The 2 closest dates from the live Ticketmaster feed.
ATEEZ is playing 2 cities this tour. Tap any city for exact dates, venue info, seat prices, and parking.
Live tour status for ATEEZ across the 12 biggest North American markets — refreshed daily from Ticketmaster. Tap any "not yet" city to see the closest confirmed date.
2 upcoming ATEEZ concerts across 2 cities in North America, with tickets from €38 EUR. Live Ticketmaster availability refreshed daily.
ATEEZ ticket prices vary by city, venue size, day of week, and seat section. Live price breakdown across all 2026 tour stops:
AATEEZ brings the 2026 world-tour staging that K-pop fans plan months ahead for — meticulous choreography, multi-act setlists, video walls, and fan-chant moments that make the live show fundamentally different from the streaming version. 2 confirmed dates across 2 cities this run. Tickets currently start at €38. Tour routing typically spans major North American cities, with Canadian stops usually including arena-sized venues in Toronto, Vancouver, Calgary, Edmonton, and Montreal, and US stops covering New York, Los Angeles, Chicago, Miami, Seattle, and other top metros.
ATEEZ tickets can move fast, especially for big-city dates, but there are a few reliable ways to land the best price.
When available, ATEEZ VIP packages are offered directly on Ticketmaster alongside the standard tickets for each tour date. VIP experiences for ATEEZconcerts often include early venue entry, a premium seat or pit access, an exclusive tour merchandise item, and occasionally a pre-show soundcheck or photo opportunity. Meet and greet packages, when offered, sell out fastest — if you see one listed on the show page above, it's worth grabbing immediately. For the full breakdown of current VIP and meet and greet options on this tour, see the ATEEZVIP & meet and greet guide.
Presale windows for the ATEEZ 2026 tour typically open 1 to 3 days before the general on-sale and are the best way to lock in seats before inventory drops. The most common presales for ATEEZtour stops are Ticketmaster Verified Fan, Live Nation presale, the artist's official newsletter or fan club, and credit-card presales from Citi, American Express, or Capital One in North America. Sign-up links usually go live from the artist's official site 1 to 2 weeks before the on-sale. See the ATEEZ presale guide for the current active codes and sign-up deadlines.
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ATEEZ — A TEEnager Z, 에이티즈, the eight-member South Korean group whose self-produced catalogue and theatrical staging have turned them from KQ Entertainment rookie-era underdogs into one of the few fourth-generation K-pop acts touring at stadium scale on Western legs — are Hongjoong, Seonghwa, Yunho, Yeosang, San, Mingi, Wooyoung, and Jongho. The group debuted in October 2018 with the EP Treasure EP.1: All to Zero and the title track Pirate King, launching a long-running pirate-and-treasure-hunter narrative that has anchored every album cycle since: the Treasure octalogy across the first two and a half years of the catalogue, then the Zero: Fever pentalogy, then the Spin Off and World series, then the Crazy Form and Bouncy era, then the Golden Hour run that pushed the group's commercial reach into Billboard 200 number-one territory. The fandom name is ATINY — a portmanteau of ATEEZ and destiny — and one of the most coordinated mid-2020s K-pop fanbases on coordinated light-stick programmes, fan-chants, and stadium-wide colour displays. ATEEZ are a self-producing group in a way few of their fourth-generation peers are: leader Hongjoong and lead rapper Mingi credit on the majority of the catalogue, including the title tracks and many of the B-sides, and the production team Edenary writes and arranges much of the discography in close collaboration with the members. The live show is the centre of the act's identity. ATEEZ concerts run as theatrical productions with full narrative through-lines — chapter titles, member-led VCR interludes, set-piece choreography that integrates fight choreography and martial-arts elements, costume changes across acts, and a full backup-dance crew alongside the eight members. The Towards The Light: Will To Power world tour that ran across 2024 and 2025 pushed the group from arena scale into the multi-night Western stadium tier — Coachella weekend-one and weekend-two headliner-tier sets, KSPO Dome multi-night stands in Seoul, multi-night Crypto.com Arena dates in Los Angeles, multi-night O2 Arena dates in London, multi-night Tokyo Dome shows in Japan, and the Spotify Camp Nou and stadium-scale rooms across Europe and the United States. The schedule strip at the top of this page pulls live from primary ticketing feeds the moment new ATEEZ tour dates clear.
