomer award the following year, and writing and presenting the ABC art-history series Hannah Gadsby's Oz and the National Gallery of Australia lecture-tour Renaissance Woman before the international audience knew her name. By the time the follow-up Douglas reached Netflix in 2020, she was selling out theaters across North America, the UK, Ireland, Europe, and Australasia at a scale most Australian stand-ups never reach. By the time Body of Work landed on Netflix in 2023 and Woof! It's Hannah Gadsby followed in 2024, her touring schedule was a steady annual cycle of theater-tier dates across Sydney, Melbourne, London, Dublin, Edinburgh, New York, Los Angeles, Toronto, and Vancouver — and her memoir Ten Steps to Nanette, published in 2022, had become a New York Times bestseller. This page is the catchmovement hub for Hannah Gadsby tour dates, ticket links, and city-by-city venue notes for every market where she runs theater or concert-hall-tier shows — Sydney Opera House and State Theatre stops, Melbourne Athenaeum and Hamer Hall residency-style runs, London Palladium and Hammersmith Apollo dates, the Dublin Vicar Street and Bord Gáis Energy Theatre tier, New York theater bookings, the rotating North American leg, and the Edinburgh Fringe heritage that anchors her career. The live schedule above pulls real on-sale dates; the blocks below explain what the room actually feels like, how the show is written, and how the ticketing pattern works.
About Hannah Gadsby
Hannah Gadsby was born January 12, 1978 in Smithton, on the rural north-west coast of Tasmania, the youngest of five children in a working-class family in a deeply conservative regional community — a setting Gadsby has returned to in the act for two decades because homosexuality was a criminal offence in Tasmania until 1997, when she was nineteen, a fact that anchors a significant portion of the writing on Nanette and Ten Steps to Nanette. She studied art history and curatorship at the Australian National University in Canberra, completing a degree in the field in 2003, before drifting through a series of low-paid jobs across regional Australia in her twenties — bookshop, cinema projectionist, farmhand — while undiagnosed autism and ADHD shaped a working life she has since described in detail across the act and the memoir. Stand-up came almost by accident: in 2006, on a dare from a friend, she entered the Raw Comedy national amateur competition and won it the same year, an unusually fast path from first open mic to national title. Within a year she had taken Best Newcomer at the Melbourne International Comedy Festival and joined the Australian touring circuit full-time. The early years were club and theater dates across the Australian and UK festival circuits — Melbourne International Comedy Festival, Edinburgh Fringe, Soho Theatre in London, the New Zealand and Adelaide festivals — alongside television work in Australia: the sketch series Adam Hills Tonight, the panel show Please Like Me with Josh Thomas (in which she also acted across four seasons), and the ABC art-history series Hannah Gadsby's Oz and Hannah Gadsby's Nakedy Nudes, both of which she wrote and presented and which drew on her ANU training. The pivot came with Nanette, first performed at the 2017 Melbourne International Comedy Festival and the Edinburgh Fringe that August, where it won both the Melbourne Festival's Barry Award and the Edinburgh Comedy Award for best show. A filmed taping at the Sydney Opera House landed on Netflix in June 2018 and made Gadsby the most-discussed stand-up in the world for the rest of that calendar year — the special's structural argument (that comedy's self-deprecating reflex had cost her, as a queer woman, more than it was worth, and that she would no longer trade the trauma for the laugh) became a reference point inside and outside the comedy industry. The Emmy for Outstanding Writing for a Variety Special followed in 2019, along with a Peabody Award. Douglas, the deliberate stylistic counterweight, debuted live in 2019 and landed on Netflix in 2020; the act traded the Nanette structural argument for autism-anchored visual-art lectures, dog-park observational material, and a wry meta opening that told the audience exactly what jokes were coming next. Body of Work arrived on Netflix in 2023 as a marriage-and-domestic-life hour built around her wife Jenney Shamash, and Woof! It's Hannah Gadsby followed on Netflix in 2024. Alongside the touring, she curated the 2021 Brooklyn Museum exhibition It's Pablo-matic: Picasso According to Hannah Gadsby and published Ten Steps to Nanette in 2022, a memoir that hit the New York Times bestseller list. The voice on stage is dry, structurally rigorous, lecture-room precise, queer in framing rather than punchline, and built on a refusal to separate the comic from the curator — a stand-up who treats the hour as an essay you laugh through rather than a string of bits.
