
Sting Tour 2026
Next Sting Shows
The 8 closest dates from the live Ticketmaster feed.


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Sting Tickets Near You — Shows by City
13 citiesSting is playing 13 cities this tour. Tap any city for exact dates, venue info, seat prices, and parking.
2 showsFrom $253
2 showsFrom $506
2 showsFrom $221
1 showFrom $487
1 showFrom $206
2 showsFrom $119
2 showsFrom $76
4 showsFrom $257
2 showsFrom $119
1 showFrom $293
1 showFrom $196
6 showsFrom $276
1 showFrom $449Is Sting Coming to Your City?
4 / 12 citiesLive tour status for Sting across 12 of the biggest North American markets — refreshed daily from Ticketmaster. Tap any "not yet" city to see the closest confirmed date.
27 upcoming Sting concerts across 13 cities in North America, with tickets from $76 USD. Live Ticketmaster availability refreshed daily.
- When is Sting's next show?
- Tue, October 6, 2026 at Queen Elizabeth Theatre - Vancouver.
- How much are Sting tickets?
- $76–$695 USD, varies by city and seat section.
- Is Sting touring near me?
- Playing 13 cities in 2026. See the "Tickets Near You" section below for your city.
- How do I get Sting tickets?
- Tap any date below to checkout on Ticketmaster — listings here are official primary tickets, refreshed daily.
- What time does the show start?
- Most Sting shows start between 7 and 9 PM local, with doors 60–90 minutes earlier. Exact time is on each ticket.
- How long is the concert?
- Roughly 90–150 minutes including the opener and a short encore.
Sting Ticket Prices 2026— Cheapest Seats & Average Cost
Sting ticket prices vary by city, venue size, day of week, and seat section. Live price breakdown across all 2026 tour stops:
Sting Concert FAQ
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About Sting
SSting is on the 2026 tour with the full live rig — guitars front and center, full production, and the deep-catalog setlist long-time fans buy tickets to hear played end-to-end. 27 confirmed dates across 13 cities this run. Tickets currently start at $76. Tour routing typically spans major North American cities, with Canadian stops usually including arena-sized venues in Toronto, Vancouver, Calgary, Edmonton, and Montreal, and US stops covering New York, Los Angeles, Chicago, Miami, Seattle, and other top metros.
Inside Sting
Sting is the English singer, bassist, and songwriter who, born Gordon Matthew Thomas Sumner in Wallsend on the Tyne in October 1951, has spent close to fifty years building one of the most decorated careers in the post-punk-to-adult-pop arc — first as the frontman, songwriter, and bassist of the Police across the band's original 1977-1986 run and the 2007-2008 reunion tour, then as a solo artist whose catalogue has worked through jazz, world music, lute song, theatrical, classical, and rock idioms with a stubborn refusal to repeat the formula that has just sold. The Police produced five studio albums in five years — Outlandos d'Amour, Reggatta de Blanc, Zenyatta Mondatta, Ghost in the Machine, Synchronicity — and a string of songs that have become permanent radio: Roxanne, Message in a Bottle, Walking on the Moon, Every Little Thing She Does Is Magic, Don't Stand So Close to Me, Wrapped Around Your Finger, Every Breath You Take. The solo catalogue since 1985 has produced The Dream of the Blue Turtles, Nothing Like the Sun, The Soul Cages, Ten Summoner's Tales, Mercury Falling, Brand New Day, Sacred Love, If on a Winter's Night..., Symphonicities, The Last Ship, 57th & 9th, My Songs, and The Bridge — fifteen studio records that have earned Sting more than sixteen Grammy Awards in total across the Police and solo work, induction into the Rock and Roll Hall of Fame (as a member of the Police, 2003) and the Songwriters Hall of Fame (2002), a Kennedy Center Honor in 2014, and the Polar Music Prize from the Royal Swedish Academy of Music in 2017. The current touring vehicle is the STING 3.0 Tour, launched in autumn 2024 and continuing through 2025 as a stripped trio configuration — Sting on bass and lead vocal, longtime guitarist Dominic Miller, and drummer Chris Maas (formerly of Mumford & Sons) — playing the Police and solo catalogue in a deliberately tight rock-trio form. He is fifty Grammys past the original Police, twenty-five albums into the catalogue, and the trio format suits the songs in a way the larger band productions of the Symphonicities era did not. This page is the working guide to who Sting is, what a STING 3.0 set looks like, where the tour is routing, and how to read the listings strip above for any market.
