TWICE World Tour 2026

Inside TWICE

TWICE are the nine-member South Korean girl group assembled by JYP Entertainment through the 2015 reality competition SIXTEEN, a televised audition format that whittled a pool of company trainees down to the final lineup of Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu. The roster was multi-national from day one — Japanese members Momo, Sana, and Mina, Taiwanese member Tzuyu, and a Korean core anchored by leader Jihyo — and that internationalism became part of the project's commercial DNA, opening the Japanese market early and giving the group a foothold across East and Southeast Asia that older K-pop acts had to build city by city across a decade of patient touring. Their discography has been a master class in K-pop bubblegum: Like Ohh-Ahh, Cheer Up, TT, Knock Knock, Likey, Heart Shaker, What is Love?, Dance the Night Away, YES or YES, Fancy, Feel Special, More & More, Cry For Me, I CAN'T STOP ME, Alcohol-Free, The Feels, Talk That Talk, Set Me Free, and MOONLIGHT SUNRISE between them define a decade of the lane and chart the evolution from bubblegum hook factory to a more textured, vocally adult act. Live, TWICE rebuilt what a K-pop girl group tour could look like: the READY TO BE World Tour made them the first K-pop girl group to headline North American stadiums — SoFi in Inglewood, MetLife in East Rutherford, Rogers Centre in Toronto — and the follow-up 5TH World Tour has kept the act inside the global stadium and arena tier across Asia, the Pacific, and both coasts of North America. ONCE, the fandom, travels in numbers, runs the largest organised fanchant operation in the genre outside BTS's ARMY, and turns every show into a coordinated CANDYBONG-lit production that reads as much like a sports-stadium light show as a pop concert. This page is the evergreen home for TWICE on this site — who they are, how their tours and tickets work, what the setlists tend to look like, how the meet-and-greet ecosystem works for ONCE, and the cities where they're most likely to land when a new run gets announced.

About TWICE

TWICE were assembled in 2015 through SIXTEEN, the JYP Entertainment reality competition that pitted sixteen company trainees against each other across vocals, dance, on-camera presence, and the harder-to-name idol-magnetism judging criteria that have shaped K-pop's audition format for the better part of two decades. The final nine — Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu — debuted in October of that year with The Story Begins and the lead single Like Ohh-Ahh, and what followed was one of the most commercially durable runs any K-pop act has ever put together. The multi-national lineup mattered from the outset: Momo, Sana, and Mina, all Japanese-born, gave the group a built-in foothold in the world's second-biggest music market, and Tzuyu, from Taiwan, opened the door to greater China and Southeast Asia at a time when the K-pop industry was still figuring out how to cross those borders without alienating any one of them. Sonically, TWICE built the post-2015 K-bubblegum-pop template — bright, hook-driven dance-pop with chant-led choruses, choreography written for short-form video before short-form video existed as a discovery surface, and a willingness to mix bubblegum with city-pop, retro-funk, and contemporary R&B textures as the discography matured through the second half of the decade. The Korean and Japanese discographies run on parallel rails: a Korean EP or studio album from JYP in Seoul, a synchronised Japanese release with original singles from the JYP Japan operation in Tokyo, and a touring footprint that treats both markets as equal-weight anchors rather than the home-and-overseas hierarchy that older K-pop acts used to default to. The catalogue runs more than thirty releases between the Korean and Japanese sides — studio albums, EPs, single albums, Japanese-original LPs — and the group's hit rate inside that volume has stayed remarkably high. The READY TO BE World Tour, launched in 2023, was the breakthrough moment — the first K-pop girl group tour to headline North American stadiums, with sold-out nights at SoFi Stadium, MetLife Stadium, and Toronto's Rogers Centre, making TWICE the all-time top-grossing girl-group touring act in any genre. The current 5TH World Tour, launched in the cycle that followed, has kept the production at the stadium and large-arena tier across Asia, North America, and the Pacific while reshuffling the setlist to give newer material like I Got You and ONE SPARK its first-tour airtime. Crucially, all nine members renewed their group contracts with JYP in 2022, an unusually rare full-lineup re-signing in K-pop's seven-year-cycle industry that gave the project the runway to plan multi-year tours and discographies without the lineup destabilisation that has ended so many of their peers. The ONCE fandom — global, multilingual, internet-native, and organised at scale — is the engine underneath all of it, and the group's positioning as the seasoned veteran act at the centre of the genre's stadium era is now the defining frame for how new tours, releases, and venue announcements get read.

