Beabadoobee Tour 2026

Inside Beabadoobee

Beabadoobee — Beatrice Kristi Ilejay Laus, born in Iloilo in the Philippines in 2000 and raised in West London from the age of three — is the Dirty Hit indie-pop songwriter whose discography sits at the exact midpoint between 1990s alt-rock guitar music and the bedroom-recording generation that grew up on her debut single 'Coffee' looping through TikTok. She picked up an acoustic guitar at seventeen, wrote 'Coffee' the same week, uploaded the lo-fi recording to SoundCloud, and watched it become first a TikTok backbone and then, via Powfu's 'death bed (coffee for your head)', a global radio fixture — a viral arc that landed her on the BBC Sound of 2020 longlist and Dirty Hit's signing roster alongside The 1975, Wolf Alice and Rina Sawayama.

The debut album 'Fake It Flowers' (2020) translated the bedroom sound into a fully formed alt-rock record drawing on Pavement, Veruca Salt, Alanis Morissette and Mazzy Star; 'Beatopia' (2022) opened the palette out into bossa nova, twee-pop and folk while keeping the guitar-band centre of gravity intact; 'This Is How Tomorrow Moves' (2024), produced by Rick Rubin at Shangri-La Studios in Malibu, leaned the writing further into the confessional singer-songwriter tradition with 'Take a Bite' and 'Coming Home' as the standout cuts. Live, the show has scaled from the smaller London venues into the mid-arena and theatre tier across the UK, Europe, North America and Asia, with festival main-stage slots at Coachella, Reading and Leeds, and Glastonbury, plus an extended support run on The 1975's stadium leg and selected Asia dates of Taylor Swift's Eras tour.

This page is the working guide to who Beabadoobee is, what the live show actually delivers, how the ticketing tends to behave, and which rooms keep showing up on her routing through London, Toronto, New York, Los Angeles, Manchester, Chicago, Boston and Tokyo.

About Beabadoobee

Beatrice Kristi Ilejay Laus was born on 3 June 2000 in Iloilo City, in the Western Visayas region of the Philippines, and moved with her family to London at the age of three, settling in the Camden and West London area where she went on to attend a Catholic girls' school. The 'beabadoobee' moniker started as a teenage Instagram handle — a nonsense word her father improvised — and stuck through the SoundCloud era and into the Dirty Hit signing.

The origin story of the music is unusually specific: at seventeen her father gave her an acoustic guitar, she taught herself the chords to learn a song her family liked, and within days she had written 'Coffee', a one-take bedroom recording uploaded to SoundCloud in 2017 that found a TikTok audience and, in early 2020, a second life when Canadian rapper Powfu sampled it on 'death bed (coffee for your head)' — a track that charted in more than two dozen countries and ultimately hit the top fifteen on the US Billboard Hot 100. Dirty Hit Records signed her on the strength of the early SoundCloud catalogue and the EPs 'Lice', 'Patched Up', 'Loveworm', and 'Space Cadet' that followed, with the latter showcasing the 1990s-alt-rock pivot — Pavement, Veruca Salt, Alanis Morissette, Mazzy Star — that would define the debut album.

'Fake It Flowers' arrived in October 2020 to broad critical praise from NME, Pitchfork, Stereogum and The Guardian, and 'Care', 'Worth It', 'Sorry' and 'Sun May Shine' became the live-set anchors of the early headline cycle. 'Beatopia', released in July 2022, opened the writing out into bossa nova, twee-pop and chamber arrangements — 'Glue Song', the duet with Clairo, and 'Sunny Day' and 'See you Soon' demonstrated the broader palette without abandoning the guitar-band centre of gravity.

'This Is How Tomorrow Moves', released in August 2024 and produced by Rick Rubin at Shangri-La Studios in Malibu, leaned further into the confessional singer-songwriter tradition with 'Take a Bite', 'Coming Home' and 'The Way Things Go' becoming the most recent live cornerstones, and earned widespread end-of-year list placement. Across the three album cycle she has toured extensively in her own right, opened arena and stadium dates for The 1975 across the UK and the United States, played Coachella main-stage, and accepted selected Asia-leg support slots on Taylor Swift's Eras tour, which broadened her audience considerably across the Philippines, Singapore and Japan.

