SEVENTEEN World Tour 2026

Inside SEVENTEEN

SEVENTEEN are the thirteen-member South Korean boy group whose decade-long run as a self-producing collective has reshaped what a K-pop boy group can be on the global touring stage. S.Coups, Jeonghan, Joshua, Jun, Hoshi, Wonwoo, Woozi, DK, Mingyu, The8, Seungkwan, Vernon, and Dino — assembled by Pledis Entertainment over a public pre-debut training program that ran across 2012 to 2015 and debuted in May 2015 with the EP 17 Carat — have spent the years since steadily building one of the most disciplined live operations in K-pop. The group operates in a sub-unit structure that splits the thirteen members into three internal cells — the Hip-Hop unit, the Performance unit, and the Vocal unit — each of which produces its own material alongside the full-group catalogue, and the self-producing model means that Woozi, S.Coups, Vernon, Hoshi, and the unit leaders write, compose, and choreograph the bulk of the SEVENTEEN catalogue rather than relying on label-supplied production. Across more than ten years and a discography that runs through the EPs Boys Be, Going Seventeen, Al1, Teen, Age, You Made My Dawn, Henggarae, Heng:garæ, Attacca, Face the Sun, FML, Seventeenth Heaven, and the album cycles around the singles Aju Nice, Don't Wanna Cry, HOT, Rock with you, Super, God of Music, MAESTRO, and Spell, SEVENTEEN have built one of the largest and most loyal fandoms in K-pop — CARATs — and run a touring operation that filled the Right Here World Tour through 2024 and 2025 with stadium-tier dates across Asia, North America, Europe, and Oceania. This page is the evergreen home for SEVENTEEN on this site — who they are, how the sub-unit structure and the self-producing model work, how tickets and the CARAT Membership pre-sale function in practice, what the setlists tend to look like, and the cities most likely to land dates when a new world tour gets announced.

About SEVENTEEN

SEVENTEEN were formed by Pledis Entertainment through a years-long pre-debut training program that ran publicly across 2012 to 2015. Pledis founder Han Sung-soo and the company's senior A&R team committed early to a self-producing model — the trainees who would become SEVENTEEN were expected to write, compose, and choreograph their own material from the debut forward, breaking from the standard K-pop label structure where external producers and choreographers supply the bulk of the work. The lineup that emerged debuted in May 2015 with the EP 17 Carat: S.Coups, the leader and Hip-Hop unit anchor born in 1995 in Daegu; Jeonghan, the Vocal unit member born in 1995 in Seoul; Joshua, the Korean-American Vocal unit member born in 1995 in Los Angeles; Jun, the Chinese member of the Performance unit born in 1996 in Shenzhen; Hoshi, the Performance unit leader and main dancer born in 1996 in Namyangju; Wonwoo, the Hip-Hop unit member born in 1996 in Changwon; Woozi, the Vocal unit leader, primary songwriter, and producer born in 1996 in Busan; DK, the Vocal unit main vocalist born in 1997 in Yongin; Mingyu, the Hip-Hop unit member and visual born in 1997 in Anyang; The8, the Chinese Performance unit member born in 1997 in Anshan; Seungkwan, the Vocal unit member born in 1998 on Jeju Island; Vernon, the Korean-American Hip-Hop unit member born in 1998 in New York City; and Dino, the maknae of the Performance unit born in 1999 in Iksan. The thirteen-member structure was unusual for K-pop in 2015 — most boy groups operated on five to nine members — and the sub-unit model was a deliberate solution to the choreography and recording logistics of running a band that large. The Hip-Hop unit (S.Coups, Wonwoo, Mingyu, Vernon) handles the rap-led material; the Performance unit (Hoshi, Jun, The8, Dino) handles the dance-led material; the Vocal unit (Jeonghan, Joshua, Woozi, DK, Seungkwan) handles the ballad and vocal-led material. Each unit releases its own EPs and singles alongside the full-group catalogue. The full-group discography expanded steadily through the back half of the 2010s with the EPs Going Seventeen, Al1, Teen, Age, You Made My Dawn, and Heng:garæ, and the band's first proper world tour Ode to You ran in 2019 and 2020 before the pandemic compressed the live calendar. The 2020s have been the group's stadium-tier breakthrough. The EPs Attacca, Face the Sun, FML, Seventeenth Heaven, and Spill the Feels in 2023 and 2024, the studio albums anchoring the cycle, and the singles HOT, Super, God of Music, MAESTRO, and Spell pushed SEVENTEEN through a series of progressively larger world tours — Be the Sun in 2022, Follow in 2023, and the Right Here World Tour through 2024 and 2025 that filled stadium-tier rooms in North America, Europe, Asia, and Oceania. The CARAT fandom — official fandom name announced shortly after debut, a play on the 17 Carat EP — has anchored the group through every cycle, and the back catalogue from Adore U and Mansae through Aju Nice, Don't Wanna Cry, HOT, and MAESTRO has built up into one of the deepest live setlists in K-pop. The self-producing model continues to define the group: Woozi is credited as a songwriter or composer on a substantial portion of the SEVENTEEN catalogue, S.Coups, Vernon, and Wonwoo handle the Hip-Hop unit's writing, Hoshi and Dino lead the Performance unit's choreography commissioning, and the group's commitment to writing their own material has been one of the central narratives in their long-running CARAT relationship.