ATEEZ were assembled by KQ Entertainment, a smaller Seoul label founded by industry veteran Kim Sung-soo (formerly of Avex Trax Korea) and his production partners in 2017, with a clear remit to launch a self-producing eight-member group that would differentiate itself from the SM/YG/JYP/HYBE majors through narrative-driven concept work, theatrical live production, and a faster international touring rollout than the typical rookie group could pull off. The lineup that debuted in October 2018 brought together Hongjoong, the leader, main producer, and rapper who had been training since 2017 after auditioning with original music; Seonghwa, the oldest member, lead dancer, and vocalist who joined KQ in 2017 after winning multiple regional dance competitions; Yunho, the lead dancer and sub-vocalist from Gwangju who joined as a trainee in 2017; Yeosang, the visual, lead dancer, and vocalist who was part of the original KQ Fellaz pre-debut crew; San, the lead dancer and vocalist who was also part of KQ Fellaz and has become one of the group's most prominent solo performance figures; Mingi, the rapper and dancer from Incheon who co-produces alongside Hongjoong on much of the catalogue; Wooyoung, the lead dancer and vocalist from Ilsan with a distinctive performance style; and Jongho, the maknae, main vocalist, and the powerhouse high-note finisher of the group. The Treasure EP series — All to Zero, Zero to One, One to All, One to Zero, and the Treasure Epilogue full-length — ran from October 2018 through January 2020 and built the pirate-and-treasure-hunter narrative that has defined the group's visual identity ever since. Pirate King, Hala Hala, Say My Name, Wave, Wonderland, and Answer became the early-era setlist anchors. The Zero: Fever pentalogy through 2020 and 2021 pivoted the narrative into a more cinematic, action-driven space with Inception, Fireworks, Deja Vu, Eternal Sunshine, The Real, and Rocky as setlist staples and pushed the group's commercial scale up another tier — Zero: Fever Part 1 was the first ATEEZ album to break into the upper Billboard 200, Part 2 went further, and Part 3 confirmed the trajectory. The Spin Off: From The Witness EP and the Sectional The World album series — The World EP. 1: Movement, The World EP. 2: Outlaw, The World EP. Fin: Will, and Spin Off: From The Witness — ran across 2022 through 2024 with Guerrilla, Halazia, Bouncy, Crazy Form, and Work as the title tracks. The Crazy Form era in February 2024 anchored the group's first proper Western chart push outside the K-pop core, with The World EP. Fin: Will debuting at number two on the Billboard 200, the highest-charting ATEEZ release at the time. Golden Hour: Part 1, released later in 2024 with the lead single Work, finally pushed the album to number one on the Billboard 200, making ATEEZ the third K-pop boy group ever to top the chart after BTS and Stray Kids. Golden Hour: Part 2 followed in 2025 with the lead single In Your Fantasy and confirmed the chart-topping run. The touring story has scaled in lockstep. The Fellowship: Map the Treasure tour in 2019 ran small theatres across Asia. The Fellowship: Beginning of the End tour in 2022 returned to live performance post-pandemic and added the group's first solo North American dates. The Fellowship: Break the Wall tour in 2023 became the first K-pop boy group to play Madison Square Garden and the first to headline Coachella weekend-one and weekend-two as the special-guest fill-in for Frank Ocean — a slot that effectively made ATEEZ the first K-pop act to do the festival on the main stage with the full slot. The Towards The Light: Will to Power tour across 2024 and 2025 pushed the group to multi-night stadium-tier rooms — the KSPO Dome in Seoul as the multi-night home stand, Crypto.com Arena in Los Angeles multi-night, the O2 Arena in London multi-night, Tokyo Dome multi-night, and stadium-scale rooms across continental Europe and the rest of the United States. The In Your Fantasy world tour cycle in 2025 and 2026 extends the multi-night arena and stadium template further. The fandom — ATINY — coordinates one of the tightest light-stick programmes in modern K-pop with the LIGHTIIZ light stick, an eight-pointed star design that ties to the group's pirate-compass visual identity.
