TWICE Spain Tour 2026 — Spanish Dates, Cities & Tickets

TWICE Spain Tour 2026 — All Dates

TWICE Spain Tour — FAQ

About TWICE

TWICE were assembled in 2015 through SIXTEEN, the JYP Entertainment reality competition that pitted sixteen company trainees against each other across vocals, dance, on-camera presence, and the harder-to-name idol-magnetism judging criteria that have shaped K-pop's audition format for the better part of two decades. The final nine — Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu — debuted in October of that year with The Story Begins and the lead single Like Ohh-Ahh, and what followed was one of the most commercially durable runs any K-pop act has ever put together. The multi-national lineup mattered from the outset: Momo, Sana, and Mina, all Japanese-born, gave the group a built-in foothold in the world's second-biggest music market, and Tzuyu, from Taiwan, opened the door to greater China and Southeast Asia at a time when the K-pop industry was still figuring out how to cross those borders without alienating any one of them. Sonically, TWICE built the post-2015 K-bubblegum-pop template — bright, hook-driven dance-pop with chant-led choruses, choreography written for short-form video before short-form video existed as a discovery surface, and a willingness to mix bubblegum with city-pop, retro-funk, and contemporary R&B textures as the discography matured through the second half of the decade. The Korean and Japanese discographies run on parallel rails: a Korean EP or studio album from JYP in Seoul, a synchronised Japanese release with original singles from the JYP Japan operation in Tokyo, and a touring footprint that treats both markets as equal-weight anchors rather than the home-and-overseas hierarchy that older K-pop acts used to default to. The catalogue runs more than thirty releases between the Korean and Japanese sides — studio albums, EPs, single albums, Japanese-original LPs — and the group's hit rate inside that volume has stayed remarkably high. The READY TO BE World Tour, launched in 2023, was the breakthrough moment — the first K-pop girl group tour to headline North American stadiums, with sold-out nights at SoFi Stadium, MetLife Stadium, and Toronto's Rogers Centre, making TWICE the all-time top-grossing girl-group touring act in any genre. The current 5TH World Tour, launched in the cycle that followed, has kept the production at the stadium and large-arena tier across Asia, North America, and the Pacific while reshuffling the setlist to give newer material like I Got You and ONE SPARK its first-tour airtime. Crucially, all nine members renewed their group contracts with JYP in 2022, an unusually rare full-lineup re-signing in K-pop's seven-year-cycle industry that gave the project the runway to plan multi-year tours and discographies without the lineup destabilisation that has ended so many of their peers. The ONCE fandom — global, multilingual, internet-native, and organised at scale — is the engine underneath all of it, and the group's positioning as the seasoned veteran act at the centre of the genre's stadium era is now the defining frame for how new tours, releases, and venue announcements get read.

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