SEVENTEEN tour dates and how the world tour is structured

SEVENTEEN now tour at full stadium scale. The Right Here World Tour proved out the model conclusively — running through 2024 and 2025 with stadium-tier rooms in North America, Europe, Asia, and Oceania, multi-night dome stands in Tokyo, Seoul, and Osaka, and arena-tier dates filling out the secondary markets. Expect the next SEVENTEEN world tour to follow the same template: stadium-tier rooms in the 40,000 to 70,000 capacity range in core Asian markets, arena-tier venues in the 15,000 to 20,000 range for North America and Europe, multi-night stands in Tokyo, Seoul, Osaka, Bangkok, and Los Angeles, and festival anchors filling the gaps between legs. A typical SEVENTEEN show now runs 150 to 180 minutes — full-group opening with three or four uptempo singles back-to-back, Hip-Hop unit segments where S.Coups, Wonwoo, Mingyu, and Vernon take the stage for unit-released material, Performance unit features where Hoshi, Jun, The8, and Dino run extended choreography pieces, Vocal unit ballads where Jeonghan, Joshua, Woozi, DK, and Seungkwan settle into the slower material, and a closing run of the biggest full-group hits. Production travels with the tour: a B-stage runway extending into the floor, vertical LED columns flanking the main stage, pyrotechnics on the explosive choruses of HOT and MAESTRO, a touring dance crew of roughly 20 to 30 backup dancers supplementing the thirteen members during the largest choreography pieces, full in-ear monitoring across the band, and a multi-camera IMAG feed covering the back sections. Dates announce in batches tied to the album cycle. The CARAT Membership pre-sale through Weverse opens first, followed by Pledis official-site pre-sale, then promoter pre-sale, then the general on-sale. For the live schedule of confirmed SEVENTEEN tour dates, the strip at the top of this page pulls directly from primary ticketing feeds.