About Sting
Gordon Matthew Thomas Sumner was born October 2, 1951, in Wallsend, a shipbuilding town on the north bank of the Tyne in north-east England, the eldest of four children of a milkman and a hairdresser. He grew up in the shadow of the Swan Hunter shipyards — the river and the yards are the explicit subject matter of the 2014 musical The Last Ship — and attended St Cuthbert's Grammar School. After Newcastle University and a stint as a primary-school teacher in Cramlington he played bass in a Newcastle jazz fusion outfit called Last Exit through the mid-1970s; bandmate Gordon Solomon nicknamed him 'Sting' after a black-and-yellow-striped jumper he wore on stage. He moved to London in early 1977 and joined drummer Stewart Copeland and guitarist Henry Padovani in a punk-aligned trio that became the Police; Padovani was replaced by Andy Summers a few months in and the classic three-piece lineup was settled by August. Outlandos d'Amour in November 1978 produced Roxanne, Reggatta de Blanc in autumn 1979 added Message in a Bottle and Walking on the Moon, Zenyatta Mondatta the following year produced Don't Stand So Close to Me, Ghost in the Machine in 1981 added Every Little Thing She Does Is Magic and Spirits in the Material World, and Synchronicity in 1983 — Every Breath You Take, King of Pain, Wrapped Around Your Finger — was the band's commercial and creative peak. Each of the five Police albums charted at number one in the UK and the band's worldwide sales passed seventy-five million by the end of the decade. Personal and creative tensions inside the trio pushed the band toward an extended hiatus that became a de facto break-up after Synchronicity. The solo career launched in June 1985 with The Dream of the Blue Turtles, made with a jazz-fusion band including Branford Marsalis, Kenny Kirkland, Darryl Jones, and Omar Hakim; the album produced If You Love Somebody Set Them Free, Fortress Around Your Heart, and Russians, signalling the deliberate pivot away from rock idiom that has defined Sting's solo output ever since. Nothing Like the Sun in 1987 — written largely during his mother's terminal illness — added Englishman in New York, Be Still My Beating Heart, and We'll Be Together. The Soul Cages in 1991 was the explicit Wallsend record. Ten Summoner's Tales in 1993 produced Fields of Gold, Shape of My Heart (the song over the credits of Léon: The Professional), Seven Days, and If I Ever Lose My Faith in You, and won the Grammy for Best Pop Album. Mercury Falling in 1996 added I'm So Happy I Can't Stop Crying. Brand New Day in 1999 produced Desert Rose, the Cheb Mami collaboration that became Sting's biggest single of the post-Police era, and Sacred Love in 2003 added the Mary J. Blige duet Whenever I Say Your Name. The 2007-2008 Police reunion tour grossed more than US$360 million across 151 shows. Since the 2008 wrap Sting has continued solo: If on a Winter's Night... in 2009 explored winter folk and lute song, Symphonicities in 2010 reimagined the catalogue with orchestral arrangements, The Last Ship in 2013 became the Broadway musical of the same name, 57th & 9th in 2016 was the explicit return to rock idiom, 44/876 in 2018 was the reggae-infused collaboration album with Shaggy, My Songs in 2019 reworked the catalogue for the My Songs Tour, and The Bridge in 2021 was the pandemic-era song-cycle record. Sting has been married to actress and producer Trudie Styler since 1992 and the couple have four children together; he has two further children from his first marriage to actress Frances Tomelty. They split their time between London, the Lake House estate in Wiltshire, and the Il Palagio estate in Tuscany. He has been a UNICEF goodwill ambassador since the late 1980s and is a founding board member of the Rainforest Foundation, founded in 1989 with Trudie Styler after a 1987 trip to the Brazilian Amazon.