ATEEZ tours run at the top end of the fourth-generation K-pop touring economy — multi-night arena stands in core markets, stadium-scale rooms in Seoul, Tokyo, Los Angeles, New York, London, and the largest European cities, and a production template that integrates theatrical staging, full backup-dance crews, narrative VCR interludes, and a level of fight-choreography integration few other K-pop acts attempt. The Fellowship: Break the Wall tour in 2023 became the first K-pop boy group tour to play Madison Square Garden and the first to headline Coachella main stage. The Towards The Light: Will to Power cycle across 2024 and 2025 pushed the production into the stadium-tier rooms — the KSPO Dome in Seoul multi-night, Crypto.com Arena Los Angeles multi-night, the O2 Arena London multi-night, Tokyo Dome multi-night, the Allianz Cloud and Palau Sant Jordi in continental Europe, and a longer multi-city North American leg than any prior tour. A typical ATEEZ stadium or arena show runs 150 minutes plus across roughly 27 to 31 songs, structured into clear narrative acts rather than a flat list — the show plays as a theatrical production with chapter titles, member-led VCR interludes, and a coherent through-line from opener to encore. The show opens with one of the harder dance-heavy title tracks — Crazy Form, Work, Guerrilla, and Bouncy have alternated as openers across recent legs — and rolls through a first block of choreography-led group numbers that lean into the catalogue's harder edges (Halazia, Deja Vu, Wonderland, Fireworks). A mid-show acoustic and vocal stretch slows the tempo into ballad territory (Take Me Home, Star 1117, IT's You) and lets the vocal line — Jongho, Seonghwa, Yunho — feature on stripped-back arrangements before the choreography ramps back up. Solo and sub-unit segments split the back half — Hongjoong and Mingi on the producer rap features, San and Wooyoung on the dance-led pair routines that have become a tour signature, Yeosang on his solo dance and visual feature — and the back-half full-group dance block ramps the hardest-hitting singles in waves (Bouncy, Crazy Form, Answer, Wave, Say My Name). The encore typically closes on a fan-favourite B-side or the title track of the current comeback. Production integrates a B-stage runway out into the floor for sub-unit and solo segments, full pyrotechnics on the explosive choruses, full smoke and laser programming across the dance numbers, a touring crew of 18 backup dancers, full in-ear monitoring across the eight members, and the LIGHTIIZ Bluetooth-synchronisation programme that turns the entire arena into a coordinated colour field. Production travels with the tour rather than being scaled per venue, which is part of why ATEEZ run multi-night stands in core markets. Dates announce in batches tied to the album cycle — every Golden Hour, World, or Treasure-series instalment anchors a touring leg — and the group's official site at ateez.kqent.com, the Lysn fan-club app, and the KQ Entertainment channels post first, followed by promoter pre-sale registration. The schedule strip at the top of this page pulls live from primary ticketing feeds the moment new ATEEZ tour dates clear.
ATEEZ tickets clear primarily through Ticketmaster and Live Nation in North America, AXS in the UK, Eventim across continental Europe, regional partners across Asia (Lawson Ticket and Pia in Japan; Melon Ticket and Interpark in Korea; SISTIC in Singapore; ThaiTicketMajor in Bangkok; Klook and Cityline in Hong Kong), and the official ATINY fan-club pre-sale ahead of every on-sale. Arena and stadium pricing tiers run roughly $80 to $140 USD for upper-bowl reserved seats, $140 to $260 for lower bowl and side-stage views, $260 to $420 for floor general admission and lower-end packages, and $600 to $2,200 for VIP tiers that bundle premium seating, early venue entry, soundcheck access, exclusive merchandise, and on select dates a group photo opportunity or hi-touch line. Dynamic pricing is active on Ticketmaster Platinum inventory and on premium-tier seats in core markets — Seoul, Tokyo, Los Angeles, New York, London — where the highest-demand rows have cleared on-sale at multiples of face value. The ATINY fan-club presale through Lysn opens first, then the KQ official-site presale, then the credit-card partner presale where applicable (American Express, Citi, Mastercard on US dates), then the venue presale, then the general on-sale. Signing up for ATINY membership ahead of the on-sale window is the single highest-leverage move for fans chasing premium-market tickets at anything close to face value — the annual membership cost is dwarfed by the spread on a single resale ticket in a premium row. Verified Fan registration through Ticketmaster on select North American legs has filtered some of the bot inventory out of the queue but is not a guarantee of getting a code. Secondary inventory shows up on StubHub, SeatGeek, Vivid Seats, and Viagogo internationally once the on-sale opens, often at 200 to 400 percent of face value on premium nights and higher on the front floor; speculative listings appear before official on-sale and should be treated with caution. The realistic non-presale path is to track resale in the week before non-premium-market dates as speculative listings cool, verify mobile-transfer eligibility before purchase, and avoid hard-copy or paper-ticket listings entirely. Stadium dates in major markets routinely become destination weekends rather than single-night trips — budget travel and accommodation alongside the ticket itself.