SEVENTEEN tickets and how to actually get in

SEVENTEEN tickets are sold primarily through Ticketmaster and Live Nation in North America, AXS or See Tickets in the UK, regional partners across Asia and Oceania, and the Pledis and Weverse fan-club pre-sales ahead of every on-sale. Stadium pricing tiers run roughly $80 to $130 USD for upper-bowl reserved seats, $130 to $260 for lower bowl and side-stage views, $260 to $450 for floor general admission and lower-end packages, and $600 to $2,000 for CARAT VIP tiers that bundle premium seating, soundcheck access, exclusive merchandise, a commemorative laminate, and on select dates a group photo opportunity or a hi-touch line. Dynamic pricing is active on Ticketmaster Platinum inventory and on platinum-tier seats in premium markets — Los Angeles, New York, Tokyo, Seoul, Osaka, London — where the highest-demand rows have cleared on-sale at multiples of face value. The CARAT Membership pre-sale through Weverse opens first, then the Pledis official-site pre-sale, then the credit-card partner pre-sale, then the venue pre-sale, then the general on-sale; signing up for CARAT Membership ahead of the on-sale window is the single highest-leverage move for fans chasing premium-market tickets at anything close to face value, and the annual membership cost is dwarfed by the spread on a single premium-market resale ticket. Secondary inventory shows up on StubHub, SeatGeek, Vivid Seats, and Viagogo once the on-sale opens, often at 200 to 350 percent of face value on premium nights; refresh the secondary market in the seven days before a non-premium-market show and you'll catch the deepest resale price drops as sellers cut their losses.

SEVENTEEN setlists and what to expect from the show

A SEVENTEEN setlist typically runs 28 to 34 songs across roughly 150 to 180 minutes and is structured around four rotating modes — full-group performances of the biggest singles, Hip-Hop unit segments built around S.Coups, Wonwoo, Mingyu, and Vernon, Performance unit features built around Hoshi, Jun, The8, and Dino, and Vocal unit ballads built around Jeonghan, Joshua, Woozi, DK, and Seungkwan. Expect the show to open with one of the up-tempo bangers (MAESTRO and HOT have alternated as openers across the Right Here World Tour and Follow cycles), settle into a back-to-back run through Super, God of Music, Spell, and Don't Wanna Cry through the early-middle section, then break into the sub-unit segments where each unit takes the stage in rotation. The Hip-Hop unit slot typically runs three to four songs covering material like Lie Again, Trauma, and the unit's recent EP cuts. The Performance unit slot covers material like Spider, Just Do It, and the unit's choreography-led EP releases. The Vocal unit slot covers material like Pinwheel, Habit, and the unit's ballad-led releases. The back third of the show ramps up through Rock with you, Aju Nice, Adore U, Mansae, and the climactic full-group performance of MAESTRO and FML, closing on either an extended HOT or a stadium-only finale arrangement of God of Music. The setlist does shift across a tour leg — sub-unit slot song selections rotate, the encore swaps between Home and a stadium-only finale arrangement, and the band occasionally pulls out deep cuts depending on city. For night-by-night setlist data, Setlist.fm filtered by SEVENTEEN is community-edited and reliable within 24 hours of doors closing on any show.

SEVENTEEN meet-and-greets and the CARAT fan experience

SEVENTEEN run their close-contact fan experience through the K-pop fan-meet format alongside the standard touring schedule, plus CARAT VIP tiers on the world tour that bundle premium seating with exclusive activities. On the Right Here World Tour and the Follow tour, the top-tier CARAT VIP packages bundled premium seating, early venue entry, a soundcheck viewing slot from a designated section, an exclusive merchandise pack, a commemorative laminate, and on select dates a group photo opportunity taken from a roped-off proximity zone. Weverse video calls with individual members occasionally appear as fan-club perks tied to a CARAT Membership tier or an album-release campaign, and these are allocated by lottery to active subscribers. Traditional Korean hi-touch lines and fansigns are scheduled selectively around major release cycles in Seoul and are coordinated through the Pledis fan-club platform rather than the touring VIP tiers. The most effective route to proximity with the group remains the highest-tier CARAT VIP package on a stadium date or one of the rare Seoul fansign events tied to a release; resold meet-and-greet packages frequently cannot be transferred to a new name and should be avoided on the secondary market entirely. The thirteen-member structure means that fansign access is allocated by member sub-unit rather than as a full-group event, with each event randomly drawing a subset of the members for the close-contact interaction.

Tour cities