STING 3.0 Tour
The STING 3.0 Tour launched in September 2024 in Las Vegas and has continued through 2025 across North America, Europe, the UK, and select international markets. The configuration is deliberately stripped: Sting on bass and lead vocal, longtime guitarist Dominic Miller (a touring partner since the 1991 Soul Cages cycle), and drummer Chris Maas — formerly of Mumford & Sons and Foo Fighters touring band — completing the trio. There are no horns, no backing vocalists, no keyboards, and no second guitarist. The format is a deliberate return to the Police's original three-piece rock-trio shape — bass, guitar, drums — and the staging reflects it: a small footprint stage, restrained lighting, and a sound mix that leans on the negative space between the three instruments rather than filling every gap with arrangement. The set runs 105 to 115 minutes across roughly twenty songs, drawing heavily from the Police catalogue (Message in a Bottle, Synchronicity II, Walking on the Moon, Every Breath You Take, Roxanne, Don't Stand So Close to Me) and the rock-leaning portions of the solo catalogue (If You Love Somebody Set Them Free, Englishman in New York, Fields of Gold, Shape of My Heart, Desert Rose). Routings have moved through Las Vegas's Encore Theater at Wynn (a multi-night residency), arena dates across North America, and European and UK theatre and arena venues at the 3,000-to-12,000-cap tier — smaller rooms than the My Songs Tour's full arena routing, which suits the trio format's intimacy. The mature audience reads the catalogue as a working canon rather than a nostalgia parade — Police songs from 1978 are played at the same focused intensity as material from The Bridge — and the show's pacing rewards close attention through the verses and choruses alike. The live event strip above this block is the working calendar; filter by city and date for current routing and on-sale status.
Sting tickets
Sting tickets for the STING 3.0 Tour route primarily through Ticketmaster in North America, the UK, and most of continental Europe, with AXS handling a portion of UK inventory at the buildings that operate as AXS-primary, Live Nation handling some European routings, and the venue's own ticketing channel handling the residency dates at Encore Theater at Wynn in Las Vegas. Face value across the cycle has typically run from a rough US$80 to US$120 for upper-tier reserved up to US$250 to US$450 or more for floor and lower-bowl premium, with the Las Vegas residency dates carrying a marginally higher premium-seat ceiling reflecting the smaller-cap theatre format. A VIP package allocation through Sting VIP and tour packagers bundles premium seats (typically lower-bowl or floor), early venue entry, a pre-show hospitality lounge on the dates where the venue supports it, a commemorative tour print, and a tour merchandise gift — but no contact with Sting himself. There is no traditional artist-side meet-and-greet on the cycle. Resale policy follows the host platform: Ticketmaster Verified Resale in North America with a face-value cap where the cap applies, AXS Official Resale on UK dates routed through AXS, and uncapped third-party listings on the major secondary marketplaces are not guaranteed entry at the venue door in jurisdictions where the cap is enforced. Mature audience demand for STING 3.0 has held steady but not panic-cleared at the on-sale window the way younger-skewed pop cycles do; reasonable seats in the upper bowl are typically available through the official primary windows for several weeks after announcement on most dates.
Sting UK tour
The UK leg of the STING 3.0 Tour anchors on a mix of arena and theatre-tier dates reflecting the trio format's flexibility: the Royal Albert Hall in London (5,200 cap, South Kensington) for the marquee theatre date, The O2 Arena (20,000 cap, Greenwich Peninsula) for the larger London arena booking on routings that need it, the AO Arena in Manchester (21,000 cap, city centre), Resorts World Arena in Birmingham (16,000 cap, NEC complex), the OVO Hydro in Glasgow (14,300 cap, Clyde waterfront), the Utilita Arena in Newcastle (11,000 cap) for the home-market date, and Cardiff's Utilita Arena and the 3Arena in Dublin where the routing extends across the Celtic markets. UK onsales route through Ticketmaster UK and AXS with the official Sting newsletter presale a day or two ahead of the public window. Face value is capped on Ticketmaster Verified Resale and AXS Official Resale on the dates where the cap applies; uncapped third-party listings on the major secondary marketplaces are not guaranteed entry at the venue door. The UK leg's trio configuration is the same as the North American legs — no horns, no backing vocalists, no keyboards — and the set construction, runtime, and song selection are consistent room to room. The mature Police-and-Sting audience reads the catalogue as a working canon and the UK tour reliably draws across generations. Check the live event strip above for the active UK dates and on-sale status.