An ATEEZ stadium or arena setlist typically runs 27 to 31 songs across roughly 150 minutes, structured into clear theatrical acts rather than a flat list. The show opens with one of the harder dance-heavy title tracks — Crazy Form, Work, Guerrilla, and Bouncy have alternated as openers across recent tour legs — and rolls through a first block of choreography-led group numbers that lean into the catalogue's harder edges (Halazia, Deja Vu, Wonderland, Fireworks, Inception). A mid-show acoustic and vocal stretch slows the tempo into ballad and mid-tempo territory (Take Me Home, Star 1117, IT's You, Outro: Long Journey) before the choreography ramps back up. The solo and sub-unit segment splits the back half — Hongjoong and Mingi on producer rap features (often a stripped-back Mist or Cyberpunk segment), San and Wooyoung on the dance-led pair choreography that has become a signature of the tour template, Yeosang on a solo dance and visual feature, and Jongho on the vocal high-note showcase that has earned the maknae the nickname Apple Crusher. The back-half full-group dance block ramps the hardest-hitting singles in waves — Bouncy, Crazy Form, Answer, Wave, Say My Name, Pirate King, The Real, Hala Hala — with full pyrotechnics, smoke and laser programming, and the LIGHTIIZ light-stick Bluetooth synchronisation turning the bowl into a colour field. The encore typically closes on a fan-favourite B-side or the title track of the current comeback (recent legs have closed on Turbulence, Take Me Home, or Beginning of the End). Expect short choreography-led interludes, full pre-recorded VCRs that move the show through narrative chapters, and a coordinated light-stick programme that the production team scripts song by song. For night-by-night setlist data and exact song order across a tour leg, Setlist.fm filtered by ATEEZ is the community-edited source and usually has accurate data inside 24 hours of doors closing on each date. Setlists do shift across a tour leg — the order from opening night is not a guarantee for closing night, and special-guest features, festival shortened sets, and one-off appearances will run a different shape — so check the latest entry before the show if surprise-free is what you want.
Official ATEEZ meet-and-greets in the traditional Western pop sense — face-to-face fan signings, photo lines, hi-touch events — are rare outside South Korea and Japan, where the model is established as part of the album-launch fansign and hi-touch lottery system. At international tour dates, the closest equivalent is the official VIP package that bundles early venue entry, a soundcheck viewing slot, a commemorative laminate, exclusive merchandise, and on select dates a group photo opportunity (no individual member time, group photo only) or a brief send-off line. Full one-on-one meet-and-greets at international tour dates are not a standard offering on the touring template. The substantive fan-access path runs through the official ATINY fan-club membership on Lysn, which includes exclusive video and behind-the-scenes content, member messages on the Lysn platform, fan-club presale access for tour dates, and periodic ATINY-only video call events that are allocated by lottery to membership holders in good standing. Album-launch fansigns and lottery-allocated in-person events do still happen in Korea and Japan tied to album releases, but international ATINY have to travel for them, and the lottery odds at album-launch fansign events are steep enough that travel is the easier guarantee than winning a slot from outside Korea. The realistic North American and European fan-access strategy is membership-first, presale-first, and acceptance that the meet-and-greet model ATEEZ use differs from Western pop norms.