Hannah Gadsby tour dates
Gadsby tours on a theater pattern that has been remarkably stable across the post-Nanette era. The standard venue tier is the 1,200-to-3,000-seat heritage theater or concert hall — Sydney's State Theatre and the Opera House Concert Hall, Melbourne's Hamer Hall and Athenaeum Theatre, London's Hammersmith Apollo and the London Palladium, Dublin's Vicar Street and Bord Gáis Energy Theatre, New York's Town Hall and the Beacon Theatre, Los Angeles' Wiltern, Toronto's Massey Hall, and Vancouver's Vogue Theatre or Queen Elizabeth Theatre. Arena dates are not part of the Gadsby pattern — the writing depends on a room small enough to read the back row, and on the kind of acoustic clarity that arena PA cannot match. A typical headline show runs seventy to ninety minutes of stand-up without an opener, with a structurally tight script the audience tracks like a lecture; Gadsby's shows are written as essays, not strung-together bits, and the run-of-show reflects that. New material legs (the Woof! It's Hannah Gadsby cycle and any follow-up hour Gadsby tours into the 2026 calendar) tend to run multi-night residency-style bookings in the home markets — the Sydney Opera House and Melbourne Hamer Hall blocks are usually three-to-five-night residencies rather than one-offs — and shorter visits to the international stops. The live schedule above pulls directly from the on-sale feed, so once a leg is announced the city, venue, date, and ticketing link appear here automatically. Until then, the city blocks below describe the venues you should expect when a leg is announced.
Hannah Gadsby tickets
Tickets for Hannah Gadsby tour dates go on sale through Ticketmaster, Ticketek (Australia), Ticketmaster UK, MCD and Ticketmaster Ireland, AXS, and the relevant venue box offices depending on the building — the Sydney Opera House and Melbourne Arts Centre sell direct through their own box offices alongside the Ticketek and Ticketmaster feeds. Presale registration through Gadsby's official email list and venue presale lists is the standard primary-market path on theater-tier dates; the presale window runs a day or two before the public on-sale and typically clears the centre-orchestra and front-mezzanine inventory. Theater pricing on the recent Gadsby cycles has landed in the AUD $90–$160 band for most Australian dates, GBP £40–£90 for the London and UK leg, EUR €45–€95 for Dublin and continental Europe, and USD $60–$160 for the North American stops, with hometown Sydney and Melbourne residency nights and London Palladium dates pricing toward the top of the band. Secondary inventory on StubHub, SeatGeek, Vivid Seats, Viagogo, and the Ticketmaster resale platform is meaningfully thinner than the comparable Matt Rife or Andrew Schulz dates — the Gadsby audience tends to buy on the on-sale window and hold rather than flip — but secondary listings still appear, particularly in the final week before residency-style runs in Sydney, Melbourne, and London. There is no published Verified Fan or surge-pricing program on the Gadsby route as of the current schedule; pricing is set at on-sale and held through the run-up to the show. VIP and meet-and-greet packages, when offered on a given leg, clear on the presale window and rarely re-list on the secondary market.
Hannah Gadsby setlist
There is no fixed Hannah Gadsby setlist in the way a music tour has a setlist — the show is a written hour, not a bit-rotation, and each tour is a single long-form essay with its own arc. The current touring hour, Woof! It's Hannah Gadsby, is the most recent material on the route as of the schedule above; it ran live through 2024 and on into the international leg, and it landed on Netflix in 2024 as the fourth filmed special after Nanette, Douglas, and Body of Work. Recurring themes anyone who has tracked Gadsby's writing for two decades will recognise: growing up queer in 1980s and 1990s Tasmania, the late-life diagnoses of autism and ADHD and the way the diagnoses retroactively recoded earlier work, art history as a working tool (the Douglas hour walks through actual paintings, with slides; Nanette opens with a long Renaissance riff on Vincent van Gogh and Caravaggio), marriage and domestic life with her wife and producer Jenney Shamash (the Body of Work hour leaned heavily into this), and a precise structural argument about what stand-up comedy is and what it costs to perform. The 2018 Nanette hour is still the cultural reference point and remains on Netflix as the canonical entry into the writing. Douglas, Body of Work, and Woof! It's Hannah Gadsby are the three follow-up specials that map the post-Nanette voice. Because each tour is a written hour rather than a rotation, the order does not change night to night within the same leg — what shifts is the read of the room and the timing of the laugh lines, not the script.