TWICE tour dates and how their tours are structured

TWICE's touring footprint sits at the top of the K-pop girl-group tier — stadiums in the largest markets, dome-class arenas everywhere else, and a production package that travels with the group rather than scaling down per city. A typical TWICE show on the current cycle runs about 130 to 150 minutes and is built around a full nine-member ensemble structure: every member gets a solo dance break or a sub-unit moment, the choreography is written for the full stage rather than the centre wedge, and the CANDYBONG light stick coordination across the audience runs as a synced production element that the group cues from stage. The live band and DJ hybrid setup gives the show its rhythmic muscle — full drum, bass, keys, and guitar live-tracking layered against programmed beds for the choreography-heavy sections — and the production design leans on multi-tier stage extensions, B-stages, video walls running custom motion for each song, and pyrotechnic moments timed to the dance breaks. The READY TO BE template that anchored the 2023 stadium run — opening with high-energy choreography, settling into a vocal-led mid-set, ramping back up through fan-service moments and member features, and closing on the singles ONCE travelled to scream — has carried forward into the 5TH World Tour, with the setlist reshuffled to give new releases their first-tour airtime. TWICE anchor each leg in the obvious markets: Seoul, Tokyo, Osaka, and Bangkok in Asia; Los Angeles, New York, Toronto, Chicago, and Houston in North America; Singapore, Sydney, Melbourne, Manila, and Jakarta as they swing through the Pacific. For the current tour list, the schedule strip at the top of this page pulls live from primary ticketing feeds; JYP, the group's official site, and Live Nation's regional partners post first when new dates are added.

TWICE tickets and how the on-sales work

TWICE tickets are sold through Ticketmaster and Live Nation in North America, Live Nation Korea and Interpark in South Korea, and a network of regional partners across Japan and Southeast Asia including e+, Lawson Tickets, SISTIC, and BookMyShow depending on the market. Stadium and large-arena pricing tiers run roughly $90 USD for upper-bowl reserved seats up to $400+ for lower-bowl premium rows, with floor pit and VIP-package buckets pushing higher in premium markets like Los Angeles, New York, and Toronto. Weverse, the official fan-club platform JYP uses for ONCE membership, runs the earliest presale window — usually 48 to 72 hours before the public on-sale — and members get priority access to the best seats and the limited VIP package allocations. Ticketmaster's Verified Fan program runs the second presale tier in the US and Canada, with the registration window typically opening one to two weeks ahead of the show announcement and codes mailed out the day before the presale. A regional credit-card partner presale (American Express in the US, Citi or Mastercard in Canada and the UK) typically follows before the general on-sale opens. The secondary market reality is steep: TWICE shows clear primary inventory inside the first hour on most dates and resale prices on StubHub, SeatGeek, and Vivid Seats often run two to four times face for the better seats on premium-market nights. Refresh the secondary market in the final week before non-premium-market dates and you'll occasionally catch 20 to 30 percent drops on resold reserved seats as holders dump unused inventory.

TWICE setlists and what to expect from the show

A typical TWICE setlist on the current cycle runs 22 to 26 songs across roughly 130 to 150 minutes and is built around the singles ONCE travelled to hear plus the newer releases the group is touring behind. Expect the show to open hard on an up-tempo single — I Got You, ONE SPARK, or Set Me Free Live — and ramp through Talk That Talk and Fancy in the first quarter, with high-velocity choreography setting the pace for the rest of the night. The middle of the show pivots into the bubblegum-pop canon that built the group: Likey, TT, Cheer Up, Heart Shaker, Knock Knock, and What is Love? get the loudest fanchants of the night, with the CANDYBONG colours synced city-wide for the bigger singles and the ONCE fanchant book travelling chant by chant through the venue. The back half rebuilds the energy through Dance the Night Away and the vocal-led Feel Special before the encore arc, which usually pulls in the English-language crossovers MOONLIGHT SUNRISE and Alcohol-Free, then closes on the song the city in front of them came for. Sub-unit moments — vocal-line trios, dance-line breakdowns, and rap-line features — plus member solo dance breaks and one or two reworked ballad interludes pad the structure. For night-by-night setlist data and song order, Setlist.fm filtered by TWICE updates inside 24 hours of doors closing.

TWICE meet-and-greets, ONCE fansigns, and VIP packages

Meet-and-greets at TWICE shows follow the K-pop fansign template rather than the Western VIP photo-line model, and full fansigns — the seated, one-on-one format where members sign albums for selected fans — are rare in North America and typically restricted to Korean and Japanese album-launch events. Entry to those fansigns is allocated through album-purchase lottery systems run by Weverse and the regional retail partners, with album-buying behaviour and the lottery cycle driving the odds rather than fan-club tenure or seniority. Outside of fansigns, the day-to-day ONCE-to-member contact runs through Bubble, the JYP-affiliated paid messaging subscription, where fans pay a monthly fee per member for direct chat-style messages and members can broadcast voice notes, selfies, and short video clips to their subscribers as part of the daily content rhythm. Weverse, the fan-club platform, layers fan-club-only live streams, member posts, behind-the-scenes tour content, and exclusive video on top of the messaging tier. On the tour side, VIP packages on TWICE dates typically bundle early venue entry, a soundcheck-adjacent viewing slot, a commemorative photocard set with all nine members, an exclusive tour merchandise item, and a numbered laminate; full hi-touch or photo-op add-ons with the members themselves are rare for the production scale TWICE now play.

Tour cities