Cole Swindell Tour 2026

Inside Cole Swindell

Cole Swindell is the Georgia-born country singer-songwriter who spent the early 2010s selling tour merchandise for Luke Bryan, slipped his own demos into Bryan's hands between shows, and watched his debut single "Chillin' It" climb to the top of the country chart before he had a record deal of his own. The Warner Music Nashville contract followed, the self-titled debut album in 2014 went platinum, and a near-decade run of singalong country radio has kept him on amphitheater and arena bills ever since.

He's the artist behind "You Should Be Here" — the title track of his 2016 second album, a four-week No. 1 on Billboard's Country Airplay chart that he wrote about his late father — and "She Had Me at Heads Carolina", the 2022 single that interpolates Jo Dee Messina's 1996 classic into a chart-topping bar-band anthem. The catalogue spans the self-titled 2014 debut (the "Chillin' It" record), You Should Be Here (2016), All of It (2018), Stereotype (2022) and Stereotype Broken (2023), with eleven No. 1 singles on Country Airplay across the run and a touring chapter that swings between amphitheater headline dates, arena co-bills with Bryan and Jason Aldean, and festival main-stage slots at Stagecoach, Faster Horses, Country Thunder and the CMA Fest in Nashville.

This page is the landing spot for current Cole Swindell tour dates, ticket information, setlists and city-specific show information, kept evergreen year-round so it tracks every leg of the current touring chapter as routing rolls out from amphitheaters into arenas and back again.

About Cole Swindell

Colden Rainey Swindell was born June 30, 1983 in Glennville, Georgia and raised in Bronwood, a farming pocket of Terrell County in the southwest corner of the state. He played football and baseball through high school, picked up the guitar at fifteen, and enrolled at Georgia Southern University in Statesboro on a partial scholarship, where he joined the Sigma Chi fraternity and ran into a fellow brother named Luke Bryan who was then a year-round bandleader playing nightclubs around the South.

The connection turned into a job after graduation: Swindell signed on as Bryan's merchandise manager and rode the bus through the back end of the 2000s and the early 2010s, selling T-shirts at the merch table, opening unannounced acoustic sets when Bryan let him, and writing songs in hotel rooms between markets. The first major-label cut came in 2011 — Craig Campbell's "Outta My Head" — followed quickly by Thomas Rhett's "Get Me Some of That", Florida Georgia Line's "This Is How We Roll" co-write, Scotty McCreery's "Water Tower Town" and a full songwriter publishing deal at Sony/ATV Nashville.

The pivot from songwriter to artist came at the end of 2013. Swindell self-released "Chillin' It" as an independent single while still under publishing contract, the track caught on at country radio without label muscle behind it, and Warner Music Nashville signed him to a recording deal once "Chillin' It" was already a top-five hit.

The self-titled debut album dropped in February 2014, went platinum inside a year, and produced three No. 1 Country Airplay singles back-to-back-to-back — "Chillin' It", "Hope You Get Lonely Tonight" and "Ain't Worth the Whiskey" — making Swindell the first solo artist in Country Airplay history to score three No. 1s from a debut album.

You Should Be Here arrived in May 2016, anchored by the title track he wrote about his father Keith Swindell who had died unexpectedly in 2013; the single spent four weeks at No. 1 and won Single of the Year and Song of the Year nods across the CMA and ACM circuits. All of It followed in 2018 with "Break Up in the End" (a No.

1, ACM Song of the Year), "Love You Too Late" and "Single Saturday Night". Stereotype came in April 2022 and produced "Never Say Never" with Lainey Wilson and "She Had Me at Heads Carolina" — the latter a six-week No. 1 built on a Jo Dee Messina interpolation that turned into the most-streamed country song of the year for Swindell.

Stereotype Broken, a 2023 deluxe expansion, added "Drinkaby" and kept the touring catalogue current. Across the run he's scored eleven No. 1s on Country Airplay, won the ACM New Artist of the Year, picked up CMT and Billboard awards, and built a touring operation that scales from honky-tonk to amphitheater to arena without losing the bar-band core of the show.