Hannah Gadsby meet and greet
Hannah Gadsby meet-and-greet availability is not a permanent feature of every date on the route, and the touring pattern leans toward the show as a self-contained essay rather than a fan-interaction event. On legs where a VIP package has been offered, it has usually been sold through the venue's primary partner alongside the general on-sale and has cleared in the presale window — most often as a premium-seat-plus-signed-book or premium-seat-plus-photo tier rather than a formal handshake-line greet. The Ten Steps to Nanette book tour cycle in 2022 ran some signing-line events at independent bookstores tied to the theater dates — those events were free with book purchase and announced separately from the stand-up on-sales — but signing lines are not a standard inclusion on the stand-up route. There is no published industry-standard post-show stage-door meet on the Gadsby tour. The most reliable path for fans hoping for face time with Hannah Gadsby is the official email list and venue presale list, which get the first window on any VIP allotment when one is offered for a given leg. Confirm specific VIP inclusions on the ticket page before purchase — exact package contents vary by city and venue, and not every date on a leg includes a VIP tier.
Tour cities
Sydney
Sydney is the largest Australian stop on every Hannah Gadsby cycle and one of two hometown-tier markets alongside Melbourne. Theater dates land at the Sydney Opera House Concert Hall or Drama Theatre on Bennelong Point — the room that hosted the 2018 Nanette taping that landed on Netflix — and at the State Theatre on Market Street in the CBD for the larger residency-style runs. Both venues are heritage-listed, 2,000-seat-class rooms with the kind of acoustic clarity Gadsby's structural writing depends on. The Sydney crowd skews older and more theater-literate than the comparable Matt Rife or Andrew Schulz arena audience — many of the audience members have been with Gadsby since the early Melbourne International Comedy Festival run before Nanette. Sydney Opera House sits at Circular Quay with direct ferry, train, and light rail access; the State Theatre is two blocks from Town Hall Station. Theater pricing on the recent Gadsby Sydney dates has landed in the AUD $95–$165 band; Opera House Concert Hall premium rows price closer to AUD $185.
Melbourne
Melbourne is the Hannah Gadsby home market — the city where she lived for most of her stand-up career, where the Melbourne International Comedy Festival launched her in the late 2000s, and where the Nanette hour was first performed at the 2017 festival before the Edinburgh Fringe transfer. Theater dates land at Hamer Hall at the Arts Centre Melbourne on St Kilda Road for the larger residency runs, the Athenaeum Theatre on Collins Street for the festival-circuit shows, or the Comedy Theatre on Exhibition Street for the mid-scale dates. The Melbourne crowd is the most knowledgeable Gadsby audience anywhere — long-standing festival regulars who tracked the act from the early Raw Comedy years onward — and the residency nights at Hamer Hall and the Athenaeum tend to clear the fastest on the entire international cycle. Arts Centre Melbourne sits at the south end of the CBD with direct tram access along St Kilda Road; the Athenaeum and Comedy Theatre are both inside the Free Tram Zone. Theater pricing on the Melbourne dates has landed in the AUD $90–$160 band.
Adelaide
Adelaide dates land at the Thebarton Theatre on the western edge of the CBD or at Her Majesty's Theatre on Grote Street for the more intimate bookings, with festival-circuit visits historically tied to the Adelaide Fringe in February and March. The Adelaide crowd is one of the strongest comedy-festival rooms in Australia — the city hosts the second-largest fringe festival in the world, and the audience expects the kind of written, structurally rigorous hour the Gadsby tour delivers. Thebarton seats roughly 2,000 in a heritage 1920s-era room; Her Majesty's was redeveloped in 2020 and seats about 1,400 across a renovated heritage shell. Both venues are five-to-fifteen minutes from the city centre by tram or car. Theater pricing on the Adelaide dates typically runs in the AUD $85–$140 band, with Thebarton stalls pricing toward the top of the range.