Sting setlist
A STING 3.0 set runs roughly 105 to 115 minutes across about twenty songs in a deliberate trio-rock-band shape with very little keyboard, horn, or backing-vocalist filler. The opener has anchored on Message in a Bottle straight into Englishman in New York and Every Little Thing She Does Is Magic — a high-recognition triple-opener that gets the room into the catalogue inside the first ten minutes. Synchronicity II and If You Love Somebody Set Them Free settle the middle of the first act, with Fields of Gold played mid-set as the stripped acoustic-feel feature with Miller on classical guitar and Sting at the bass. Shape of My Heart drops late in the first hour — the song's recognisable opening guitar figure played by Miller as a solo before Sting joins on bass and vocal. King of Pain and Wrapped Around Your Finger run as a Synchronicity-era pair through the second act, with Walking on the Moon and Driven to Tears carrying the high-tempo Police moments. The Bridge and 57th & 9th material — including Down, Down, Down, Petrol Head, and the title track Rushing Water — pepper the set as a working-catalogue reminder. Roxanne is positioned as the late-set rock peak, played in the trio arrangement closer to the Outlandos d'Amour original than the slower 1980s live versions, with extended outro and Miller solo. The encore stack has anchored on Desert Rose into Every Breath You Take into Fragile as the closing pair — Every Breath You Take played as the recognisable mid-encore singalong, Fragile (from Nothing Like the Sun) closing the night on solo acoustic guitar and vocal in the song's original Spanish-Portuguese-flavoured arrangement. Exact running order shifts night to night within those acts; Sting's working position across multiple cycles has been that the trio format allows for setlist flexibility the bigger-band productions did not. Setlist.fm tracks each show after the fact.
Sting meet and greet and VIP
Sting does not sell a traditional artist-side handshake-and-photo meet-and-greet tier on the STING 3.0 Tour. The closest equivalent is the STING 3.0 VIP package, sold through Sting VIP and tour packagers, which bundles a premium seat (typically lower-bowl or floor), early venue entry, a pre-show hospitality lounge on the dates where the venue supports it, a commemorative tour print and tour book, and a tour merchandise gift — but no contact with Sting himself. Charity allocations have, on occasional dates, included artist experiences as part of a charity auction routed through the Rainforest Foundation or UNICEF, typically at charity-gala value rather than consumer-ticket price points. Third-party listings advertising a 'Sting meet and greet' should be treated as a scam.
Tour cities
Las Vegas
Las Vegas is the STING 3.0 Tour's anchor residency market. The Encore Theater at Wynn Las Vegas (1,500 cap, on the Strip in the Wynn complex) has hosted a multi-night residency run that opened the cycle in September 2024 and has continued through 2025 as the recurring Vegas booking. The room is small by Vegas residency standards — a fraction of the Caesars Palace Colosseum's 4,300-cap and the Sphere's 18,600-cap formats — which suits the trio's intimate three-piece sound. Onsales route through Ticketmaster and the Wynn's own ticketing channel, with the Wynn Players Club presale a day or two ahead of the public window. Demand has held steady across the residency without the panic-clear pattern of the larger Strip residencies. The Vegas residency is the working format for the cycle; check the live event strip above for the active dates and on-sale window.
London
London is the UK anchor market. STING 3.0 Tour London dates have routed through the Royal Albert Hall (5,200 cap, South Kensington) — a venue Sting has played repeatedly across the modern era — and the larger arena-tier rooms at The O2 Arena (20,000 cap, Greenwich Peninsula) on routings where the demand cleared the smaller halls. Earlier modern-era London cycles played the Royal Festival Hall, the Theatre Royal Drury Lane, Hyde Park BST, and the Hammersmith Apollo. Onsales route through Ticketmaster UK and AXS depending on the building, with the official Sting newsletter presale a day or two ahead of the public window. The Royal Albert Hall's bowl geometry and resonant acoustic read particularly well for the trio's negative-space arrangements — Shape of My Heart and Fields of Gold land cleanly in the room. Check the live event strip above for the active London date.