Cole Swindell tour dates

The current Cole Swindell touring chapter scales between three configurations: headline amphitheater dates anchored around the Stereotype and Down to Earth touring brands, arena co-bills with Luke Bryan, Jason Aldean and Kane Brown on package tours that route the bigger Friday and Saturday markets, and festival main-stage slots at Stagecoach in Indio, Faster Horses in Michigan, Country Thunder across the western circuit, Watershed at the Gorge in Washington, CMA Fest at Nissan Stadium in Nashville, and the Tortuga Music Festival in Fort Lauderdale. Headline amphitheater rooms include Ameris Bank Amphitheatre in Alpharetta, PNC Music Pavilion in Charlotte, Hollywood Casino Amphitheatre outside Chicago and St.

Louis, Jiffy Lube Live in Bristow, Walmart AMP in Rogers, Cynthia Woods Mitchell Pavilion outside Houston and Saratoga Performing Arts Center in upstate New York. Sets run a tight 75 to 90 minutes on a headline date with a four-to-five-piece road band, the catalogue stacked front to back so every chorus is a singalong and the stage lighting leans into red-white-and-blue washes and warm tungsten rather than full LED video walls.

Support acts rotate by leg and lean heavily on the rising country class — Dylan Scott, Ashley Cooke, Travis Denning, Hailey Whitters, Restless Road, Tucker Wetmore and Tigirlily Gold have all opened recent Swindell legs. Door times typically run 5:30 to 6:00 p.m. for amphitheater shows and 6:30 p.m. for arenas, with the opener on around 7:30 and Swindell at 8:45 to 9:00.

Production is deliberately middleweight — a runway thrust into the pit on some legs, hand-held cameras feeding the side screens, no pyrotechnics or full video-wall theatrics — built so the songs and the band carry the room. The grid above pulls the live schedule directly from Ticketmaster and updates as new Cole Swindell dates are confirmed and added.

Cole Swindell tickets

Cole Swindell tickets are sold through Ticketmaster as the primary outlet, with secondary inventory on StubHub, SeatGeek, Vivid Seats and Ticketmaster's own verified resale platform linked from each event card on this page. Amphitheater pricing for a headline date typically opens with reserved-pavilion seats in the $50–$110 range, lawn pricing at $25–$50, and front-of-stage pit or premium pavilion seats climbing into the $150–$300 zone.

Arena dates on co-bill packages run higher because the bill is shared — lower-bowl reserved seats $90–$220, upper-bowl $40–$80, and floor pit or VIP packages past $400 when the headline is Luke Bryan or Jason Aldean and Swindell is the direct support. Fan club presales through the official Cole Swindell site usually open the Tuesday or Wednesday before the Friday public on-sale and remain the best path to good seats on high-demand markets like Atlanta, Nashville, Dallas and Charlotte.

Citi cardmember and venue presales fill the rest of the week. Dynamic pricing is in play on most on-sales, so face value can move during the queue — refresh the secondary market the week of the show on non-major-market amphitheater dates and you'll often catch a 25 to 35 percent drop on lawn and reserved-pavilion pairs.

Always buy from a marketplace with a buyer guarantee.

Cole Swindell setlist

A current Cole Swindell setlist runs roughly seventeen to twenty songs across 75 to 90 minutes on a headline date with the band tight and the pacing built around the singalongs. The night usually opens with an up-tempo cut — "Single Saturday Night" or "Down Home" — to set the bar-band tone, then settles into a mid-set radio run that pulls in "Ain't Worth the Whiskey", "Hope You Get Lonely Tonight", "Chillin' It" and "Flatliner".

The Jo Dee Messina interpolation "She Had Me at Heads Carolina" lands roughly two-thirds of the way through and turns into a full singalong with the chorus held over the band; on legs where Lainey Wilson is on the bill she walks out for "Never Say Never" as a duet. "Break Up in the End" and "Love You Too Late" anchor the back half, with the slower "You Should Be Here" tucked in as the emotional pivot — Swindell wrote it for his late father and typically performs it with a single spotlight, the audience holding phone lights up, the band dropped back to acoustic guitar and piano.

"Drinkaby" or "Stay Downtown" closes the main set and a one-song encore — usually a cover of a country radio classic or his own "Middle of a Memory" — wraps the night. Check setlist.fm after the first night of any new tour leg for the current run order; fan submissions usually go up within a couple of hours of last call.

Tour cities