Seoul is ATEEZ's home city and the only market that consistently gets the most ambitious staging of any tour cycle. Group dates land at the KSPO Dome in Olympic Park, the Jamsil Indoor Stadium for arena-tier rooms, the Gocheok Sky Dome for the largest stadium-tier comeback shows, and the Inspire Arena in Incheon for newer-venue routing. The Towards The Light: Will to Power tour anchored a four-night multi-night stand at the KSPO Dome with full theatrical production, fan-meet activations across the surrounding Olympic Park grounds, and the KQ Entertainment headquarters pop-up store running across the dates. ATEEZ Seoul dates draw international ATINY travelling in from across Asia, North America, and Europe, and the surrounding ATEEZ Pop-Up, Lysn merchandise activations, and KQ Fellaz documentary screenings turn the city into a multi-day fan destination for the duration of the stand. Public transit via Seoul Metro Line 9 reaches Olympic Park directly and Line 2 covers Jamsil; expect heavy crowd control around stations on show nights and allow 90 minutes for post-show egress at KSPO Dome capacity.
Tokyo is ATEEZ's largest non-Korean market and the most reliable multi-night stand on any Asian leg. Group dates land at the Tokyo Dome in Bunkyo for stadium-tier rooms, the Saitama Super Arena and Makuhari Messe for arena-tier multi-night stands, and the Pia Arena MM in Yokohama for newer-venue routing. Japanese ATINY are among the most coordinated chapters in the global fanbase — light-stick programmes, fan-chants, and arena-wide colour displays tend to run tightest at Tokyo dates — and the dedicated Japanese-language singles and album catalogue (Limitless, Dreamers, NOT OKAY) typically earn dedicated setlist segments at Tokyo shows that you will not hear in other cities. The Tokyo Metro Marunouchi Line and JR Chuo Line cover the venue circuit; allow extra time for post-show crowd egress at Dome capacity and consider booking accommodation in Shibuya or Shinjuku for easier transit back after late shows.
Los Angeles is ATEEZ's most-played US market and the city where the Towards The Light: Will to Power tour anchored a multi-night stand at the Crypto.com Arena in 2024. Crypto.com Arena downtown is the standing assumption for any ATEEZ LA arena date, with BMO Stadium and the Hollywood Bowl as plausible stadium-tier or outdoor-amphitheatre alternates depending on routing. The 2024 LA stand sold out on initial on-sale and drove secondary-market pricing to three-to-five times face value on premium floor seats. LA shows draw industry attendance alongside hardcore ATINY, and the city's Korean-American community alongside the broader K-pop crowd produces one of the most consistently sold-out runs of any tour. Crypto.com Arena is best reached via Metro A Line or E Line to Pico Station or rideshare; on-site parking at arena capacity is brutal and pre-paid is essentially mandatory.
New York anchors the East Coast on any ATEEZ US leg, and the city carries the historical weight of being where ATEEZ became the first K-pop boy group to headline Madison Square Garden on the Fellowship: Break the Wall tour in 2023. Madison Square Garden remains the standard assumption for any future ATEEZ New York date, with the Barclays Center in Brooklyn, the Prudential Center in Newark, the UBS Arena in Belmont Park, and the larger Citi Field or Yankee Stadium as plausible alternates depending on routing and demand. The NYC and tri-state ATINY base is one of the deepest in the world, with the diversity of the New York fanbase matching the group's global reach more than almost any other tour stop. MSG is reachable via Penn Station directly above the arena; Barclays Center via the Atlantic Avenue subway hub; Prudential Center via NJ Transit from Penn Station to Newark Penn Station and a short walk. Allow 60 minutes plus for post-show egress at MSG full capacity.
Toronto is ATEEZ's biggest Canadian market and a confirmed stop on the Towards The Light: Will to Power North American leg, where the group played the Scotiabank Arena and sold out the room on initial on-sale. Scotiabank Arena downtown remains the standing assumption for any future ATEEZ Toronto date, with the Coca-Cola Coliseum, the Budweiser Stage outdoor amphitheatre, and the Rogers Centre stadium-scale upgrade as plausible alternates depending on the touring leg. The multi-cultural Toronto and GTA ATINY base produces one of the most diverse audiences on the North American leg, with strong contingents from the Korean-Canadian community in North York, the broader K-pop crowd across the GTA, and travelling ATINY from Montreal, Ottawa, and the upstate New York border. TTC subway Line 1 reaches Union Station directly with a short walk to Scotiabank Arena; demand-pricing on rideshare around show times is steep and transit is the realistic choice for most fans.