New York
New York is the East Coast anchor. STING 3.0 Tour New York dates have anchored at the Beacon Theatre (2,800 cap, Upper West Side) and Radio City Music Hall (6,000 cap, Rockefeller Center) on the theatre-tier residency stops, with Madison Square Garden (20,000 cap) used on the routings that needed the full arena format. Earlier modern-era New York cycles have played Roseland Ballroom (since closed), the Apollo Theater on the 1985 Bring on the Night cycle, the Brooklyn Academy of Music, and the Hudson Yards Shed. Onsales route through Ticketmaster and the venue's own ticketing channel for Beacon and Radio City. The New York crowd reads the catalogue closely; the Beacon's intimate room geometry suits the trio's stripped sound. Check the live event strip above for the active New York date.
Los Angeles
Los Angeles STING 3.0 Tour dates have routed through the Hollywood Bowl (17,500 cap, Hollywood Hills amphitheatre) for the outdoor summer date, the Greek Theatre (5,900 cap, Griffith Park) on routings that landed on the smaller LA amphitheatre booking, and the YouTube Theater at SoFi (6,000 cap, Inglewood) on indoor dates. Earlier modern-era LA cycles have played the Kia Forum, the Pantages Theatre, and the Wiltern. Onsales route through Ticketmaster and AXS depending on the building, with the official Sting newsletter presale ahead of the public window. The Hollywood Bowl date is the recurring LA booking on the summer-routing legs of the modern cycles; the trio's negative-space arrangements suit the outdoor amphitheatre acoustic. Check the live event strip above for the active Los Angeles date.
Paris
Paris STING 3.0 Tour dates have anchored at the Olympia (2,000 cap, Boulevard des Capucines in the 9th arrondissement) for the residency-style smaller-hall booking, and the Accor Arena (20,300 cap, Bercy in the 12th arrondissement) and the Salle Pleyel on the arena-and-recital-hall routings. Earlier modern-era Paris cycles have played the Stade de France on the Police reunion stadium leg and the Zénith de Paris on the arena-tier dates. Onsales route through Ticketmaster France and Live Nation France with the standard French presale-then-public-window model. The Paris crowd reads the catalogue closely and reliably brings the volume on the Englishman in New York and Desert Rose moments. Check the live event strip above for the active Paris date.
Toronto
Toronto STING 3.0 Tour Canadian dates have anchored at Massey Hall (2,700 cap, downtown on Shuter Street, recently restored) and the larger Meridian Hall (3,200 cap, formerly the Sony Centre) on the theatre-tier dates, with Scotiabank Arena (19,800 cap, downtown waterfront) used on the routings that needed the full arena format. Earlier modern-era Toronto cycles played the Air Canada Centre, the Molson Amphitheatre at Ontario Place (now Budweiser Stage), and Massey Hall across the residency runs. Onsales route through Ticketmaster Canada. The Toronto crowd is engaged with the Police back catalogue and the older solo material in equal measure; Massey Hall's restored acoustic — among the best concert halls in North America — reads particularly well for the trio's stripped arrangements. Check the live event strip above for the active Toronto date.
Berlin
Berlin STING 3.0 Tour dates have anchored at the Tempodrom (3,500 cap, the distinctive tented venue at Möckernbrücke in Kreuzberg), the Mercedes-Benz Arena (17,000 cap, Friedrichshain) on the arena-tier routings, and the Waldbühne (22,000 cap, open-air amphitheatre adjacent to the Olympiastadion) for the summer outdoor dates. Earlier modern-era Berlin cycles played the Velodrom and the O2 World during the venue's earlier branding. Onsales route through Eventim and Ticketmaster Germany. The German crowd is quieter through the verses and louder on the choruses than the comparable UK or US room; the trio's negative-space arrangements read particularly well in the Tempodrom's tighter acoustic. Check the live event strip above for the active Berlin date.
