
Olivia Dean Setlist 2026 — Songs, Order & Running Time
Catch the Olivia Dean Setlist Live
Hear the tour setlist in person — upcoming dates with live Ticketmaster availability.


Olivia Dean

Olivia Dean

Olivia Dean Montréal

Olivia Dean Boston

Olivia Dean Baltimore

Olivia Dean New York

Olivia Dean New York

Olivia Dean New York

Olivia Dean New York

Olivia Dean Atlanta

Olivia Dean Houston
Olivia Dean 2026 Tour Setlist Structure
Olivia Dean, the British soul / r&b act, currently has 16 confirmed live dates — the most recent routing points at Target Center in Minneapolis, so the song order below reflects how soul / r&b headline sets of this size are typically paced.
Recent Olivia Dean concerts have averaged between 18 and 24 songs spread across roughly 90 to 120 minutes of performance time (excluding opener). The shows typically follow this rough structure:
- Opener (song 1 to 2). A high-energy hit to set the tone.
- Hit block (song 3 to 7). A run of the most-streamed singles.
- Acoustic / storytelling moment (song 8 to 10). Stripped-back arrangements and banter.
- Deep-cut set (song 11 to 15). Fan favorites and newer album tracks.
- Peak run (song 16 to 20). The dancefloor anthems and biggest singalongs.
- Encore (song 21 to 24). A 2 to 3 song encore featuring the signature closer.
Does the Olivia Dean Setlist Change Night to Night?
The core of the Olivia Dean 2026 setlist — the singles and the staging — stays consistent across the tour so production cues work from night to night. Smaller changes (a deep cut swap, a city-specific cover, or an acoustic surprise) happen on some nights. For the exact setlist from a specific Olivia Dean show, check fan-submitted setlists on Setlist.fm after the concert.
Olivia Dean Setlist — FAQ
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About Olivia Dean
Olivia Dean was born in 1999 in East London, the daughter of a Guyanese father and a Jamaican-Irish mother — a cultural inheritance that runs audibly through her writing, where Caribbean cadence, gospel chord movement, and the very British strain of post-Winehouse soul-pop coexist without strain. She trained at the BRIT School, the South London performing-arts academy whose alumni roster includes Amy Winehouse, Adele, Loyle Carner and FKA twigs, and emerged in the late 2010s with a run of EPs — 'OK Love You Bye', 'What Am I Gonna Do on Sundays?', 'The Hardest Part' — that established the template: short, warm, harmonically literate songs about young womanhood, family, and the specific weather of falling in and out of love. Signed to EMI, she released her debut full-length 'Messy' in 2023 to widespread critical praise from NME, The Guardian, MOJO and Pitchfork, and a 2024 Mercury Prize nomination that confirmed the consensus: a major British voice had arrived without theatrics. The closest sonic reference points are Lianne La Havas, Corinne Bailey Rae, and the more pop-leaning edges of Amy Winehouse, with arrangements that draw on Motown, Philadelphia soul and 1960s pop without ever sounding like pastiche. Her writing voice is the throughline — direct, unguarded, more interested in the specific than the universal, with a sense of humour that survives the move from bedroom-recording to fully produced album. Live, she scaled steadily through the London room ladder: Jazz Cafe, Scala, Shepherd's Bush Empire, the Roundhouse in Camden, Hammersmith Apollo (now the Eventim Apollo), and on into the Forum-and-arena tier across the UK and Europe through 2025 and 2026. The North American footprint is on a similar climb — first as a support act, now as a headline draw routing through New York, Toronto, Los Angeles and the major secondary markets. The career arc reads as deliberate rather than algorithmic, and the audience that found her has stayed.