Beabadoobee tour dates

Beabadoobee tours a steadily expanding theatre and mid-arena footprint — UK and European legs routing through rooms like the O2 Forum Kentish Town, the Roundhouse, Hammersmith Apollo / Eventim Apollo, and the O2 Brixton Academy in London, with Wembley Arena and the O2 Arena in reach on the largest cycles, plus the Manchester Apollo, Albert Hall, the Olympia in Dublin, Paradiso in Amsterdam, La Cigale in Paris, Astra in Berlin, and Fabrique in Milan. North American legs sit in the mid-theatre tier — Terminal 5 and Radio City Music Hall in New York, the Wiltern and the Greek Theatre in Los Angeles, HISTORY and Massey Hall in Toronto, the Riviera and Aragon in Chicago, Roadrunner and the House of Blues in Boston, the Anthem in Washington and the Fillmore in San Francisco.

A working Beabadoobee headline set runs roughly 75 to 90 minutes including a one- or two-song encore, with a single support act pulled from the same indie, bedroom-pop or shoegaze-revival wave warming the room. Festival summers are central to the routing — Coachella main-stage, Glastonbury Park Stage, Reading and Leeds, Primavera Sound, Mad Cool, Fuji Rock, Summer Sonic, Lollapalooza and Outside Lands have all appeared on the calendar.

She has historically also accepted extended opening runs for The 1975 across UK and US arenas and stadiums, and selected Asia-leg support slots on Taylor Swift's Eras tour. The live event listings above this block are the working calendar — filter by city or date to see exactly which rooms are on sale right now.

Beabadoobee tickets

Beabadoobee shows at the current touring tier move through the standard primary channels — Ticketmaster (UK, North America and international affiliates), AXS for selected UK and US venues, See Tickets and Dice for the smaller UK rooms, Ticketmaster Canada in Toronto and Vancouver, and the venue box office for the independent theatres. Presales typically run a day before the public onsale through the Dirty Hit mailing list and the artist's own fan presale, the O2 Priority window in the UK, American Express partner presales in North America, and verified-fan systems on the higher-demand dates such as Radio City, the O2 Brixton Academy and Hammersmith Apollo.

Face value at the theatre tier usually sits in the rough range of £30 to £65 for standing and seated tickets in the UK and US$45 to US$95 in North America, with VIP packages — early entry, soundcheck access, exclusive merch and a signed lithograph on some cycles — running £120 to £250 or US$180 to US$350. Headline shows in London, New York, Toronto and Los Angeles have a habit of selling out the same morning of onsale, so secondary inventory turns up quickly on StubHub, Twickets, SeatGeek and Viagogo, usually at a meaningful premium.

Always cross-check the seat location against the venue chart before paying a resale markup, and prefer Twickets for face-value transfers where the listing exists.

Beabadoobee setlist

A Beabadoobee headline set at the current touring tier runs roughly 75 to 90 minutes and the running order has settled into a recognisable shape: a guitar-forward opener that establishes the band — typically drums, bass, second guitar and keys, with Bea on lead vocals and rhythm guitar — an early run from 'This Is How Tomorrow Moves' material to anchor the room, a centre-of-set acoustic or stripped-back moment that puts one of the recognisable songs on a single guitar or piano, and the streaming-known catalogue — 'Coffee', 'Take a Bite', 'Coming Home', 'Glue Song', 'Care', 'The Way Things Go', 'Worth It', 'Sun's More Important' and 'Cologne' among them — clustered through the back third where the warmed-up room sings every line back at the band. The encore is typically a single song, occasionally two, often closing on 'Coffee' or 'Glue Song' depending on the cycle and the city.

Exact running order shifts night to night, with the occasional cover, unreleased song or extended band feature dropped in on a given date. The live community on setlist.fm tracks each show after the fact — search 'beabadoobee' there for the night-by-night working setlist of the current tour.

Tour cities