Olivia Rodrigo Setlist 2026 — Songs, Order & Running Time

Olivia Rodrigo GUTS World Tour setlist — full song-by-song breakdown

The GUTS World Tour setlist is the load-bearing piece of the live show and the same broad structure has held across the North American, UK, European, and Australian legs from the cycle's first arena date on. A typical night runs roughly 100 to 115 minutes from first downbeat to curfew, splits into about 22 to 25 songs, and arcs through five recognisable acts. The cold open is 'bad idea right?' — the dance-break-and-rock-band detonation that sets the volume and the staging — followed by 'ballad of a homeschooled girl' and 'brutal' in the front-of-set loud run while the room is still calibrating to the scale of the room. The middle of the show is the SOUR singles block — 'pretty isn't pretty', 'love is embarrassing', 'making the bed', and the centre-of-set 'drivers license' ballad moment that almost always lands as a stripped piano-and-vocal arrangement before the chorus brings the band back in (this is the per-show TikTok clip on most nights). 'vampire' and 'traitor' close the middle section before the show pivots into the back third — 'deja vu', 'good 4 u', 'get him back!' choreographed dance break, 'all-american bitch' as the explosive penultimate slot, and 'obsessed' as the standard encore closer with a final ballad or anthem rotating in depending on the city. Surprise songs rotate through the deep-cut slot ('1 step forward, 3 steps back', 'happier', 'jealousy, jealousy', 'logical', 'lacy', 'so american') and a covers slot that has featured Avril Lavigne's 'Complicated', The Cranberries' 'Linger', No Doubt's 'Just a Girl', and a Paramore-era pop-rock cover depending on the venue and the night. The full live band is on stage for the entire set — no DJ or backing-track interlude — and the production carries the moon-and-stars visual world, a multi-level staging deck, a B-stage for the acoustic interlude, and dance choreography across the GUTS-album material. Tour openers (The Breeders, Chappell Roan, PinkPantheress, Remi Wolf, with the lineup rotating by leg) run a 30-to-45-minute support set ahead of the headline window. Doors are typically 6:30 or 7:00 p.m., support opens around 8:00 p.m., and Olivia is on stage between 9:00 and 9:30 p.m. depending on the building's curfew. Setlist.fm tracks every night's running order within hours of curfew — bookmark this page for the working evergreen breakdown and check Setlist.fm for the most-recent-show song-by-song.

Olivia Rodrigo 2026 Tour Setlist Structure

Olivia Rodrigo, the American pop rock act, currently has 50 confirmed live dates — the most recent routing points at PeoplesBank Arena in Hartford, so the song order below reflects how pop rock headline sets of this size are typically paced.

Recent Olivia Rodrigo concerts have averaged between 18 and 24 songs spread across roughly 90 to 120 minutes of performance time (excluding opener). The shows typically follow this rough structure:

1. Opener (song 1 to 2). A high-energy hit to set the tone.
2. Hit block (song 3 to 7). A run of the most-streamed singles.
3. Acoustic / storytelling moment (song 8 to 10). Stripped-back arrangements and banter.
4. Deep-cut set (song 11 to 15). Fan favorites and newer album tracks.
5. Peak run (song 16 to 20). The dancefloor anthems and biggest singalongs.
6. Encore (song 21 to 24). A 2 to 3 song encore featuring the signature closer.

Does the Olivia Rodrigo Setlist Change Night to Night?

The core of the Olivia Rodrigo 2026 setlist — the singles and the staging — stays consistent across the tour so production cues work from night to night. Smaller changes (a deep cut swap, a city-specific cover, or an acoustic surprise) happen on some nights. For the exact setlist from a specific Olivia Rodrigo show, check fan-submitted setlists on Setlist.fm after the concert.

Olivia Rodrigo Setlist — FAQ

About Olivia Rodrigo

Olivia Isabel Rodrigo was born February 20, 2003, in Temecula, California — the Inland Empire town an hour north of San Diego and an hour south of the Disney machine that would shape the first half of her public-facing career. She is the daughter of a Filipino-American father, who works as a family therapist, and an American mother who taught elementary school, and the family relocated to the Los Angeles area to support the acting career that started when she was six. She booked her first studio work at twelve in the Disney Channel original movie An American Girl: Grace Stirs Up Success, and then landed the recurring role of Paige Olvera on the Disney Channel series Bizaardvark, which ran from 2016 to 2019. The next role was the load-bearing one: Nini Salazar-Roberts on High School Musical: The Musical: The Series, the Disney+ meta-property that recursively re-staged the original High School Musical with a new ensemble cast performing in-show original songs. Olivia wrote and performed 'All I Want' for the series soundtrack and the song quietly went platinum on the back of streaming — the first signal to anyone watching the publishing splits that the actress in the Disney ensemble was also a working songwriter in her own right. The pivot moment was 'drivers license' in January 2021. Released as the lead single off what would become SOUR, the song spent eight weeks at the top of the Billboard Hot 100, became the fastest non-holiday song ever to cross 100 million Spotify streams, and turned an eighteen-year-old Disney actor into the centre of the global pop conversation overnight. SOUR followed in May 2021 — debut #1 on the Billboard 200, Grammy nominations for Album of the Year and Record of the Year, the wins for Best New Artist and Best Pop Solo Performance, and a Sour Tour through theatres and mid-cap arenas in 2022. GUTS in September 2023 was the sophomore album that closed the door on second-record syndrome: 'vampire' as the lead single, 'bad idea right?' and 'get him back!' as the loud pop-rock anchors, 'ballad of a homeschooled girl' and 'all-american bitch' as the sharpest writing on the record, and another Grammy AOTY nomination. The GUTS World Tour that followed scaled to sold-out arena multi-night runs across North America, the UK, Europe, and Australia, with a feature-length concert film for Netflix capturing the Los Angeles run. She is signed to Geffen Records, manages through Bill Silva Management, and writes her own material with Daniel Nigro as the consistent co-writer and producer across both records.

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