Chicago is the Midwest anchor for any ATEEZ North American leg, with the United Center on the West Side serving as the standard arena venue for recent tours and Allstate Arena in Rosemont as a smaller alternative. ATINY Chicago pull from Milwaukee, Indianapolis, St. Louis, Minneapolis, Cleveland, Detroit, and the broader Midwest for what is usually the only regional date on a tour. The United Center is reachable via the CTA Pink and Green Lines plus a short shuttle or walk, and the surrounding West Loop neighbourhood has the restaurant and bar density to absorb the pre-show and post-show crowd. Allstate Arena requires a rideshare from the Blue Line Rosemont stop. Expect the on-sale to clear fastest in the upper bowl tier where the price-to-sightline math is friendliest to travelling ATINY making a one-night trip; floor and lower-bowl premium clears within the first minutes of any on-sale.
Atlanta is the Southeastern US anchor for any ATEEZ North American leg, with State Farm Arena downtown serving as the standard arena venue for recent tours and the smaller Coca-Cola Roxy at The Battery as an alternative for showcase-scale dates. ATINY Atlanta pull from Nashville, Charlotte, Birmingham, Jacksonville, and the broader Southeast for what is usually the only regional date on a tour. The Korean-American community across Gwinnett County and the Doraville district produces one of the most organised Korean-diaspora K-pop chapters in the Southeast, and the city's broader K-pop and global-pop fanbase reliably sells out arena-scale dates. State Farm Arena is reachable via MARTA Red and Gold Lines to GWCC/CNN Center station with a short walk to the arena; on-site parking is limited and pre-paid is the realistic choice.
Houston is the Texas and broader Gulf Coast anchor for any ATEEZ North American leg, with the Toyota Center downtown serving as the standard arena venue for recent tours and NRG Arena as a smaller alternative for showcase-scale dates. The Fellowship: Break the Wall tour and the Towards The Light cycle both included Houston dates that sold out on initial on-sale. ATINY Houston pull from San Antonio, Austin, Dallas (when no separate Dallas date routes), New Orleans, and the broader Gulf Coast for what is usually the only regional date on a tour. The Korean-American community in the Spring Branch and Bellaire districts alongside the broader K-pop crowd across the metro produces one of the most reliable arena sell-outs on the Southern US leg. The Toyota Center is reachable via Houston METRO Red Line to Bell/Downtown Transit Center; on-site parking is available but typically pre-paid clears faster than venue lots on show night.
London is ATEEZ's UK and European anchor, with the O2 Arena in Greenwich serving as the multi-night arena venue for the Towards The Light: Will to Power tour and the historic standing assumption for any future ATEEZ UK date. The 2024 O2 multi-night stand sold out on initial on-sale and drove secondary-market pricing to three-to-five times face value on premium floor seats. Wembley Arena and the OVO Arena Wembley are plausible alternates at single-night arena scale, with the SSE Arena Wembley or even Wembley Stadium itself as future stadium-tier upgrades if the demand curve continues. UK ATINY pull from across England, Scotland, Wales, Ireland, and continental Europe for the only regional date on most tour legs, and London tends to clear faster than almost any other on-sale outside Seoul. The O2 Arena via the Jubilee Line to North Greenwich is the standard transit route; allow extra time for crowd control at the station on show nights and consider Thames Clipper boats from central London as a slower but uncrowded alternative.
Paris is ATEEZ's continental Europe anchor, with the Accor Arena at Bercy serving as the standard arena venue for the Towards The Light cycle and Adidas Arena in Porte de la Chapelle as a newer alternative. ATINY Paris pull from across France, Belgium, the Netherlands, Switzerland, and parts of Germany for what is usually the only regional date on a tour leg, and the K-pop and broader Asian-pop crowd across the Île-de-France region reliably sells out arena-scale dates. The dedicated Korean-French community across the broader Paris metro adds to the audience composition. The Accor Arena is reachable via Paris Métro Line 6 and Line 14 to Bercy station with a short walk; allow extra time for post-show crowd egress and consider RER C from Bibliothèque François Mitterrand for the return north of the river if your accommodation is near Gare du Nord or the Bastille district.