Sydney
Sydney STING 3.0 Tour Australian dates have routed through the Sydney Opera House Concert Hall (2,700 cap, Bennelong Point on the harbour) on the residency-style theatre booking, the State Theatre on the smaller heritage hall dates, and Qudos Bank Arena (21,000 cap, Sydney Olympic Park at Homebush) on the routings that needed the full arena format. Earlier modern-era Sydney cycles played the Hordern Pavilion and the Enmore Theatre. Onsales route through Ticketek and Frontier Touring with the standard Australian presale-then-public-window model. The Sydney Opera House Concert Hall's recently renovated acoustic suits the trio's stripped sound; the room geometry rewards the close-attention pacing the STING 3.0 set is built around. Check the live event strip above for the active Sydney date.
Tokyo
Tokyo STING 3.0 Tour Japanese dates have routed through the Nippon Budokan (14,000 cap, Chiyoda, the iconic martial arts arena built for the 1964 Olympics) on the arena-tier bookings and the smaller Tokyo International Forum Hall A (5,000 cap, Yurakucho) on the theatre dates. Earlier modern-era Japanese cycles have played the Tokyo Dome on the Police reunion stadium leg and the Yokohama Arena. Onsales route through Creativeman and Pia, with the artist's official Japanese list operating a separate presale window from the global Sting newsletter — registering for both is the working strategy. The Japanese crowd is famously attentive through the verses and roars on the choruses; the Budokan's bowl geometry handles the trio's stripped arrangements without losing definition in the upper tiers. Check the live event strip above for the active Tokyo date.
Newcastle
Newcastle is the spiritual home market. Sting was born in Wallsend on the Tyne, attended St Cuthbert's Grammar in the city, and the entire Last Ship musical and 1991 Soul Cages record are explicit working-through of the shipyard culture he grew up in. STING 3.0 Tour Newcastle dates have routed through the Utilita Arena (11,000 cap, on the banks of the Tyne near Central Station), with the Sage Gateshead (now the Glasshouse International Centre for Music, 1,650 cap in Hall One) and Newcastle City Hall the smaller-hall alternatives on theatre-tier routings. Onsales route through Ticketmaster UK. The Newcastle crowd is loyal — the Last Ship workshop performances at Northern Stage in 2017 sold out repeatedly — and Wallsend material like Island of Souls, All This Time, and the Last Ship songs land with particular weight in the home market. Check the live event strip above for the active Newcastle date.
Cheapest Sting Tickets — 5 Ways to Save on the 2026 Tour
Sting tickets can move fast, especially for big-city dates, but there are a few reliable ways to land the best price.
- Buy during the official on-sale window. Face-value primary tickets on Ticketmaster are almost always cheaper than resale — the listings above show primary availability first.
- Consider mid-week shows. Tuesday and Wednesday Sting dates often list 15 to 30 percent lower than weekend stops in the same city.
- Go upper-level. Upper 300-level or balcony sections typically start near $76 and still offer a strong view of the stage.
- Watch last-minute drops.Resellers often slash prices 24 to 48 hours before doors open, especially for mid-week dates that haven't sold out.
- Compare nearby cities. It can be cheaper to drive 2 to 3 hours to a smaller market — check the full cheap Sting tickets guide for current low-priced dates.
StingVIP Packages & Meet & Greet Options
When available, Sting VIP packages are offered directly on Ticketmaster alongside the standard tickets for each tour date. VIP experiences for Stingconcerts often include early venue entry, a premium seat or pit access, an exclusive tour merchandise item, and occasionally a pre-show soundcheck or photo opportunity. Meet and greet packages, when offered, sell out fastest — if you see one listed on the show page above, it's worth grabbing immediately. For the full breakdown of current VIP and meet and greet options on this tour, see the StingVIP & meet and greet guide.
StingPresale Tickets & Codes
Presale windows for the Sting 2026 tour typically open 1 to 3 days before the general on-sale and are the best way to lock in seats before inventory drops. The most common presales for Stingtour stops are Ticketmaster Verified Fan, Live Nation presale, the artist's official newsletter or fan club, and credit-card presales from Citi, American Express, or Capital One in North America. Sign-up links usually go live from the artist's official site 1 to 2 weeks before the on-sale. See the Sting presale guide for the current active codes and sign-up deadlines.
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