Brisbane
Brisbane dates land at QPAC (Queensland Performing Arts Centre) on Grey Street at South Bank — usually the Concert Hall or the Lyric Theatre — or at the Brisbane Powerhouse on Lamington Street in New Farm for the more intimate festival-circuit visits. QPAC's Concert Hall seats around 1,800 and is the standard venue for theater-tier touring comedy in the city; the Powerhouse runs a smaller 530-seat theater format with a stronger arts-festival programming reputation. The Brisbane crowd pulls from the city, the Sunshine Coast and Gold Coast weekend-traffic audience, and the broader south-east Queensland region. QPAC sits adjacent to South Brisbane and South Bank railway stations and is on multiple bus and ferry routes. Theater pricing on the Brisbane Hannah Gadsby dates typically runs AUD $85–$155 across the room.
Perth
Perth dates on the Australian leg land at the Riverside Theatre at the Perth Convention and Exhibition Centre on Mounts Bay Road, the Regal Theatre in Subiaco, or Crown Theatre Perth at the Crown casino complex in Burswood. Each of these rooms seats in the 1,000-to-2,400 range and represents the standard theater-tier Perth booking for touring international comedy. The Perth crowd pulls from the metropolitan area and the broader Western Australian regional audience, with a meaningful share of FIFO mining workforce on the weekends; the city is the most geographically isolated capital on Gadsby's Australian leg, and the audience tends to buy on the on-sale window because dates do not always repeat year-on-year. Perth Convention Centre sits adjacent to Elizabeth Quay Station with direct train access; Crown is on the Armadale and Thornlie lines at Burswood Station. Theater pricing on Perth dates runs roughly AUD $85–$150.
London
London is the headline non-Australian stop on every Hannah Gadsby cycle. Theater dates land at the London Palladium on Argyll Street in the West End or the Hammersmith Apollo (Eventim Apollo) in West London for the larger bookings, with Soho Theatre dates on Dean Street historically used for the smaller festival-circuit run-throughs before the Edinburgh Fringe transfers. The Palladium is a 2,200-seat heritage room directly off Oxford Circus tube; the Hammersmith Apollo is a 3,300-seat heritage venue on the Piccadilly and District lines at Hammersmith. The London crowd is the largest non-Australian Gadsby audience and the densest concentration of theater-comedy literate fans on the international leg — many of whom first saw the act at the Edinburgh Fringe before Nanette. Theater pricing on the London Gadsby dates has landed in the GBP £40–£90 band across most of the room, with Palladium stalls pricing toward the top end. UK on-sales run through Ticketmaster UK, AXS UK, and See Tickets rather than the Australian Ticketek system.
Edinburgh
Edinburgh is the city that made Hannah Gadsby internationally — the 2017 Fringe run of Nanette at the Assembly Rooms on George Street took the Edinburgh Comedy Award for best show and triggered the Netflix taping at the Sydney Opera House the following year. Festival-circuit visits to Edinburgh historically land at Assembly George Square, Pleasance Courtyard on Pleasance Street, the Stand Comedy Club on York Place for the smaller club-format run-throughs, or the Edinburgh Playhouse on Greenside Place for the larger touring dates outside the August Fringe window. The Playhouse is a 3,000-seat heritage theater on the Picardy Place tram stop. The Edinburgh audience during Fringe (August) is the most comedy-saturated room in the world — touring industry, critics, and broader festival-goers all in the same building — and Gadsby's career is partly defined by that audience's response to Nanette in its first month. Pricing during Fringe runs roughly GBP £15–£28 for the run-throughs at the smaller venues and GBP £40–£75 for Playhouse-tier bookings outside the festival.
Dublin
Dublin is one of the strongest non-Australian markets on the Hannah Gadsby route. Theater dates land at Vicar Street on Thomas Street in the Liberties for the standard 1,500-seat booking — the room of choice for theater-tier touring comedy in Ireland — or at the Bord Gáis Energy Theatre at Grand Canal Square in the docklands for the larger 2,100-seat dates. Gaiety Theatre on South King Street has hosted festival-circuit visits in smaller years. The Dublin crowd is dense, theater-literate, and one of the fastest-clearing rooms on the international leg; Vicar Street nights frequently sell out on the on-sale window and clear without significant secondary inventory. Bord Gáis sits on the Luas red line at the Grand Canal Dock stop; Vicar Street is a fifteen-minute walk from Heuston Station or the Luas red line at Heuston. Theater pricing on the Dublin Gadsby dates typically runs EUR €50–€95 across the room. Irish on-sales clear through Ticketmaster Ireland and MCD's box office system rather than the UK Ticketmaster feed.
New York
New York is the largest North American Hannah Gadsby market. Theater dates land at Town Hall on West 43rd Street, the Beacon Theatre on Broadway at 74th, Carnegie Hall on West 57th Street for the residency-style bookings, or Kings Theatre in Brooklyn for the larger Brooklyn-anchored dates. Town Hall is a 1,500-seat heritage room in the Theater District; the Beacon is a 2,800-seat heritage room on the Upper West Side at 72nd Street on the 1/2/3 lines; Kings Theatre seats 3,200 in a restored 1929 movie palace on the B/Q at Beverley Road. The New York crowd is one of the densest theater-comedy audiences in the world — Carnegie Hall and Town Hall subscribers, comedy festival regulars, Brooklyn art-and-museum audiences, and the broader queer-cultural community Gadsby has anchored since Nanette — and hometown-tier residency nights hold price close to face right up to first curtain. Theater pricing in New York lands in the USD $70–$185 band, with Beacon and Carnegie premium rows pricing toward the top end.
Los Angeles
Los Angeles dates on the Hannah Gadsby route land at the Wiltern on Wilshire Boulevard in Koreatown, the Theatre at Ace Hotel on South Broadway downtown, the Orpheum Theatre on South Broadway, or the Greek Theatre in Griffith Park for the outdoor summer-scale dates. The Wiltern seats around 1,850 in a 1931 Art Deco room on the Metro D line at Wilshire/Western; the Ace Hotel theater is a 1,600-seat restored 1927 movie palace at Pershing Square. The LA crowd skews younger than the New York Gadsby audience but with comparable theater-comedy literacy, and the LGBTQ-cultural community in the city has been one of the strongest Gadsby audiences in North America since the 2018 Nanette taping. Theater pricing on LA dates lands in the USD $65–$165 band; Wiltern orchestra premium runs $140–$180 on the on-sale window. Secondary market in Los Angeles is meaningful but thinner than the Matt Rife or Sebastian Maniscalco comparison.
Toronto
Toronto is the largest Canadian stop on every Hannah Gadsby cycle. Theater dates land at Massey Hall on Shuter Street downtown — the restored 1894 heritage room of choice for theater-tier Canadian comedy — or at Meridian Hall on Front Street East, the Princess of Wales Theatre on King Street West, or the Queen Elizabeth Theatre on Lower Don Lands for the larger bookings. Massey Hall seats 2,800 across orchestra and two balconies in one of the most acoustically respected concert halls in North America; Meridian Hall seats 3,200 in the St Lawrence Centre district downtown. The Toronto crowd skews older and more theater-literate than the comparable arena-comedy GTA audience, with a strong queer-cultural community concentrated through the city and the broader GTA pulling 6 million people into the catchment. Massey Hall is two blocks from Queen Station on the TTC; Meridian Hall is at Union Station. Theater pricing on the Toronto dates typically runs CAD $85–$180.
Vancouver
Vancouver dates on the Hannah Gadsby route land at the Vogue Theatre on Granville Street, the Queen Elizabeth Theatre on Hamilton Street downtown, or the Orpheum Theatre on Smithe Street for the larger heritage-room bookings. The Vogue is a 1,150-seat 1941 Art Deco theater on the Canada Line at Vancouver City Centre; the QE seats around 2,800 and is the standard touring-comedy theater in the city; the Orpheum seats 2,700 and is the Vancouver Symphony's home, a 1927 heritage room. The Vancouver crowd is one of the most international rooms on the North American route, with strong East and South Asian audiences, Pacific Northwest cross-border traffic from Seattle and Bellingham, and a meaningful share of the broader Lower Mainland's queer-cultural community. The QE and Orpheum sit adjacent to Granville Station on the Expo, Millennium, and Canada lines. Theater pricing on the Vancouver dates typically runs CAD $80–$175.